Sentences with word «impasto»

The coloured threads are compressed and then pulled apart, like the application of impasto paint with the loose drip effect of abstract expressionism.

With the use of thick impasto of paintstick, Richard Serra has been creating drawings which resonate the artist's long - lasting devotion to the examination of the dualism of physical and cognitive perception of form.

Inside these baroque forms are uniformly sized blocks, each square its own pure color, sometimes only subtly distinguished from neighboring colors... Gordon's shapes are carefully molded in heavy impasto paint with a palette knife, a bas - relief in color that pops off the canvas... [Diamond] uses nature - based drawings to create forms that at first glance resemble figures but after closer study escape into the realm of the imagination.

I love Beijing - based artist Zhu Jinshi's heavy impasto oil paintings, where the vibrant colors appear to drip off the canvas.

Kelly's first encounter with Van Gogh catalyzed his obsession with impasto techniques, which earned him a solid place in the cannon of the time.

Zhang Huan employs a thick impasto technique and all - over style that engulfs the surface of each Poppy Field painting.

Painted in impasto style using just a palette knife, this semi-abstract artwork is colourful and contemporary.

The thick impasto surfaces of her abstract paintings and sculptures suggest accumulations of material, experience, and loss.

The collages, which give the impression of thick impasto oil paint, are then scanned at ultra high - resolution and printed.

Frank Auerbach (1931 ---RRB- is another modern artist who unabashedly uses impasto in his work.

Yet the same can not be said of his heavy impasto style painted portraits.

Abstract portrait with heavy impasto by Beatriz Chavez (American, 20th Century).

In Morgenthau Plan paintings Kiefer has mounted a photograph of the fields near his property in the south of France on the canvas first and then applied paint in thick impasto on top of the paper completely obscuring the images beneath.

Executed in rich impasto black and red oils this painting hints at how Davie's work was to develop over the next decade.

Textured impasto oil on canvas color field landscape minimalism sealed archival ready to hang.

His thick impasto layers of skilled strokes layer over the coal black ground, or liquid depth, a recognizable form of the koi that is simultaneously a riveting abstract painting.

Paint's fleshiness is the subject of both scrutiny and amusement in Postauthentic Times, in which neatly stitched linen strips, painted in navy - blue acrylic, seem to rise up and spill over at the edges — from a distance they look like the thick monochrome impasto brushstrokes of early Abstract Expressionism.

On the surface, the ordinary objects collected by the artist Zhu Jinshi during his time in apartment Ganjiakou 303 are very different from the heavy impasto strokes characteristic of his later oil paintings.

The exhibition follow the legacy of Souza's 1966 show Black Art and Other Paintings at Grosvenor Gallery where he presented a series of monochromatic works rendered in thick black impasto oil.

La Rue Noire (the road at Night,) 77 x 40 inches, oil on canvas is painted in a heavy, impasto method of mark making, in beautiful bronze, umber, yellow, orange and plum.

The painting makes you feel as if you were one of those particles in the painting, pulled in by an invisible magnet to the nucleus of the canvas.Up close you are able to see residues of color that have been over powered by the monochromatic duo of black and white impasto technique (almost un-noticeable from afar).

From a pictorial standpoint, Morton's expressive manipulation of celastic clearly reflects a painterly attitude, her swags, knots and bows resembling large impasto brush strokes.

His oil painting is characterized by heavy impasto brushwork, and are built up layer upon layer with plenty of scraping and repainting.

The thickly applied impasto effect is distinctly his own and he has also been known to spend years on a canvas, scraping off the paint at the end of the day if he is unhappy with it and repeating the process again each day.

Adding and obscuring in rotation, she builds a surface of thickly textured impasto from alternating layers of black and white, creating a body of work that engages both with the figurative tradition of Pop illustration and the action and materiality of Abstract Expressionist gesture.

Hi Dalette, yes you will be able to use them with acrylics if you use a more watercolour like technique (thinner washes) but it will be harder to move the paint around if you're painting in a more impasto technique because the sable hairs are softer.

36 x 36 inches on stretched canvas, unframed signed and dated on reverse Boldly colorful abstract impasto painting on canvas with dominate palette of yellow with splashes of gray an...

At times, the technique of animating van Gogh paintings has a dreamlike quality, and putting the flashbacks in black - and - white is a smart choice, creating a fascinating hybrid of monochrome impasto and the silky vibe of pre-Technicolor cinema.

Michael Williams makes a more convincing case for boardwalk subject matter, with Day - Glo impasto over silkscreens of Bait & Tackle and Dusty's Ice Cream.

Rather than drawing attention to the process of creating Abstract Expressionist works through impasto paint and visible brush marks, Lichtenstein imitated the effects of mechanical printing through a stencil process, thick black outlining and his striking hand - painted Benday dots.

Paint is built up on the canvas in textured layers for an unique impasto effect while lines of exposed canvas frame each shape for added detail.

The exhibition features the artist's volcanic rock sculptures and large - scale impasto paintings made with layers of pure pigment, water, glue and natural fibres.

But variations in tone and her use of impastos give the work a complex, veiled, glowing appearance, where colors and light appear to be shifting, vibrating and transforming within the picture space.

The artist developed a visual language characterized by dark, jeweled tones and swirling impasto layered over tinted photographs to create works at once sensual, provocative and haunting.

30x30x1.5 deep:: Type: Painting Medium: Oil Style: Abstract Subject: Abstract Tags: texture impasto landscape color field minimalism abstract expressionism Width: 30.0 Height: 30.0 Depth: 1.5 Weight: 4 lbs Framed: no:: All art on Zatista is original and signed.

Observing that Barthes, for all his insights, often overlooked the importance of a painting's tactile surface, Quaife samples both Barthes and Twombly, and collages them with his own impasto sections.

Bosch's paintings with their rough surfaces, so called impasto painting, differed from the tradition of the great Netherlandish painters of the end of the 15th, and beginning of the 16th centuries, who wished to hide the work done and so suggest their paintings as more nearly divine creations.

Now he's followed up with a confident solo outing at Devin Borden Gallery, taking elements of the previous show's most riveting works — sumptuous impasto passages of lush color intriguingly offset by metallic gold and silver paint — and convincingly blowing them up to AbEx scale.

Reconstructing this new visual language required a distancing from his influences of abstract expressionism and the brilliant post-Graffiti action paintings of his 2011 series Freedom Suite in which he explored the physicality and emotional qualities of writing and painting gestures with the use of temperate color themes over richly impasto layered backgrounds.

If you thought Van Gogh loved impasto, take a look at this detail from Schmidt - Rottluff's self - portrait!

This painting is made - up of a large impasto grid that serves as an imposing matrix.

The later works are more perplexing but equally rich in layering of thought... One era may be captivated by Brown's earlier impasto paintings.

Yet, the damaged landscapes and the grey paintings, ranging from thick impasto abstractions to flat blocks of grey tones will confound you, especially since he follows them up with a return to his blurry aesthetic applied to both photo - realism and abstraction.

The largest, Errant Rays and Seeds Escaping (2015 - 16) measures nearly nineteen feet in width and loosely depicts bodies coalescing and fragmenting amid vividly pigmented impasto.

A British room contains four works by Lucian Freud (1922 - 2011), ranging from an early painting (Self Portrait, 1949) to the remarkable etching, Self - Portrait: Reflection (1996); two paintings by Francis Bacon (1909 - 92); the heavily impasto Head of Man (Self - Portrait)(1964) by Leon Kossoff (b1926), whose thick paint swirls offer his own form of distortion, concealment and ensuing excavation; and a delightful recent graphite piece by Frank Auerbach (b1931), Self - Portrait II (2010).

In some of his assemblages, smeared peanut butter, like impasto pigment, frames magazine clippings, such as one that reads «Now You Can Bring Black History Home» and features a photo of African - American schoolchildren reciting the Pledge of Allegiance.

This arresting of image is facilitated by changes in mark - making; a plane of colour is scraped back then traversed by impasto marks.

Over this, slabs of thicker paint are allowed to run down the canvas, and over these are brightly geometric shapes in bold impasto, often squeezed straight from the tube.