Sentences with phrase «important curator at the museum»

Not exact matches

«This new specimen is important because it is so complete,» says Randall Irmis, curator of paleontology at the Utah Museum of Natural History at the University of Utah in Salt Lake City, who found the skeleton in 2003 but was not involved in the new study.

«The important thing about this study is that it demonstrates you can't grow great quantities of corn in the Chaco valley floor,» said Benson, an adjunct curator of anthropology at the University of Colorado Museum of Natural History.

«Although we tend to think of paleontological discoveries coming from new field work, many of our most important conclusions come from specimens already in museums,» says Dr. Christian Kammerer, Research Curator of Paleontology at the North Carolina Museum of Natural Sciences and author of the new study.

«Having seen the «Tufts - Love Rex» during its excavation I can attest to the fact that it is definitely one of the most significant specimens yet found, and because of its size, is sure to yield important information about the growth and possible eating habits of these magnificent animals,» said Jack Horner, former curator of paleontology at the Museum of the Rockies and current Burke Museum research associate, in a statement.

It is a must - attend event for serious collectors, curators, museum directors, and interior designers to see important work at the forefront of the international contemporary art movement.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.

In 1989 John Elderfield, then curator at the Museum of Modern Art, New York, organized a show of Diebenkorn's works on paper, which constituted an important part of his production.

We are grateful for the visionary leadership of Fine Arts Museums Director Max Hollein, his team at the Fine Arts Museums, including Tim Burgard, Curator - in - Charge, American Art Department, and their board, both in making this important acquisition possible and in helping us advance our mission in such a meaningful way.»

Building an expansive practice as a curator of modern and contemporary art — most recently as Curator at Large at the Blanton Museum of Art — Carlozzi has created seminal exhibitions, produced important commissions, and acquired major works by a wide range of acurator of modern and contemporary art — most recently as Curator at Large at the Blanton Museum of Art — Carlozzi has created seminal exhibitions, produced important commissions, and acquired major works by a wide range of aCurator at Large at the Blanton Museum of Art — Carlozzi has created seminal exhibitions, produced important commissions, and acquired major works by a wide range of artists.

Untitled, 1953 reflects the confidence and virtuoso painting of an important figure in the New York School at the height of his career,» said Tricia Laughlin Bloom, curator of American Art at the Newark Museum, in a press release.

At the Museum of Modern Art, where he became associate curator in 1968, he initiated the innovative Projects series and has organized some of the museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (Museum of Modern Art, where he became associate curator in 1968, he initiated the innovative Projects series and has organized some of the museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (2007).

Important New York art critics like Frank O'Hara, a poet and renowned curator at the Museum of Modern Art, recognized Riopelle's importance and compared him to Jackson Pollock.

Jay Levenson, Director, International Program; Astrid Persans, Programs Associate; and Amy Horshak, Museum Educator at The Museum of Modern Art have also organized the African Museum Professionals Workshop, an important initiative that will provide fifteen curators and educators from sub-Saharan Africa an opportunity to experience institutional practices in New York, while establishing relationships with museums and galleries in New York City, Washington D.C., and Los Angeles.

Joe Brainard: A Retrospective reveals the creative genius of this important late - twentieth century American artist, and is curated by Constance Lewallen, Senior Curator at The University of California, Berkeley Art Museum and Pacific Film Archive, where it debuted.

Hoffmann is positioning himself to be a major player in this emerging field of the exhibition - as - exhibition - history: his most recent book Show Time: The 50 Most Influential Exhibitions of Contemporary Art, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibition.

«Grace's highly regarded tenure as the Curator of Contemporary Art at the Laguna Art Museum, coupled with her recent work in Portland as an arts writer and critic, make her an ideal candidate to lead our important mission of evaluating and celebrating our region's historical and burgeoning visual arts scene.»

«One important lesson I learned from a publisher years ago is that, in the world of Internet search engines, the more key words, or «tags,» provided by your title, the better,» says Elizabeth Armstrong, curator of contemporary art at the Minneapolis Institute of Arts, reflecting on advice she'd been given when she was chief curator at the Orange County Museum of Art in California.

«Magnetic Fields: Expanding American Abstraction, 1960 s to Today is an important and relevant project at a time when the art world is at last recognizing the contributions of women artists to the key moments in American Art,» notes Lowery Stokes Sims, Curator Emerita, Museum of Arts and Design, and member of the Magnetic Fields advisory group.

As I absorbed the monumental color field paintings and scrutinized the circular bands of steel sculpture on the floor — representing two important aspects of his work in the seventies — I recalled that Olitski was the first living artist to be given an exhibition in 1969 at the Metropolitan Museum of Art by the curator Henry Geldzahler.

«It is important to the museum that we celebrate Lamar Dodd and his importance to art in Georgia and at the university during the Georgia Museum of Art's reopening year,» said Paul Manoguerra, chief curator and curator of American art atmuseum that we celebrate Lamar Dodd and his importance to art in Georgia and at the university during the Georgia Museum of Art's reopening year,» said Paul Manoguerra, chief curator and curator of American art atMuseum of Art's reopening year,» said Paul Manoguerra, chief curator and curator of American art at GMOA.

It is an important event for all serious collectors, curators, museum directors and interior designers, providing an intimate look at some of the most important work at the forefront of the international contemporary art movement.

«Magnetic Fields is an important and relevant project at a time when the art world is at last recognizing the contributions of women artists to the key moments in American art,» notes Lowery Stokes Sims, curator emerita, Museum of Arts and Design, and contributing author to the exhibition catalogue.

Just as important as taking in the offerings at museums and galleries is seeing what's fresh to the market at the fall's premier art fairs and not - to - be-missed at biennials — in addition to talks with artists and curators, who can lend new perspectives to works currently on view.

Donna De Salvo, the museum's chief curator and deputy director for programs, added in a statement, «His close relationship to artists locally and across the U.S., paired with his strong international perspective, will be a great asset to the museum and its audiences at this important transformative moment for the Whitney.»

«Seeing is important to Brice,» says Gary Garrels, curator of the MoMA retrospective and senior curator at the UCLA Hammer Museum in Los Angeles.

«Sean Scully: Resistance and Persistence» complements Sean Scully's extraordinarily successful and ground - breaking exhibition «Follow the Heart: the Art of Sean Scully» which opened at Shanghai Himalayas Art Museum and moved to Beijing Central Academy of Fine Arts Museum (CAFAM) in 2015, about which Global Times said «there is a Sean Scully hurricane blowing through China» and about which the curator Wang Chunchen said «it is as important an exhibition as Rauschenberg's ’85 show in China».

Organized by Richard Marshall, an associate curator who had at that time been at the Whitney for only three years, it was the first official recognition on the part of a major New York museum of the important esthetic changes underway in the art of the 1970's.

This important show was organized by James Crump, former chief curator at the Cincinatti Art Museum, where the show originated.

Untitled, 1953 reflects the confidence and virtuoso painting of an important figure in the New York School at the height of his career,» said Tricia Laughlin Bloom, Ph.D., the Newark Museum's Curator of American Art.

The museum's holdings of 1,215 American paintings alone will grow by 226, including beloved works like Frederic Edwin Church's 1857 «Niagara,» a 7 1/2 - foot - wide blockbuster that Nancy Kay Anderson, the curator of American and British paintings at the National Gallery, refers to as «our «Niagara» problem» because it is so important and so large that paintings at her museum will almost certainly have to move or go into storage to accommodate it.

But whether you are a freelance reporter for the Shawnee Dispatch, a curator at the Johnson County Museum, or a homemaker who likes to take the dogs for a long healthy walk in Shawnee Mission Park, you recognize how important it is to get your Shawnee insurance rates under control.

«If people become knowledgeable about these very important architects and their work, they gain a set of clues that will help them start a dialogue with an architect,» says Raymund Ryan, curator of architecture at the Carnegie Museum of Art in Pittsburgh.