Sentences with phrase «important contemporary drawings»
1980 American Graffiti - Das Prinzip Collage II - Galerie Brusberg - Hannover, Hannover An Exhibition of Important Contemporary Drawings, Paintings and Sculpture - Margo Leavin Gallery, Los Angeles, CA A History of American Art Through Printmaking - Missoula Art Museum MAM, Missoula, MT
http://www.andrearosengallery.com/ Not exact matches
The gallery represents nationally and internationally known contemporary artists working in diverse media — including painting, drawing, photography, and sculpture, as well as important estates and foundations.
Drawing on the Met's collection of European sculpture and modern and contemporary art with a selection of important works from national and international museums and private collections, the exhibition will examine sculpture from 14th century Europe to the global present.
On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
Surface Truths, drawn from the Museum's holdings, presents seminal and seldom - seen work by these artists who blazed an important trail through the contemporary art world.
Art New York, presented by Art Miami, returns to Pier 94 from May 3 - 6 offering noteworthy and fresh works by important artists from the contemporary, modern, post-war and pop eras, featuring paintings, photography, prints, drawings, design and sculpture.
The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.
A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
One of the most important contemporary American sculptors, Martin Puryear (b. 1941) has also made drawings throughout his career.
We maintain our talks program dedicated to contemporary drawing nevertheless, with important curators and gallery directors such as Brett Littmann (Drawing Center NY), a great supporter of the fair, and Kate MacFarlane (co-founder and co-director of the Drawing Room in London) for instance as well as artists such as Hipkiss or Rebecca drawing nevertheless, with important curators and gallery directors such as Brett Littmann (Drawing Center NY), a great supporter of the fair, and Kate MacFarlane (co-founder and co-director of the Drawing Room in London) for instance as well as artists such as Hipkiss or Rebecca Drawing Center NY), a great supporter of the fair, and Kate MacFarlane (co-founder and co-director of the Drawing Room in London) for instance as well as artists such as Hipkiss or Rebecca Drawing Room in London) for instance as well as artists such as Hipkiss or Rebecca Salter.
Drawing upon the town's important collection of Romano - British, artefacts including coins, ceramics will be shown alongside contemporary works that consider the treatment of objects in the museum and contemporary culture as future historical record.
A major international loan exhibition of approximately 120 works, Like Life will draw on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
«Contemporary artists increasingly draw upon digital technologies to make their work, and it is important for us as a teaching museum to weave these works into our ongoing conversation about contemporary creativity,» said Ian Berry, Dayton Director of Skidmore's Tang TeacContemporary artists increasingly draw upon digital technologies to make their work, and it is important for us as a teaching museum to weave these works into our ongoing conversation about contemporary creativity,» said Ian Berry, Dayton Director of Skidmore's Tang Teaccontemporary creativity,» said Ian Berry, Dayton Director of Skidmore's Tang Teaching Museum.
La Jolla, CA, at the Miami Beach Convention Center, FL, Art Miami «92 Galerie Joachim Becker, Paris, Tom Wesselmann Drawings and Steel Drawings / Roy Lichtenstein Haystacks Lingotto, Torino, Italy, Arte Americana 1930 - 1970 Seventh Regiment Armory, New York, Sidney Janis Gallery, New York, The Art Show Tasende Gallery Booth, Yokohama, Japan, The Yokohama Art Fair Carl Solway Gallery, Cincinnati, 30th Anniversary Exhibition: Important Paintings, Drawings, Sculpture and Prints Isetan Museum, Tokyo, Figures of Contemporary Sculptures, 1970 - 1990): Images of Man, exhibition traveled to Daimaru Museum, Osaka, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima) Sidney Janis Gallery, New York, 20th Century Masters — Works on Paper Fondation Cartier pour l'art contemporain.
In contrast to the digitized, multimedia direction that much of contemporary art has taken in the past decade, drawing has become the major mode of expression for many of today's most important young artists.
During this time they built up a one of the most important collections of modern and contemporary sculptures, ceramics, drawings, prints and paintings in modern times, with work by Karel Appel, Lynn Chadwick, Michael Craig - Martin, Barbara Hepworth, Allen Jones, Henry Moore, John Piper, Joan Miro and many others.
The gallery specializes in Impressionist, Post-Impressionist, Modern and Contemporary masterworks and represents important 19th, 20th, and 21st Century European and American paintings, drawings, and sculpture.
Important exhibitions include: On Line: Drawing Through the Twentieth Century at The Museum of Modern Art, New York (2010); Ends of the Earth: Land Art to 1974 at the Museum of Contemporary Art, Los Angeles and Haus der Kunst, Munich (2012); Alice in Wonderland at Tate Liverpool, UK (2012); and FORTY at MoMA P.S. 1 (2016).
Isabelle DervauxThis focused exhibition — one painting and twelve drawings — fits into the program of exhibitions of modern and contemporary drawings that the Morgan has developed in the last ten years or so, which is devoted to the work of twentieth century artists for whom drawing was an important medium and who have made a particular contribution to its history.
An artist whose shrewdly absurd and laugh - out - loud funny drawings have made him famous around the world, David Shrigley has become an important figure in contemporary art almost as if by sneak attack — an unexpected but well - deserved fact attested to by his nomination for both this year's Turner Prize and Trafalgar Square's Fourth Plinth commission, Britain's two highest - profile art accolades.
Celebrating its 125th year, Baxter St at CCNY is marking this important anniversary with an exhibition of work by artists who draw upon the origins of the medium to address contemporary photographic issues and practices.
Picturing New York draws on one of the most important collections of modern and contemporary photography in the world to celebrate the long tradition of photographing New York, a tradition that continues to frame and influence our perception of the city to this day.
Important solo exhibitions include a retrospective organized by the Albright - Knox Art Gallery, Buffalo that traveled to the Hirshhorn Museum, Washington, D.C.; The Saint Louis Art Museum; Museum of Contemporary Art, Chicago; Seattle Art Museum; and the Dallas Museum of Art (1992 - 1994); a retrospective at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996); «Susan Rothenberg: Paintings from the 90's» at The Museum of Fine Arts, Boston (1999); and an exhibition of paintings and drawings at the Museum of Art at Cornell University that traveled to The Contemporary Museum in Honolulu and the Museum of Fine Arts, Santa Fe (1998 - 99).
Other important trends in contemporary sculpture include an increasing use of mixed media and the creation of works that draw their meaning and impact from their architectural context and also emphasize the role of the spectator.
The exhibition features works drawn primarily from the Museum's significant contemporary Latin American collections, presenting important paintings, sculpture, installations, and other works side - by - side for the first time.
TWO IMPORTANT EXHIBITIONS OF JACK TWORKOV COLORFUL PAINTINGS & DRAWINGS BY THE LATE ABSTRACT EXPRESSIONIST New York, December 2001 — The leading modern and contemporary art gallery, Mitchell - Innes & Nash, is pleased to announce their exhibition Jack Tworkov: Red, White and Blue.
Ligon draws important visual and thematic comparisons between the subtle shades of blue and black used in Ofili's Blue Devils (2014) and the «mood indigo» of the installation Concerto in Black and Blue (2002) by David Hammons — helping to further contextualize and integrate his artworks into a timeline of contemporary - art reference points with which U.S. and wider international audiences might be more familiar (87).
These principles are to be found in her impressive self - portraits as well as in numerous works in which she draws on motifs of important old masters such as Hans Holbein the Younger and El Greco or contemporary artists like Constantin Guys.
Each has drawn global attention and brought important contemporary art to the Santa Fe community and beyond.
In the catalogue prepared for the first ever Contemporary African Art Fair to take place in the world, the foreword by Koyo Kouoh, the fair's Cameroon - born artistic director, draws attention to many important aspects of the fair.
Dawn Clements's work was included in the Whitney Biennial, 2010; «Edward Hopper and Contemporary Art,» Kunsthalle Wien, Vienna, 2008; and is included in the permanent collections of the Museum of Modern Art and the Whitney Museum of Art, New York, the Princeton University Art Museum, New Jersey and many important private collections such as the Judith Rothschild Foundation Contemporary Drawings Collection.
This seminar provides an in - depth look at the contemporary art scene in Paris ahead of FIAC and Paris Photo, highlighting key galleries, projects and practitioners in Paris, drawing out important shifts and developments in recent years and explaining the reasons behind Paris» rise as a contemporary art centre.
Nina will present her work from the early period, important works such as Sold Down the River, a 1995 performance in Liverpool, described as «A Post Betrayal Intervention for a Post Industrial City» and her contemporary socially engaged practice including a protest intervention at the Turner Prize drawing attention to how recent terror legislation contravenes human rights.
I think what's important for the Morgan is that in this exhibition, instead of presenting our old master drawings — Mantegna, Dürer, Bruegel, Watteau, Ingres, Degas, and so on — in an historical context, among other drawings by the same artist, the same school, etc, we're showing them among contemporary works, and through the eyes of contemporary artists, so that the emphasis is on the process of drawing itself.
Other important exhibitions include: On Line: Drawing Through the Twentieth Century at The Museum of Modern Art, New York, 2010; Afterimage: Drawing Through Process, at the Museum of Contemporary Art, Los Angeles, 1999, and the Contemporary Arts Museum, Houston; Ends of the Earth: Land Art to 1974 at the Museum of Contemporary Art, Los Angeles, and Haus der Kunst, Munich, Germany, 2012; Alice in Wonderland at Tate Liverpool, U.K., 2012, and documenta 6, Kassel, Germany, 1977.
Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago
To date, SITE Santa Fe has successfully held six biennials, each of which has drawn worldwide attention and brought important contemporary art from all over the world to Santa Fe.
His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).
Exhibitions addressed important issues in contemporary artistic practice, drawing creativity from neglected areas of art.
Important solo exhibitions include a retrospective organized by the Albright - Knox Art Gallery that traveled to the Hirshhorn Museum, The Saint Louis Art Museum, Museum of Contemporary Art Chicago, Seattle Art Museum, and the Dallas Museum of Art (1992 - 1994); a survey at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996 - 1997); «Susan Rothenberg: Paintings from the 90's» at The Museum of Fine Arts, Boston (1999); and an exhibition of drawings and prints at the Herbert F. Johnson Museum of Art at Cornell University which traveled to the Contemporary Museum, Honolulu and the Museum of Fine Arts, Santa Fe (1998 - 1999).
Important solo exhibitions include a retrospective organized by the Albright - Knox Art Gallery, Buffalo that traveled to the Hirshhorn Museum, The Saint Louis Art Museum, Museum of Contemporary Art Chicago, Seattle Art Museum, and the Dallas Museum of Art (1992 - 1994); a survey at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996 - 1997); «Susan Rothenberg: Paintings from the 90's» at The Museum of Fine Arts, Boston (1999); and an exhibition of drawings and prints at the Herbert F. Johnson Museum of Art at Cornell University which traveled to the Contemporary Museum, Honolulu and the Museum of Fine Arts, Santa Fe (1998 - 1999).
Documenta is regarded as one of the most important exhibitions of contemporary art, drawing a dedicated audience from all over the world.
Alongside such large - scale exhibitions as the 2008 Tetsumi Kudo retrospective at the Walker Art Center and forthcoming Osaka retrospective; the 2011 Alina Szapocznikow retrospective at WIELS Contemporary Art Center in Brussels, the Museum of Modern Art, the Wexner Center for the Arts, and the Hammer Museum, the large - scale drawing show at the Center Pompidou in Paris, and forthcoming monographic show at the Tel Aviv Museum of Art; the massive Thek Artist's Artist monographic show at the 2008 ZKM, Karlsruhe and Reina Sofia, Madrid and the 2010 retrospective held at the Whitney and Hammer Museums; and the important place given to Hannah Wilke in the exhibitions Wack!
Recent noteworthy exhibitions include: Fleming's «Making Places,» exhibited at the Center for Contemporary Arts, Santa Fe and her touring exhibition showcasing the artist's extensive and intricate maquette series entitled, «Linda Fleming: Modeling the Universe» originating at the Nevada Art Museum and Drawn To / Drawn From: 1967 to 2012 at Oats Park Art Center, Fallon, Nevada; «Glimmer,» a site - specific sculpture for the Oakland Museum of Art, exhibited in the OMCA's iconic sculpture gardens; and Robischon Gallery's 2016 exhibition «DECLARATION,» in which Fleming's work was exhibited alongside other historically - important and esteemed artists such as: Louise Bourgeois, Helen Frankenthaler, Yayoi Kusama and Joan Mitchell.