Sentences with phrase «important early sculptures»

On view are important early sculptures, including Rainbow Picket (1964), which blend minimalist forms and bold color choices, and a range of vibrant paintings and sculptures made with sprayed acrylic lacquer, a material typically used for decorating cars.

The new sculptures are accompanied by a small selection of important earlier sculptures, the earliest of which, entitled Specimen, from 1963, was included in Price's first museum exhibition, at the Los Angeles County Museum of Art.

Not exact matches

Robert Murray, Ronald Bladen, Ann Truitt, Beverly Pepper, Robert Hudson, Larry Bell, Alexander Liberman, Robert Grosvenor, Forrest Myers, Michael Steiner, Peter Reginato, Marisol, Manuel Neri, Joel Perlman, Willard Boepple, James Wolfe, and dozens of others were by the late sixties - early seventies making important and expressive sculpture in a variety of styles.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

They are supplemented by two early paintings, several drawings and, most important, 23 sculptures that sum up her various sculptural uses of wood, bronze, marble, resin and stuffed fabric.

By the early 1980s, Nauman replaced text - driven installations and model pieces with important, aggressive neon light works and sculptures, evolving his use of language correspondingly.

Although by no means exhaustive, this exhibition offers an important opportunity to survey the artist's career, including his early «body print» Spade (Power for the Spade), 1969, and his sardonic riff on Minimalism, Untitled, 1989, a sculpture of fortified - wine bottles.

The program offers artists an important chance to expand both the scale and the scope of their practice at an early stage in their development while working with new materials and learning about the challenges and requirements of outdoor sculpture.

At the Museum of Modern Art, where he became associate curator in 1968, he initiated the innovative Projects series and has organized some of the museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (2007).

This intimate exhibition presented paintings, sculpture, decorative arts, works on paper and books from fifteenth - to early nineteenth - century Europe, drawn from the museum's collection and supplemented by loans from important public and private collections.

Consisting of over 40 works, with important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces.

The artist's early collages, produced at a smaller size than most of her sculptures, provide important insight into her thinking and working process and the importance of wood in her work.

It proceeds to the revolutionary everyday object sculptures of Claes Oldenburg and an extensive Assemblage collection by self - taught West Coast artist, Edward Kienholz, for whom Onnasch was an important early advocate.

2011 - Huntington Acquires Monumental Depression - Era Sculpture and Important Early 20th - Century American Painting

In his early years, Miles trained with several important sculptors, including Allan Houser, who created «Morning Prayer», the sculpture in front of the Eiteljorg Museum in downtown Indianapolis.

Harvard Art Museum This encompasses three centres: the Fogg Art Museum, concentrating on Western Art of the Middle Ages to the present (notably early Renaissance, British pre-Raphaelite, 19th - century Impressionist and post-Impressionist works, and an important collection of Picasso's works); the Busch - Reisinger Museum, specializing in fine art from Central and Northern Europe (notably 20th century German Expressionist painters); and the Arthur M. Sackler Museum, which focuses on ancient, Islamic and Asian art (notably archaic Chinese jades and Japanese surimono, as well as drawings, paintings and calligraphy from Iran, India, and Turkey, along with Greek and Roman sculpture).

Kelly's sculpture relates to two important early works: Study for Black and White Panels, 1954, a collage created during the artist's time in Paris, and Black Over White, a 1966 painting made in New York City, both of which will be on view in the gallery as part of the opening exhibition.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

Organised in collaboration with MoMA in New York, each chapter of Rauschenberg's long career will be represented by important works, among which will be a stellar selection of his legendary Combines — hybrids between painting and sculpture — as well as his graphic screen prints whose depiction of the assassinated US president John F Kennedy signal the artist's early commitment to political activism.

These works will be juxtaposed by important European classical paintings, prints and sculptures dating from the 15th through the early 19th centuries, including works by Il Cerano, Lucas Cranach, the Elder, Jacques Louis David, Cornelis Dusart, Jean Frederic Schall, Hieronymus Bosch, and Pieter Brueghel, the Elder.

In 2000, the Portland Art Museum (PAM) acquired the Clement Greenberg Collection of 159 paintings, prints, drawings, and sculpture by 59 important artists of the late - 20th century and early - 21st century.

JOSEPH BEUYS: BACKREST FOR A FINE - LIMBED PERSON OF THE 20TH CENTURY AD, 1972 - 1982, AND EARLY DRAWINGS: Located in the Chapel Gallery on the first floor of Ely House, this exhibition brings together a series of early drawings alongside an important sculpture by German artist Joseph Beuys, highlighting Thaddaeus Ropac's long - standing relationship to the artist's oeEARLY DRAWINGS: Located in the Chapel Gallery on the first floor of Ely House, this exhibition brings together a series of early drawings alongside an important sculpture by German artist Joseph Beuys, highlighting Thaddaeus Ropac's long - standing relationship to the artist's oeearly drawings alongside an important sculpture by German artist Joseph Beuys, highlighting Thaddaeus Ropac's long - standing relationship to the artist's oeuvre.

Featuring important paintings and sculptures created in Dresden in the 1960s and early 1970s, the exhibition presents unique insights into the artist's distinctive style and sensibility.

So well - established as an artist was she by the early 70s that her sculpture and paintings began being shown in a string of retrospectives at important US venues — San Francisco Museum of Art (1973), Fresno Art Center (1978 and 2001).

The Barnes holds one of the finest collections of post-impressionist and early modern paintings, with extensive works by Pierre - Auguste Renoir, Paul Cézanne, Henri Matisse, Pablo Picasso, Henri Rousseau, Amedeo Modigliani, Chaim Soutine, and Giorgio de Chirico; old master paintings; important examples of African sculpture; Native American ceramics, jewelry and textiles; American paintings and decorative arts; and antiquities from the Mediterranean region and Asia.

In the early 60s it was Girling who chose the colour red — and applied the paint to the sculpture herself — for one of Caro's most important works, «Early One Morning», a key piece in the ground - breaking 1963 show at London's Whitechapel Gallery that shot him to early 60s it was Girling who chose the colour red — and applied the paint to the sculpture herself — for one of Caro's most important works, «Early One Morning», a key piece in the ground - breaking 1963 show at London's Whitechapel Gallery that shot him to Early One Morning», a key piece in the ground - breaking 1963 show at London's Whitechapel Gallery that shot him to fame.

Titled «Important Works from 1961 to 1966,» the sixteen pieces — painting, sculpture, and drawing — that made up this exhibition underscore Wesley's importance during an early period in his career, namely the years immediately following his move from Los Angeles to New York, when he started exhibiting.

Continuing the retrospective theme of her recent New Museum retrospective, the artist has chosen to exhibit work from the 1960's to the present, including her signature early paintings, drawings, sculptures and an important video box.

The collection of American art ranges from the colonial period to the present includes 19th & 20th century masterpieces of American landscape and realist painting, with important works by Asher B. Durand, Winslow Homer, and Lily Martin Spencer; early 20th - century works of realism and modernism, including masterpieces by Thomas Hart Benton, Elizabeth Catlett, Stuart Davis, Jacob Lawrence, Georgia O'Keeffe, and John Sloan; a major collection of sculptures by Gaston Lachaise; and late - 20th century masterworks by Josef Albers, Helen Frankenthaler, Hans Hofmann, Isamu Noguchi and Jackson Pollock.

Beginning with the «Protractor Series» of the 1960s through the «Bali Series» of the early 2000s, the exhibition articulates Stella's groundbreaking fusion between painting and sculpture as illustrated by one major work from eight of the artist's most important series.

The cover lot, one of the most important works to be sold in LAMA's history, is an early John Chamberlain mixed media relief sculpture from 1962.

David Zwirner Featuring a selection of important sculptures, paintings, and works on paper, David Zwirner Gallery presents their first show of Ruth Asawa's work since announcing the representation of the artist's estate earlier this year.

Claes Oldenburg's early work, The Street (1960)-- an installation that conjures the gritty and chaotic atmosphere of downtown New York City — and The Store (1961 - 64)-- a large group of handmade, brightly painted sculptures depicting a myriad of commercial products and foodstuffs — redefined the concept of sculpture, putting him on the road to establishing himself as one of the 20th century's most important artists.

An important influence on the development of American art during the early 20th century was the American photographer, editor, and art dealer Alfred Stieglitz (1864 - 1946), later the husband of artist Georgia O'Keeffe, who - with the help of his close colleague Edward Steichen (1879 - 1973)- devoted much of his energy to promoting fine art photography as well as modernist painting and sculpture in the New York area.

The program offers an important chance to expand both the scale and the scope of ideas that they have developed in their earlier work, to experiment with new materials, and learn about the challenges and requirements of outdoor sculpture.

Gravity and Grace celebrated the transitional nature of sculpture during the late 1960s and early 1970s by presenting some of the most important and provocative works made during these years.

Post-minimalist sculpture was important, but so was the rediscovery in the late»70s and early»80s of models that were particular to painting such as Philip Guston's late work.

The Barnes holds one of the finest collections of Post-Impressionist and early Modern paintings, with extensive holdings by Pierre - Auguste Renoir, Paul Cézanne, Henri Matisse, Pablo Picasso, Henri Rousseau, Amedeo Modigliani, Chaim Soutine and Giorgio de Chirico, as well as American masters Charles Demuth, William Glackens, Horace Pippin and Maurice Prendergast, Old Master paintings, important examples of African sculpture and Native American ceramics, jewelry and textiles, American paintings and decorative arts and antiquities from the Mediterranean region and Asia.

+ Ribera, «San Andrés», est: 800.000 - 1.200.000 $, No vendido + Estudio de Diego Rodríguez de Silva y Velázquez «Retratode Don Diego de Acedo, El Primo», 578,500 $ 25 - 26 Jan > Christie's Old Master Paintings Part II + Old Master & Early British Drawings & Watercolors + Christie's Old Master Paintings Part I 26 Jan > Sotheby's Important Old Master Paintings and Sculpture