«It was the most
important exhibition space for contemporary art in New York City,» said Mr. Schwartzman, who helped start the New Museum.
Not exact matches
Not content with simple rail travel, the Maputo Railway Station also plays an
important part in the community as a place for local artists to display their works in
exhibition spaces dotted throughout the building.
I love having
space to invest in the things that are
important to my business — working on personal projects, writing articles, networking with others, giving talks and visiting
exhibitions.
On view in the gallery's London
space, the
exhibition will feature a selection of
important sculptures and drawings exemplifying the scope of the artist's influential career.
This
exhibition presents Nichols's most
important projects, highlighting his artistic accomplishments, technical innovations, and efforts to preserve wild
spaces.
Over the years this
space has hosted
important exhibitions - both of recent works and also historical surveys - featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson.
«The Bronx Museum of the Arts is one of the city's more animated and resilient cultural
spaces... and because the Bronx Museum's
exhibitions reflect its constituency, this institution is an
important player in shaping New York art of both the present and the future.»
On view in the gallery's 519 West 19th Street
space, the
exhibition will feature a selection of
important sculptures and drawings spanning the years 1969 to 2000, representing each decade of the artist's singular and influential career.
Michael Raedecker's
exhibition embodies an
important principal of Gallery 2, solidified for me when I discovered that he shared my aspiration to create a substantial show without the hype and scrutiny that the scale of many New York
spaces seem to foster.
Indeed, the Whitney Museum of American Art may be nothing novel, but their freshly - minted
space and their stunning opening
exhibition mark a striking and
important new chapter in the museum's history — and in the larger world of American art history, too.
After a group
exhibition in Monaco in 2014, the following year saw an
important new solo show entitled U-topos (Greek, «no place»): tra spazio e luce (Italian, «between
space and light»).
This fusion is most evident in the centerpiece of the
exhibition and one of the two most
important works Kudo created, Garden of the Metamorphosis in the
Space Capsule, 1968, a room - sized die equipped with UV light and designed as an environment for works which fluoresce in black light.
In organizing the
exhibition it was
important that each artist have her own
space within the gallery.
Although not cited by Karmel, it is
important to note that Kazimir Malevich and Naum Gabo also began exploring the corner around this period with Malevich hanging his painting «Black Square,» 1915 across a top corner
space in the seminal 1915 - 16
exhibition «The Last Futurist Exhibition: 0, 10» in St. Petersbur
exhibition «The Last Futurist
Exhibition: 0, 10» in St. Petersbur
Exhibition: 0, 10» in St. Petersburg, Russia.
This remarkable
exhibition at Qiao
Space celebrates creativity at its source and offers a fascinating insight into the personal sanctuary of the studio for so many of China's most
important contemporary artists.»
Conor O'Shea: I think it is
important to view
exhibitions in different ways, it really excites me to see objects in different scenarios, we can not always for the rest of time see shows just in gallery
spaces.
An inspiring and highly
important part of the Gallery's
exhibition program, Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2
space at 544 West 24th Street.
The beautiful new and greatly expanded museum
space enabled the Museum of Art to organize major scholarly
exhibitions of contemporary and historic artists, from significant solo shows to thematic group shows that investigate ideas
important to disciplines across the liberal arts curriculum, and permanent collection
exhibitions, supported by scholarly publications.
Founded in 1959 and now comprising five wings, nearly 8,000 works, and more than 38,000 square feet of
exhibition space, the Colby College Museum of Art has built an
important collection that specializes in American and contemporary art with additional, select collections of Chinese antiquities, European paintings, and works on paper.
Is not only the nature of the works or artists such as: Dan Flavin, Sol Lewitt or Bruce Nauman, who are
important and established and transfused an international character to the
exhibition but the internal threads that unite their works with the
space and the viewers, through different media.
The very
important thing about this
exhibition, was not only that the artists had USA as a reference point, that is their country of origin or work, nor the way in which they had approached the basic concept, but is especially the connection between the works and the artists and their extension in
space.
In 1979 you took part in an
exhibition at Artists
Space where you exhibited your work Display # 7 which has been called seminal / very
important, why is it seen as so
important?
Restored by Tadao Ando in 2009, this extraordinary
exhibition space offers an opportunity to spend an unforgettable night among works of art by contemporary artists from one of the most
important collections in the world.
In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an
exhibition planned for next year in the gallery's New York
space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most
important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of
spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a
space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.
Following the
important retrospectives dedicated to the Italian masters Emilio Vedova, Alberto Burri and Afro, Mazzoleni is pleased to present an
exhibition devoted to Enrico Castellani, one of the major figures in the artistic landscape of the last century, at the renovated
exhibition space in Piazza Solferino, Turin.
Chaffee and Conaty emphasize that the openness of the
exhibition space, and the sight lines between the galleries, will be
important to the final layout of the show at each venue, making these connections between Bradley's bodies of work even more apparent.
It is right to add that the conjunction of the gallery which provided the
spaces, for this
important exhibition in 6 Burlington Gardens (formerly the Museum of Mankind), abutting the rear of the Royal Academy at Burlington House, will in due course be resolved by the special skill of the architect David Chipperfield (also a Royal Academician) who successfully gave new life to the Neues Museum in Berlin.
Some of Levine's earliest work was included in Pictures, an
important exhibition at Artists
Space in New York in 1977 curated by Douglas Crimp that came to define The Pictures Generation — a group of artists examining the structures of signification underlying any image.
[4] By the 1920s,
space had become critical: «Collections to the value of several millions of dollars are in storage or temporarily on
exhibition and are crowding out
important exhibits and producing a congested condition in the Natural History, Industrial Arts, and Smithsonian Buildings».
The upcoming
exhibition will be an homage to a leading figure in the landscape of post-war Italian art who wrote
important chapters of contemporary art history by re-evaluating sculptural form and its relation to
space.
Housed in the Zitelle Palladian building complex in the Giudecca island (hence its name), the Zuecca Project
Space promotes contemporary art
exhibitions and events which conjugate the local communities and some of the most
important international cultural institutions.
The multi-storied
space became a centre for international art gatherings and
exhibitions, including an
important installation of works by Paul McCarthy, the first in Britain.
Acknowledging this
important anniversary, curator Madeline Bates envisions this
exhibition as a return to ATHICA's roots as a
space for avant - garde experimentation, dialogue about contemporary socio - political issues, and site - specific installation.
Another
important public moment in the history Quick - to - See Smith mentioned was the 1987
exhibition entitled We the People at Artists
Space curated by Jimmie Durham (for a variety of reasons, Durham no longer self - identifies as Cherokee, although he did at the time of We the People) and Jean Fisher that Unholding notes and honors.
In the
exhibition FUNNELFLUX, the relationship with the architecture of the Be-Part
spaces is an
important starting point.
As an extension of the
exhibition program going beyond the physical gallery
space, Sanat's publication wing also publishes monographs focusing on the art practice of
important artists from Pakistan.
From 2005 to 2008 she was curator of contemporary art at the Westfälisches Landesmuseum in Münster, during which time she co-curated «sculpture projects münster», the most
important international
exhibition of art in public
space.
WILLIAMSBURG, VA. - The Muscarelle Museum of Art opened a landmark
exhibition by one of America's most
important sculptors, Fred Eversley: 50 Years an Artist, Light &
Space & Energy.
The «stage - set» or rather the
exhibition space, site, or geographical location is itself an
important factor in the development of his ideas which respond to both time and place.
-- Felix Gonzalez - Torres / David Zwirner Gallery, 20th Street To commemorate that David Zwirner Gallery will now co-represent the estate of Felix Gonzalez - Torres with longtime cool - gallerist Andrea Rosen (who is closing her
exhibition space to focus on artist estates), this
exhibition presents some of the best of Torres's work, including pieces from
important museums and collections.
Included in the MK Gallery Project
Space exhibition are her latest series of paintings and drawings In Deed, created since graduating in June 2012, a selection of notebooks which play an
important role within the work; along with several canvases in progress positioned on trestles.
Another
important show for me was the 2015 inaugural
exhibition at our St. Moritz
space, Bruno & Yoyo.
Visitors see the first - floor sculpture studio, renovated in 1963 by the artist; temporary
exhibition on the 2nd floor; and on the 3rd floor, the living and dining
space featuring over 200 works from Gross's extensive global art collection, including
important American paintings by Marsden Hartley, Willem De Kooning, Milton Avery, Jacob Lawrence and many others, installed by the artist and preserved as he had it during his lifetime.
The swiftness with which the MFAH converted a Houston warehouse to a pop - up art
space for the occasion reminds me of how the de Menils erected a corrugated «Art Barn» on the Rice campus to host an
important traveling
exhibition in 1969.
Dirimart Dolapdere, Dirimart's second gallery
space, was inaugurated on May26, 2016 with the group
exhibition titled «Surface and Beyond» featuring works by many
important artists such as Franz Ackermann, Haluk Akakçe, Sarah Morris, and Shirin Neshat.
The gallery had outgrown the
space, not only in terms of the types of
exhibitions they wanted to program but also in terms of storing artworks and maintaining a deep inventory (
important because, as an
exhibition - driven project pace, a solid inventory is the gallery's money maker).
She is dedicated to creating
exhibitions that open up dialogues and create
spaces in which to see artists as
important thinkers, and to see artworks as a way to understand not only art history, but also cultural history.
As mentioned, the Guggenheim exposes only a part of its collections in a semi-permanent way, while a relevant part of its
exhibition space is usually dedicated to
important temporary art
exhibitions, which constitute an essential part of its activity.
Founded in 1959 and now comprising five wings, nearly 8,000 works and more than 38,000 square feet of
exhibition space, the Colby College Museum of Art has built an
important collection that specializes in American and contemporary art with additional, select collections of Chinese antiquities and European paintings and works on paper.
Valentine's work has also been included in a number of
important group
exhibitions that served to introduce the Light and
Space artists to a national audience, including Annual Sculpture
Exhibition, Whitney Museum of American Art, New York (1966, 1968, 1970); Sculpture Of The 60's, Los Angeles County Museum of Art (1967); Plastic Presence, Jewish Museum, New York, Milwaukee Art Center, and San Francisco Art Museum (1969); The Industrial Edge, Walker Art Center, Minneapolis (1969); and, more recently, Primary Atmospheres: Works From California 1960 - 1970, David Zwirner, New York (2010); Pacific Standard Time: Crosscurrents In L.A. Painting And Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles; and Phenomenal: California Light,
Space, Surface, Museum of Contemporary Art San Diego (2011).