Sentences with phrase «important exhibitions throughout»

Not exact matches

Not content with simple rail travel, the Maputo Railway Station also plays an important part in the community as a place for local artists to display their works in exhibition spaces dotted throughout the building.

Their personal histories in L.A., their many exhibitions in Southern California, and in many instances through their widely known public works throughout the region reveal a profoundly important history.

Clement Greenberg became the voice of post-painterly abstraction when he curated an influential exhibition of new painting that toured important art museums throughout the United States in 1964.

She has been an important curatorial consultant throughout the exhibition's planning process.

Major exhibitions throughout the United States and around the world feature the work of important African and African American artists this season.

The exhibition features American artists for whom Blake was an important inspiration and includes more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

The exhibition will feature American artists for whom Blake was an important inspiration and will include more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

This immersive exhibition at Tate Modern celebrates Joan Jonas's outstanding contribution to art over the last five decades, uniting some of the most important pieces from throughout her career.

Clement Greenberg became the voice of Post-painterly abstraction; by curating an influential exhibition of new painting touring important art museums throughout the United States in 1964.

Young has participated in more than a hundred group exhibitions and he has had more than forty solo exhibitions in important contemporary art galleries throughout his career.

According to the university's press release: «Brenneman will lead efforts to reflect ethnic and gender diversity in all aspects of collections, exhibitions and daily operations; create more interactive cultural experiences; and engage with museums, collections and curators throughout the world to cultivate relationships that lead to meaningful and important exhibition projects.»

Anuszkiewicz went on participate in important museum and gallery exhibitions throughout the world.

Throughout the exhibition, we chose works by Matisse that we either knew to be important to Diebenkorn because he mentioned them specifically, or ones where we could see the resonances.»

This exhibition is another important retrospective exhibition held after his solo exhibition at the Long Museum (West Bund) in 2016, which features all his representative and contemporary works from different periods and different series throughout his 50 - year course of creation, demonstrating his creative context through the examination of sociality and aesthetics in his works and the milestones of his career.

Her works can be found in museum exhibitions and important corporate and private collections throughout the United States and Europe.

Works from public and private collections throughout New England, as well as the Museum's permanent collection, provide the focus of important, widely acclaimed exhibitions.

From her first solo exhibition in 1951, she was considered an important artist, and her work sold briskly throughout the decade.

In addition to his numerous solo and group exhibitions throughout the world (the most recent examples include the Metropolitan Museum of Art in New York and the Venice Biennale 2015) and representation in the world's most important collections, it is worth mentioning that there has been unusual interest in his work in China recently.

These exhibitions served for many artists as an important platform for the launch of their careers, helping them gain recognition and opportunities to exhibit their work throughout Asia and Europe.

The title of the exhibition «SAMIZDATA: Evidence of Conspiracy», Jacob Appelbaum's first solo show in Germany, references the Russian word «samizdat,» an important form of dissident activity throughout the former Soviet bloc in which censored literature was clandestinely reproduced and distributed.

The exhibition at VENUS will present historic paintings from Bengston's career alongside new Chevron paintings from 2016, offering viewers a survey of the artist's unique style and his undeniably important cultural impact both in Los Angeles and throughout the United States.

Solomon has exhibited widely throughout the United States at museums, galleries, and art fairs and is currently included in the important exhibition, «Defining Abstraction» curated by Mark Ormond at the Ringling College of Art and Design, Sarasota, Florida.

Throughout the 1980s, the exhibition program encompassed monographic exhibitions of emerging artists and group shows organized around important social and political issues by curators Lynn Gumpert, Ned Rifkin, and Brian Wallis.

This exhibition brings together the artist's most important works, proposing a sensory logic that is found throughout his artistic production.

Joining these are many important works shown in the galleries for the first time including new works made specially for this exhibition, including a diaphanous cellophane window sculpture by Karla Black, a new text work from the series pretty much every world written, spoken, heard, overheard from 1989... by Douglas Gordon, a newspaper collage by Tony Swain, a sculptural work on paper by Andrew Kerr, Jim Lambie's colourful pop poster stack (free to take away) and Hayley Tompkins and Sue Tompkins painted chairs that can be found distributed throughout the galleries.

His work has been the subject of important solo and group exhibitions at galleries and museums throughout the world including Bellwether Gallery, Brooklyn, New York, Galerie Nachst St. Stephan, Vienna; Kunsthalle Wien, Vienna, the New Museum for Contemporary Art, New York; and the Tate Britain, London.

Throughout our thirty - eight year history, we have realized ambitious programming, presenting important solo exhibitions by emerging and established artists including Sol LeWitt (1981), Charles Ray (1985), Jessica Stockholder (1988), Lorna Simpson (1988), Knut Åsdam (2003), Isabelle Pauwels (2004), Jeremy Deller (2006), Mona Vatamanu and Florin Tudor (2008), Deborah Stratman (2012), Paul Sietsma (2013), Geoffrey Farmer (2013), Tiziana La Melia (2014), Abbas Akhavan (2015) among many others.

Using the motif of a knot — a figure which plays an important role in the philosophy of Jacques Lacan — as a kind of unifying image throughout the work, the exhibition is spread over a series of galleries, each space alluding to a variation on the show's central premise.

Ligon is one of the most important American artists working today, with work spanning painting, sculpture, photography, and film, and exhibitions throughout the United States and Europe, including the 1991 and 1993 Whitney Biennials; Black Male: Representations of Masculinity in Contemporary Art and The American Century: Art and Culture 1900 — 2000, both at the Whitney; solo exhibitions at the Studio Museum in Harlem; the Kunstverein München, Germany; the Walker Art Center, Minneapolis; St. Louis Art Museum, Missouri; ICA in Philadelphia; and SFMOMA; as well as the 1997 Venice Biennale and Documenta II.

Sigma and 111, along with other historically important Romanian artists such as Ana Lupaș, receive special attention throughout Art Encounters 2017's main exhibition «Life a User's Manual,» curated by Ami Barak and Diana Marincu.

The exhibition «Figuration Narrative, Paris 1960 — 1972» in 2008 and the accompanying catalogue is a profound retrospective of this period, including a long list of exhibitions and events throughout these years, including the important exhibition «Mythologies quotidiennes», July — October 1964.

As a federal institution, an important part of the mission of the Smithsonian American Art Museum is to make its collections and exhibitions available throughout the United States.

Although Richter gained popularity and critical praise throughout his career, his fame burgeoned during his 2005 retrospective exhibition, which declared his place among the most important artists of the 20th century.

Many important Chicago area art organizations and business leaders have joined with EXPO CHICAGO to offer related programming that will augment the fair both on the exhibition floor, in other areas of Navy Pier and throughout the city.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

De Keyser was born in 1930 in the Flemish town of Deinze, Belgium, where he still lives, and his reputation was almost entirely confined to his home country and the Netherlands until 1990, when he began exhibiting regularly abroad, first in Germany and then throughout Europe and further afield, not only in one - person shows but in big international exhibitions like Documenta 9 (Kassel, 1992) and «The Broken Mirror,» an important painting survey in Vienna in 1993.