Sentences with phrase «impact on art history»

Call this the year of institutional consciousness - raising: three major art centers, the Museum of Contemporary Art in Los Angeles, the Museum of Modern Art in New York, and the Brooklyn Museum, have scheduled big events devoted to feminism's impact on art history — past, present, and future.

With a survey that spanned 40 years, Archibald Motley introduced the artist's canvases of riotous color to wider audiences and revealed his continued impact on art history.

Judy Chicago's outspoken attitude, landmark works, and impact on art history, should not be underestimated, but institutionally they continue to be.

This project addresses the multiple facets of Alloway's life and career and his impact on art history and criticism.

Not exact matches

To omit it is to miss the basic teaching of Christianity, one that has had a huge impact on Western history, thought, and culture — including, of course, Western art.

It said «most important» as in «this text has had a massive impact on human history, from wars to literature, from art to entire political systems; all have been heavily informed by this text.»

The «Ken Burns Lifetime Achievement Award» is presented jointly each year by Ken Burns and Old Sturbridge Village to an individual who has made a significant impact on the arts through projects related to history.

The Womanly Art Of Breastfeeding by La Leche League International Three in a Bed by Deborah Jackson Pregnancy and Childbirth by Sheila Kitzinger Reading Birth & Death: a History Of Obstetric Thinking by Jo Murphy - Lawless Impact Of Birthing, Practices On Breastfeeding: Protecting the Mother and Baby Continuum by Mary Kroeger and Linda Smith The American Way Of Birth by Jessica Mitford Communicating Midwifery by Caroline Flint Preparing For Birth With Yoga: Exercises For Pregnancy and Childbirth by Janet Balaskas Pregnancy and Childbirth by Miriam Stoppard Pregnancy to Parenthood by Linda Goldberg New Pregnancy and Birth Book by Miriam Stoppard Who's Having Your Baby?

If you are passionate about teaching and wish to make a positive impact on the lives of... English, ESL, Math, Art (visual, drama, or music), Physics, History, Geography, Business, Computer...

In 2005, Facing History and Ourselves launched a partnership with university scholars and Abt Associates, Inc., a highly experienced research and evaluation organization, to carry out a state of the art, randomized, controlled, experimental study of Facing History and Ourselves» lasting impact on teachers and students.

MUMA concludes our three - part series on watershed moments in art history with Technologism, a major group exhibition on the cultural, social and political impact of technological advancements in the modern era.

The exhibition draws upon the Wolfonian's collection to explore issues of identity — personal, corporate and national — as well as the impact of cultural displacement on the history of design and the role of commercial art in the modern city.

Curator Gary Garrels discusses the history of the Atrium as a space for new art commissions and the impact that Julie Mehretu's monumental works, HOWL, eon (I, II), will have on the museum and its community.

This exhibition illustrates the profound impact of Africa's art and rich history on twentieth - century African American artists.

CORPUS CHRISTI, TX - Traveling some 2,000 miles across the country, a slice of Hamptons art history is now on view and making an impact at the Art Museum of South Texas in «Adventures in the Arts.&raqart history is now on view and making an impact at the Art Museum of South Texas in «Adventures in the Arts.&raqArt Museum of South Texas in «Adventures in the Arts.»

-- Art in America «Co-curators Teresa A. Carbone and Kellie Jones present four convincing essays that address aspects ranging from representational strategies of artists, the use of photography beyond simple reportage, the impact of this work on the art history canon, and the globally situated struggle for emancipatiArt in America «Co-curators Teresa A. Carbone and Kellie Jones present four convincing essays that address aspects ranging from representational strategies of artists, the use of photography beyond simple reportage, the impact of this work on the art history canon, and the globally situated struggle for emancipatiart history canon, and the globally situated struggle for emancipation.

Even though the Peggy Guggenheim Collection in Venice is her most enduring «collective» legacy, Art of This Century, the gallery she opened in NY in 1942, had the most profound impact on the history and direction of Post War and Contemporary Western art as we know Art of This Century, the gallery she opened in NY in 1942, had the most profound impact on the history and direction of Post War and Contemporary Western art as we know art as we know it.

Points of View: Jonathan T.D. Neil on the value of an art history degree; Kimberly Bradley on Okwui Enwezor's impact on Munich's Haus der Kunst; Maria Lind on the New Enlightenment; J.J. Charlesworth on how to make a racist chair; Mike Watson on the Venice Biennale's lack of social engagement; Sam Jacob on art in the city; Mark Sladen on postdigital publishing; Hettie Judah on art's ghosts in the retail machine;

Informed by the international history of video art, the program traces the development of the medium in Israel and explores how artists have employed technology and material to examine the sociopolitical status quo, through themes such as the prominence of political conflict in mass media; the liberalization of the economy; and the impact of free market politics on Israeli culture.

Beyond this, the iconic significance of the gallery, and the historical moment necessitates that certain artists whose ideas and actions impacted on society, and on the course of art history, be included.

Presented on the 50th anniversary of President John F. Kennedy's assassination, Flash Back - November 22, 1963 investigates the lasting impact of a painful episode in American history at the same time that it explores the power of the media through art w...

In 1964, he became an artist - in - residence at the American Research Center in Cairo, Egypt, an experience that had a profound impact on how he understood the history of art and the place of people of color within it.

Sargent's art and research investigates the history and impact of the international shipping industry on the ecologies, economies, and communities along the Great Lakes and St. Lawrence River through a contemporary amalgam of new media art, radical cartography, grass roots activism, and sustainable culture as art practice.

In an extract from their forthcoming book, A History of Pictures, David Hockney RA and Martin Gayford discuss the impact of the digital age on art.

Created in response to Kenneth Clark's Civilisation — a more traditional take on Western art — Ways of Seeing exposes the ideologies underpinning the history of art, whether the female nude or the impact of advertising.

By displaying such a fascinating sum of artworks, The Ashmolean, together with the Terra Foundation, the Met and other contributors, intends to show how distinctly American modernism was born and what impact it had on the future development of art history.

She holds a BA in History, History of Art and Archaeology, and an MA in Art Management at Maastricht University, where she specialized in the art market and wrote a thesis on the impact of art faiArt and Archaeology, and an MA in Art Management at Maastricht University, where she specialized in the art market and wrote a thesis on the impact of art faiArt Management at Maastricht University, where she specialized in the art market and wrote a thesis on the impact of art faiart market and wrote a thesis on the impact of art faiart fairs.

His paintings celebrate colour and imbue a sense of impact, drawing on influences from art history, and reflecting his own experiences to produce something new and joyful.

Significant as these two works are, both within Oiticica's oeuvre and in terms of their impact on the trajectories of Brazilian culture and global art history, they comprise only one element of the Whitney's retrospective, which takes an expansive view of the impressively diverse work Oiticica produced in just two and a half decades from the mid 1950s until 1980.

This presentation allowed members to gain a deeper understanding of video art, one of the newest artistic mediums, and the impact it will have will have on art history.

But there are numerous other art schools around the world that have also made enormous impacts on the history of art, yielding generations of exalted alumni, boasting world - class faculty, and operating on a totally different scale and historical timeframe from schools of the U.S. model.

Time and history and their continued impact on contemporary art are recurring themes in this spring's residency exhibitions, which were curated by Rita Gonzalez, associate curator of contemporary art at the Los Angeles County Museum of Aart are recurring themes in this spring's residency exhibitions, which were curated by Rita Gonzalez, associate curator of contemporary art at the Los Angeles County Museum of Aart at the Los Angeles County Museum of ArtArt.

She has presented publicly in lectures, keynote addresses and hosted a number of community forums around topics of «Indigenous Self - Determination through Art» and the «Environmental Responsibility and Sustainability in Contemporary Indigenous Art Practices», «The History and Impacts of Economics on The Indigenous Object» as well as «Renegotiating Conservation: Revisiting the Roles and Responsibilities of Cultural Institutions in Canada regarding Indigenous Made Objects.

I recently sat down with Mary at her Dallas studio where we discussed early inspirations, Berkeley in the «60s, her love of art history, the evolution of the Meadows collection, her impact on generations of art students, her love of yupo and a run - in with Georgia O'Keefe.

He holds a Ph.D. in art history from the University of Southern California, for which he wrote a dissertation on how stage performance and theatricality came to impact postwar exhibition practices.7 Articles

According to Robert Hobbs, in his catalog essay for Eleanore Mikus: Tablets and Related Works, 1960 — 69 at Craig F. Starr Gallery (February 3 — March 25, 2017), Mikus left New York and got a Masters in Asian Art History at the University of Denver in 1967, where her thesis was on Tang - dynasty painter and poet Wang Wei and his impact on «monochromatic literati painting.»

Gallery to Close This Summer... In a statement, Gering said, «To the many artists whose impact on the art community have enhanced and enriched my life and left footprints on the history of our world, I thank you.

Feminist debates of the past three decades have had an enormous impact on the practice of art history.

More than 60 years later, the Asian - American artists have returned to the museum for «Abstract Expressionism: Looking East from the Far West,» where their art can take its place next to works by Pollock, de Kooning, and Rothko — filling out the history of Abstract Expressionism with vivid evidence of their impact on the movement.

TFAP is an international collaborative initiative celebrating the Feminist Art Movement and the aesthetic, intellectual, and political impact of women on the visual arts, art history, and art practiArt Movement and the aesthetic, intellectual, and political impact of women on the visual arts, art history, and art practiart history, and art practiart practice.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmarts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmArts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Suzanne Pagé, Artistic Director of Fondation Louis Vuitton and overall curator of the exhibition, says: «This exhibition has two objectives: to show in Paris works that represent pivotal moments in the history of modern art, while eliciting the impact that the expanded and renovated MoMA will have on the international landscapre.

In addition, they teach exhibition history, introducing art from the angle of exhibitions — their philosophical underpinnings and their impact on the vision and administration of new spaces and institutions.

The selected artist is considered by the jurors to have the potential to make a lasting impact on the history of American art, based on the excellence of past work as well as present work in the Biennial.

Over the years, certain MoMA shows have become the stuff of art history, perennially referenced for their impact on the movements or artists they brought to the fore.

Before Projection was organized by Director of Exhibitions and Curator Henriette Huldisch, who notes the importance of this predominately underrecognized period in art history, and aims to highlight its impact on contemporary art.

The work of Canadian artist Jeff Wall is immersed in art history, criticism and theory but also has its impact on contemporary art.

In this exhibition the impact of the multiple and the reproduction of sculpture on the history of art is explored by Edward Allington and Ben Dhaliwal through the work of historical and contemporary artists.

The resulting Economic Impact Study confirms the Torpedo Factory Art Center is critical to Alexandria's economy, and offers a broad perspective on what needs to happen in order to capitalize on the Art Center's history and grow it's success.

Two recent New York exhibitions serve as bookends marking the history of CalArts» impact on the art world — from the first wave of Calartians who went on to the make the...