Art conservation is set to get exciting (or at least very public) when the Museum of Contemporary Art (Moca LA) will clean and restore
an important drip painting by Jackson Pollock in full view of the public, reported The Art Newspaper.
Jackson Pollock: Blind Spots will introduce audiences to the artist's practice via a selection of
his important drip paintings made between 1947 - 50 including Summertime: Number 9A 1948 (Tate) and Number 3, 1949: Tiger 1949 (Hirshhorn Museum and Sculpture Garden).
Not exact matches
It's
important to make sure that the tape is tightly hugging the surface of the jar to avoid any
paint from
dripping in — you want clean, straight lines.
Important among them was the propensity to get very physical with
paint and to take into new terrain the pours and
drips of Jackson Pollock and the staining technique of Color Field
painting.
Spontaneity, chance, spilling,
dripping and brushing became
important working methods in the mid to late 1970s and Bowling began referring to his work as «poured
paintings».
Pollock, who exhibited his
drip paintings in 1951, freeing the line from figuration, was for Greenberg the pinnacle of American Modernism, the most
important artist since Picasso.
In the late 1940s, Jackson Pollock (1912 — 1956), now recognized as one of the most
important Abstract Expressionist artists, began experimenting with a new method of
painting that involved
dripping, flinging and pouring
paint onto a canvas laid flat directly on the floor.
If you were going to pick an
important moment in an artist's career, it could be terrific at 45 East 78th Street in these beautiful rooms, but you couldn't fill a museum with, say, 24 Pollock
drip paintings on paper.
With its opulent, marbled galaxy of
dripped, splashed and spattered
paint, Number 21, 1950 is a beautiful and
important work from the peak of Jackson Pollock's iconic «
drip period».
I believe that another woman, Janet Sobel, invented the relationship of
drip painting to intimacy that I have found so
important.
Namuth's photographs and films of Pollock still stand among the most
important documents showing an artist in his studio and continue to influence artists as diverse as Richard Serra (whose molten - lead sculptures from the late»60s transpose the
drip paintings into three dimensions) and Vik Muniz (who appropriated one of the images for a
painting in chocolate).
When Pollock was
painting his canvases, with his famous brush
dripping, the
important aspect of his art was the action of
painting, the movements of the artist on the canvas, the energy of every drop of
paint (read our article about Pollock here).
The
drip was a gestural element, but more
important, it delivered a physical and literal element that also captured a moment of time during the
painting process.
Another
important figure in the development of Colour Field
painting was Helen Frankenthaler (b. 1928), who began as a Cubist before exploring Abstract Expressionist styles in the early 1950s, making a significant development of Pollock's «
drip» technique.
Begun essentially by the Rothko, Newman, Still wing of Abstract Expressionism (Pollock's
drip paintings are crossovers between this and gestural abstraction), it continued on in Colorfield
painting, and in later large - scale monochrome and minimalist
painting (another
important addition to the map, although not with as much breadth as the Gestural.)