At The Painting Space I found out about a very exciting exhibition planned for next year (February to May 2012) at the Courtauld Gallery, London, exploring the relationship between two
important early modernist, abstract painters Piet Mondrian and Ben Nicholson.
Not exact matches
Late 19th - century Americans like Augustus Vincent Tack and Albert Pinkham Ryder, along with
early American
Modernists like Georgia O'Keeffe, Marsden Hartley, Stuart Davis, Arthur Dove, and Milton Avery's landscapes also provided
important precedents and were influences on the Abstract Expressionists, the Color Field painters, and the Lyrical Abstractionists.
German - born Bluemner was an
important member of the
modernist circle that formed around Alfred Stieglitz's galleries, 291 and the Intimate Gallery, in the
early twentieth century.
Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by
early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber;
important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).
Several
important modernist pieces, in addition to the Hopper, are contained in the bequest, including works by Charles Demuth, Marsden Hartley, and Horace Pippin, and
earlier American works by Thomas Cole and Albert Pinkham Ryder.
Standalone works and smaller ensembles of superb quality give visitors an insight into the
important modernist movements of the
early 20th century.
The results owe something to Milton Avery and Alex Katz, revere nature and revisit the
important role of landscape painting in
early modernist abstraction.
Several
important paintings by American
modernist Stuart Davis (1892 — 1964) are housed in the Amon Carter Museum of American Art, including an
early self - portrait painted in 1912 and a work from his Egg Beater series, Egg Beater No. 2 (1928).
An
important influence on the development of American art during the
early 20th century was the American photographer, editor, and art dealer Alfred Stieglitz (1864 - 1946), later the husband of artist Georgia O'Keeffe, who - with the help of his close colleague Edward Steichen (1879 - 1973)- devoted much of his energy to promoting fine art photography as well as
modernist painting and sculpture in the New York area.
Among the many artists whom she met at the time, Fairfield Porter, older and more established, became especially
important to her, as his commitment to
modernist representational painting supported her return to landscape painting Wilson's career as an artist began to take off in the
early 1960s.