Sentences with phrase «important exhibition centres»

Not exact matches

Important corporate parks like Mindspace, Nirlon Complex, Techniplex, Infinity Park and the Bombay Exhibition Centre can be reached in minutes.

Other important solo exhibitions include Asia Society in New York (2011 - 12), Baltic Centre for Contemporary Art in Newcastle, UK (2009), Malmo Konsthall in Sweden (2006), Whitney Museum of American Art in New York (2003), Museum of Fine Arts in Boston (2002), Walker Art Center in Minneapolis (2002), Museum of Contemporary Art in Chicago (1999), Foundation Cartier in Paris (1999), and the Institute of Contemporary Arts in London (1998).

Erik van Lieshout has participated in numerous important solo and group exhibitions at home and abroad including S.M.A.K, Ghent, Istanbul Museum of Modern Art, BAWAG Contemporary, Vienna, Witte de With Center for Contemporary Art, Ludwig Museum, Cologne, New Museum, New York, Kunsthaus, Zurich, Hammer Museum, Los Angeles, Walker Art Center, Minneapolis, Tate Modern, London, ICA London, Museum Boijmans Van Beuningen, Rotterdam, the 2006 Gwangju Biennale, Stedelijk Museum, Amsterdam, 2005 Sjarjah Biennial, Centre Pompidou, Paris, Centre d'Art Contemporain, Geneva, and the Museum of Modern Art, Tokyo.

His work has been the subject of many important exhibitions, including the Whitney Museum of American Art, New York (1988 and 2012 — 13); Centre Pompidou, Paris (1989); Deutsche Guggenheim, Berlin (2003); and Kunstmuseum Winterthur (2003) and is included in many museum collections worldwide, including the Museum of Modern Art, New York; Art Institute of Chicago, Museum Ludwig Cologne, and Fondation Cartier pour l'art contemporain, Paris.

Gallery artists have been included in important exhibitions at the Venice Biennale, Brooklyn Museum, New York; Grand Palais, Paris; Guggenheim Bilbao; Camden Arts Centre, London; Salon 94, New York Tel Aviv Museum of Art and Saatchi Gallery, London among others.

Francis Bacon and the Masters, set to be an internationally important exhibition at the Sainsbury Centre for Visual Arts, opens 18 April.

Her most important solo exhibitions include: Feast and famine, kurimanzutto, Mexico City, Mexico (2015); Minerva Cuevas, Museo de la Ciudad de México, Mexico City (2012); Landings, Cornerhouse, Gallery 1, Manchester, United Kingdom (2011); SCOOP, Whitechapel Gallery, London, United Kingdom (2010); Minerva Cuevas, Van Abbemuseum, Eindhoven, Nederland (2008); Phenomena, Kunsthalle Basel, Basel, Switzerland (2007); On Society, MC Kunst, Los Angeles, United States (2007); Egalité 2007, Le Grand Café — Centre d'art contemporain, Saint Nazaire France (2007); Schwarzfahrer Are My Heroes, DAAD, Berlin Germany (2004); Mejor Vida Corp, Museo Tamayo, Mexico City, Mexico (2000).

The work of CPLY has been the subject of numerous single artist shows and a traveling retrospective at the Kunsthalle Bern, Centre Georges Pompidou, and the Stedelijk Van Abbesmuseum, and has been exhibited in several important group exhibitions, including documenta 5 and documenta 7.

She has been included in numerous important group exhibitions, including Danser Sa Vie, Centre Pompidou, Paris (2011); 2010: Whitney Biennial, Whitney Museum of American Art, New York (2010); While Bodies Get Mirrored.

She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São Paulo (1994).

Architectural models play an important dimension in Bronstein's work and will be an integral part of the exhibition at the Centre.

Some important solo exhibitions are: Local Gothic and Culture at Kunst Halle Sankt Gallen; Project Room at Centre Culturel Suisse, Paris; Two feet in the one shoe at Parasol unit, foundation for contemporary art, London; Infected Eye at Autocenter, Berlin.

In addition to the loan from the Astrup Fearnley Collection the exhibition also includes important loans from international museums and private collections including Centre Georges Pompidou, Paris; Fondation Beyeler, Riehen / Basel; Smithsonian Institution, Washington, DC; Museum of Modern Art, New York and Tate, London.

He has held numerous solo institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).

Posthumously his works were shown in 1999 in an important exhibition held at the Queens Museum, New York entitled Global Conceptualism: Points of Origin, 1950s — 1980s and in 2009/10 at Centre Pompidou, Paris, in the group show The Promises of the Past: A Discontinuous History of Art in Former Eastern Europe.

The art fair is still young, with only its 4th edition opening this Thursday at the Hong Kong Convention and Exhibition Centre, but its location in Asia's most important financial center and increasingly a hotbed of art and antiquities auctions, means its well positioned for success.

«Lucian Freud, today aged 88, stands among the most important living artists in the world and he hasn't been exhibited in France since the last retrospective exhibition presented by the Centre Pompidou in 1987.

Important solo museum exhibitions include Van Abbemuseum, Eindhoven; Kunsthalle Bern; Whitechapel Art Gallery, London; Museum Ludwig, Cologne; Louisiana Museum of Modern Art, Humlebæk; Tate Modern, London; BOZAR Centre for Fine Arts, Brussels; and most recently the Beaux - Arts de Paris.

«Art and craft are at the centre of my creative process and these exhibitions are an exciting way of exploring artists that are important to me», says Jonathan Anderson, LOEWE's Creative Director.

Recent important travelling exhibitions include Virginia Woolf: an exhibition inspired by her writings, touring from Tate St. Ives, UK to Pallant House Gallery Chichester, UK and Fitzwilliam Museum, Cambridge, UK (2018); Michelle Stuart: Drawn From Nature touring from Djanogly Art Gallery, Lakeside Arts Centre, Nottingham, UK to the Parrish Art Museum, Watermill, NY, and the Santa Barbara Museum of Art, CA (2013 — 2014); and Apparitions: Frottages and Rubbings from 1860 to Now, Hammer Museum, Los Angeles, CA and the Menil Collection, Houston, TX (2015 — 2016).

The multi-storied space became a centre for international art gatherings and exhibitions, including an important installation of works by Paul McCarthy, the first in Britain.

«In my opinion, both cities are still vital centres for the commerce of art and they still host some of the most important international exhibitions.

The first ever exhibition in Greece to feature solely New York - based artists, Greek Gotham is the gallery's largest exhibition to date — one of «nearly institutional proportions» as Vranopoulou excitedly exclaimed hours before the opening — and draws playful yet acute associations between two of the most important cultural centres of the Western world — namely, Ancient Greece and present - day New York City.

I regularly exhibited in Jamaica during the 1980s and held a number of important group and solo exhibitions, including: Painting, Patchwork, Paper, The Barn, 1983, Patchwork: The Female Pattern, Frame Centre Gallery 1984, Young Talent, National Gallery of Jamaica, (1984) and Magic Carpets, Frame Centre Gallery 1986 and my paintings can be found in renowned private and public collections including the Victoria & Albert Museum, London.

What's more, he's been included in a number of important exhibitions of late including: Private Settings at the Museum of Modern Art, Warsaw (2014); Image Employment at MoMA PS1 (2013); Free (2010) at the New Museum of Contemporary Art, New York; Collect the Wwworld at Link Art Centre, Brescia, Italy; and New Wave at the Internet Pavilion within the Venice Biennale, 2009.

Over the years, Ruscha has been the subject of numerous major presentations worldwide, including his first museum retrospective in 1982 at SFMOMA, followed by important exhibitions at the Centre Georges Pompidou in 1989; the J. Paul Getty Museum in Los Angeles in 1998; the Hirshhorn Museum and Sculpture Garden in 2000 (curated by Neal Benezra); the 51st Venice Biennale in 2005; the Jeu de Paume in 2006; London's Hayward Gallery in 2009; the Modern Art Museum of Fort Worth and the Hammer Museum in 2011; and the Kunsthaus Bregenz, Austria, in 2012.

Barceló has exhibited his work widely in group and solo exhibitions; important retrospectives have been shown at the CAPC, Bordeaux, Palacio de Velazquez in Madrid and Institute of Contemporary Art in Boston (1986); Musée d'Art Contemporain de Montreal in Montreal (1988); Musée d'Art Contemporain de Nimes (1991); Galerie du National du Jeu de Paume (1996); Centre Pompidou (1996); Whitechapel in London (1994); Museo Reina Sofia (1999), Musée des arts décoratifs, Paris (2000); Fondation Maeght in Saint - Paul de Vence (2002); Galleria Nazionale d'Arte Moderna (Rome)(2002 - 2003); Musée du Louvre in Paris (2004); the Irish Museum of Modern Art in Dublin (2008); and joint exhibitions at the Musée Picasso and the Bibliothèque Nationale de France (2016).

Important solo exhibitions include Work is Never Finished, Art Institute Chicago, IL (2017); Corpus, Instituto Valenciano de Arte Moderno, IVAM, Valencia, Spain (2017) and Wiels, Contemporary Art Centre.

This will be followed on 7 March by an important exhibition by the internationally - renowned Irish artist James Coleman, being shown in collaboration with Project Arts Centre and the Royal Hibernian Academy.

Important solo exhibitions include Fundación Luis Seoane (2015), Camden Arts Centre, London (2010), Centro Andaluz de Arte Contemporáneo, Sevilla (2005), and Museo de Arte Contemporanea de Vigo (2004).

The Schirn exhibition brings together around 50 works from important museums and public collections across the world, including the Solomon R. Guggenheim Museum, New York, the National Gallery of Art, Washington D.C., the Museo Reina Sofi?a, Madrid, and the Centre Pompidou, Paris, as well as important private collections, and aims to present a new approach to Miró's art.

His paintings, drawings, and sculptures have been the subject of more than 20 solo exhibitions since 1995 and over 100 group shows since 1990 and are held by important collections including the Museum of Modern Art, New York; the Tate Modern, London; Centre Georges Pompidou, Paris; Fondation François Pinault, Paris; and the San Francisco Museum of Modern Art.

Each of the artists will produce an art work for Istanbul by the end of 2010; a collection of 77 pieces of art will be presented to Istanbul.Visibility a one day intense programme October 2010, intends to make contemporary art, artist and Galata Visible to the people just like a flash of Lightning aiming to make visible historical architectural and sociological richness richness of Galata and the industry in Sishane.Highly regarded artists, organizers and museum executitives visiting Istanbul offered a platform where they can get to know the local production.Photography parade in December 2010, will aim to document an important cultural art and life a total of 12 photography exhibitions will be opened at the Fototrek photography centre or Istanbul street including works by local and foreign photographers.

Pollock saw several important exhibitions in his lifetime and numerous posthumous exhibitions have been held, including the Centre Georges Pompidou, Paris, the Museum of Modern Art, New York and the Tate Gallery, London.

Photography parade in December 2010, will aim to document an important cultural art and life a total of 12 photography exhibitions will be opened at the Fototrek photography centre or Istanbul street including works by local and foreign photographers.

The Vorticist movement started to come together in about October 1913, inspired in part by two important futurist art exhibitions held in London, in 1912 and 1913, and in part by the establishment of the short - lived Rebel Art Centre.

Important solo museum exhibitions include Van Abbemuseum, Eindhoven; Kunsthalle Bern; Whitechapel Art Gallery, London; Museum Ludwig, Cologne; Louisiana Museum of Modern Art, Humlebaek and BOZAR Centre for Fine Arts, Brussels.

One of the most important paintings by a British artist of the last century will take centre stage at a forthcoming exhibition in Cockermoth.

The artist also presented important solo exhibitions at the Nasher Sculpture Center in Dallas (2012), Faena Arts Center in Buenos Aires, which traveled to Estação Leopoldina in Rio de Janeiro (2011 - 2012), Hayward Gallery, Southbank Centre in London (2010) Museum of Modern Art in New York (2010), Fearnley Museum of Modern Art in Oslo (2010), Sao Paulo Museum of Modern Art (2010), Museo d'Arte Contemporanea Roma in Italy (2008), Museum of Contemporary Art, Sydney, Australia (2002), and the Hirshhorn Museum and Sculpture Garden in Washington, D.C. (2002), among others.

Gallery artists have been included in important exhibitions at the Venice Biennale, Brooklyn Museum, Grand Palais, Guggenheim Bilbao, Camden Arts Centre, Salon 94, Tel Aviv Museum of Art and Saatchi Gallery among others.

His most important projects and exhibitions include: Autorreconstrucción: Social Tissue, Kunsthaus Zürich, Switzerland (2018); Sensory Spaces 12: Abraham Cruzvillegas, Museum Boijmans Van Beuningen, Rotterdam, Netherlands (2017); The Water Trilogy 2: Autodefensión Microtonal Obrera Campesina Estudiantil Metabolista Descalza, Ginza Maison Hermès: Le Forum, Tokyo (2017); Autoconstriction approximante vibrante rétroflexe, Carré d'Art - musée d'art contemporain de Nîmes, France (2016); Empty Lot, Tate Modern, London (2015); Autodestrucción 7: Deshaciendo el nudo, Museo de Arte de Lima — MALI, Peru (2015); Abraham Cruzvillegas: Autoconstrucción, Museo Jumex, Mexico City and Museo Amparo, Puebla, Mexico (2014); Abraham Cruzvillegas: The Autoconstrucción Suites, Haus der Kunst, Munich, Germany (2014) and The Walker Art Center, Minneapolis, United States (2013); Self Builder's Groove, Final Project for the Berliner Künstlerprogramm residency, Deutscher Akademischer Austauschdienst (DAAD), Berlin (2011); Autoconstrucción: The Film, REDCAT CalArts» downtown center for contemporary arts (2009); The Magnificent Seven: Abraham Cruzvillegas, CCA Wattis Institute for Contemporary Arts, San Francisco (2009); Autoconstrucción: The Soundtrack, CCA: Centre for Contemporary Arts, Glasgow, United Kingdom (2008), among others.

Important solo exhibitions include: WIELS Contemporary Art Center Brussels / Hammer Museum, Los Angeles / Museum of Modern Art, New York, and Wexner Center for the Arts, Columbus; the Tel Aviv Museum, Bonniers Konsthall, Musée d'Art Moderne de la Ville de Paris, the Stedelijk Museum, Amsterdam, Kunsthalle Basel, Camden Arts Centre, London, and the National Museum of Warsaw.

Her work has been the subject of many important solo exhibitions, including Franciszka & Stefan Themerson Books, Camera, Ubu, Camden Arts Centre, London (2016); Art Now: Lightbox Stefan and Franciszka Themerson, Tate Britain, London (2009); The Drawings of Franciszka Themerson, KUNSTEN Museum of Modern Art Aalborg, Denmark (1991).

The Irish Museum of Modern Art, in collaboration with the Projects Arts Centre, and the Royal Hibernian Academy, is pleased to announce an important exhibition by the internationally renowned Irish artist James Coleman.

He has participated in important exhibitions at the Studio Museum Harlem, New York; Hayward Gallery, London; Centre Georges Pompidou, Paris; Mori Art Museum, Tokyo; Museum of Art and Design, New York and the Herzliya Museum, Israel, among others.

His major museum exhibitions include the Museum of Modern Art, NY in 1957, Stedelijk Museum, Amsterdam in 1964, the Nationalgalerie, Berlin in 1970 and the Centre Georges Pompidou, Paris in 1985, His work is held in many important museum, public and private collections including the Tate Modern, London, The Metropolitan Museum of Art, NY, The Museum of Modern Art, NY, The Art Institute of Chicago, the Centre Georges Pompidou, Paris and the Pérez Art Museum Miami.

Performance plays an important dimension in Bronstein work and will be an integral part of the exhibition at the Centre d'Art Contemporain Genève.

As part of the Centre Pompidou's latest arts festival, an accompanying exhibition entitled Aether: De La Cosmologie à La Conscience features works from an important array of artists exploring the mystique and power of the beyond and unknown, the fifth element, the Aether.

Important recent solo exhibitions include: «Portrait Portrait of of a a Generation Generation», at OCA, Oslo and Wiels Contemporary Art Centre, Brussels; «Intervention # 21: Matias Faldbakken» at Museum Boijmans van Beuningen, Rotterdam, «Oslo, Texas», The Power Station, Dallas, «That Death of Which One Does Not Die», Kunsthalle Fridericianum, Kassel, «War After Peace (After War)», Neue Aachener Kunstverein, Aachen, «Shocked into Abstraction», IKON Gallery, Birmingham, and the National Museum of Oslo, and «Extreme Siesta», Kunsthalle St. Gallen.

Featured in this exhibition are over 20 of Valentine's most important projects, including his award winning designs for the Nova Corporate Head Office (currently Nexen), Canada Olympic Park, The Rozsa Centre, and the TransAlta Corporate Head Office in Calgary.