It's difficult to measure
the importance of a film like this - and it's a relief that, besides being so relevant, this is such a great movie.
Looking back, it's easy to recognize
the importance of a film like Dumb and Dumber.
Here's hoping the story and script can do justice to
the importance of a film like this one; in the climate of today's entertainment industry, a smart, show - stopping female - led blockbuster could be more valuable than ever.
Perhaps the existence of Warm Bodies deflates
the importance of a film like Life After Beth, both romantic comedies which explore the relationship difficulties that emerge when one of the members of the happy couple is a zombie.
Not exact matches
It's a
film that often calls attention to its own self -
importance and falters when compared to Spielberg's best historical dramas
like «Munich» and «Lincoln,» movies that earn their messages instead
of just stating them.
The look
of the
film adds to its feeling almost
like a fable, as do the
importance of several everyday objects: a torn photograph, an empty water bucket, a child's bright red dress, a pair
of scissors, a crutch belonging to Parvana's father (he lost a leg in the fight against the Soviets).
Kubrick fanatics will probably be the most gladdened at the participation
of critic and Kubrick: The Definitive Edition author Michel Ciment, who goes full - tilt
film studies in his 20 - minute conversation, picking Barry Lyndon apart
like a mechanic dismantling an engine to show how it works, and its place
of importance within the director's body
of work.
The heyday for American
film criticism was the»70s because I think the people that got into it at that point were really inspired by the
likes of Andrew Sarris and Pauline Kael, both
of whom became famous and established the
importance of film critics as a cultural force.
In early 2009, the «everything - is - connected» movie finally hit bottom when its chief architect, writer Guillermo Arriaga (21 Grams, Babel), made his directorial debut with The Burning Plain, a
film that epitomized the dirge -
like self -
importance of the worst cinematic puzzles.
In the place
of a genuine dialogue on the subject
of a vertiginous period in gender politics in the United States is a fruitless discussion
of the titular Mona Lisa Smile, placing women, The Hours -
like, in some sort
of inscrutable ocean
of secrets (cribbing Titanic, another
film, as it happens, that features a revisionist femme recognizing the
importance of Picasso): troubled waters looking for bridges and objets d'art in need
of deconstruction.
It feels
like a
film about the
importance of looking not to the present, but to the future for true salvation — which nicely chimes with King's vocal hatred
of an American commander in chief, a man who seems violently obsessed with the short game.
It is here that the
film feels most
like family entertainment; there are deep and resonant themes
of the
importance of family and the unshakeable resolve
of children (none
of which should come as a surprise to those who have seen Laika's other works), but these are little more than surface reads that could have benefitted from a more robust screenplay.
At a time when there's so much incertainty in the US political climate, a
film like «The Post» arrives to remind us all
of the
importance of whistle - blowers.
This highly entertaining return
of one
of the cinema's most enduring giant beasts moves
like crazy — the
film feels more
like 90 minutes than two hours — and achieves an ideal balance between wild action, throwaway humor, genre refreshment and, perhaps most impressively, a nonchalant awareness
of its own modest
importance in the bigger scheme
of things.
During the interview, David Gordon Green talks about why he responded to the story, why he didn't want to make a traditional inspirational story, balancing entertainment with the
importance of telling a true story faithfully, deleted scenes, Sean Bobbitt's fantastic cinematography, what it was
like filming at a Bruins game, and more.
The
importance of a good cast in a
film like this can not be underestimated and as an ensemble piece, it worked really well.
It also makes the entirety
of the
film feel
like just a time waster,
of no
importance than to hold your attention with newer, shinier things to marvel at,
like a parent trying to pacify their crying baby with whatever objects or sounds are readily available around the house.
Since the
film is not a biopic in any traditional sense, you never feel
like you are being lectured about the
importance of an artist's output — instead, Matuszyński and screenwriter Robert Bolesto (
of «The Lure» fame) pull you into Beksiński's unconventional household and allow you to grow accustomed to its inner rhythms.
But
like its predecessor, this
film never feels woolly: it's filled with entertaining CGI set - pieces and has an admirable underlying message about the
importance of community spirit.
But there are also some important differences: Biff Grimes (Cagney) lacks Jim Corbett's gift for dominating the events
of his own life; women have far greater
importance here, with the title character (Rita Hayworth) and Amy (Olivia DeHavilland) being the central forces
of the
film; male friendship is complicated by betrayals and delusions (here the Jack Carson character is the traitor, while the unfortunate Grimes is rather
like the Carson character in Gentleman Jim).
If you'd
like to support a worthy documentary, which will help bring permaculture to more people and potentially convince a wider audience
of the
importance of this regenerative discipline, a pledge
of $ 25 will get you a digital download
of the
film, and a pledge
of $ 45 will get you a signed copy
of the DVD (which also includes 3 hours
of footage from site visits that didn't make it into the
film).
When our Waggl team saw this
film, it resonated with us immediately because we share core values
like inclusion and the
importance of culture and progressive leadership.