Sentences with phrase «important exhibitions during»

Important exhibitions during the seventies include 9e Biennale de Paris (1975), The Condition of Sculpture (1975), a solo exhibition at the Serpentine (1978) and The Hayward Annual (1979).

After important exhibitions during the most recent editions of the Venice Biennale, Roberto Sebastian Matta returns to Galleria d'Arte Maggiore g.a.m. with a new show in its venue in Bologna.

Not exact matches

Now a museum, the mighty castle was an important bastion during World War II and the museum offers a variety of exhibitions detailing what happened at this famous location.

During my time as a student in London there were a number of major retrospective exhibitions that were important to me: Richard Hamilton, Edwardo Palozzi, Edward Burra at the Tate, Lucian Freud and Michael Sandle at the Hayward.

Organized and curated by Jason Andrew, this historic exhibition includes important works by Jack Tworkov, who taught painting at Black Mountain College during the summer of 1952.

During his lifetime, Felix Gonzalez - Torres (1957 - 1996) was the subject of several important museum exhibitions, including Felix Gonzalez - Torres: Traveling (1994) at the Museum of Contemporary Art, Los Angeles, the Hirshhorn Museum and Sculpture Garden, Washington D.C. and The Renaissance Society at the University of Chicago, and a retrospective organized by the Solomon R. Guggenheim Museum, New York (1995), which traveled to the Centro Galego de Arte Contemporánea, Santiago de Compostela, and ARC - Musée d'Art Moderne de la Ville de Paris.

This exhibition selectively explores the tremendous variety of Tworkov oeuvre during this important decade (1970 - 1979).

As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

He seldom showed his works, apart during the important exhibition of Independent Art held in 1937 in Paris where he was at last hailed as a great painter.

During the 1970's and 80's, Marlborough continued to stage major exhibitions of its stable of artists alongside important retrospectives of Modern Masters: Jacques Lipchitz and René Magritte in 1973; Max Beckmann and Max Bill in 1974; Henri Matisse in 1971 and in 1978 and the revisionist Kurt Schwitters in Exile: The Late Work 1937 - 1948 in 1981 which led to a new appreciation for the late work of this artist.

For this exhibition Gallery Director David Cowan has assembled a group of paintings from 1966 and 1967 that are meant to document and display a very brief but important period in the painter's output that saw him transition from a pure Abstract Expressionist approach to the minimal / geometric mode of expression that became his hallmark during the final fifteen years of his life.

His work was included in the Museum of Modern Art's 1961 group exhibition, «Art of Assemblage,» an important international survey of artists working with collage in two and three dimensions, and during that same year he participated in the São Paulo Bienal.

I've had the pleasure of working with Connie in the past few years, especially during the period she helped organize the important «Witness: Art and Civil Rights in the Sixties» exhibition that included a number of works from my collection.

Complementary exhibitions focus on early film and photographic imagery from the same era and on the iconic graphic design work of one of Israel's most important practitioners during the mid-1960s.

Featuring paintings, sculpture, films, and drawings by a wide range of artists, this exhibition retrieves Dwan's singular contributions and reexamines the important history she made, highlighting in particular the increasing mobility of the art world during the late 1950s.

Initially rejected from the most important commercial show of the time, the government - sponsored Paris Salon, the Impressionists organized yearly group exhibitions in commercial venues during the 1870s and 1880s, timing them to coincide with the official Salon.

On view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art history.

From the gallery: «During his long career, Nama has been represented in numerous important exhibitions, galleries, and public collections, such as The Morgan Library, the Boston Athenæum, The Metropolitan Museum, the Brooklyn Museum and the Carnegie Institute.

During this period the Pavilion has hosted exhibitions by many of the most significant artists of the day, providing successive generations with one of the most important platforms for the showcasing of contemporary art to an international audience.

The upcoming exhibition will provide a chance to look back on this important period, an opportunity that is typically rare during career of a contemporary artist.

Wilson had three solo shows at Hansa, in 1953, 1955, and 1957, and also participated in important group shows during these years, including at Tanager Gallery, another of the most active artists» cooperatives, and in three annual exhibitions from 1953 to 1955 at the Stable Gallery on West 58th Street.

His series of works about the eight most important farmer rebellions on the banks of the Yellow River during the past 2000 years drew a lot of attention at his solo exhibition in 2012 at Gallery Alex Daniels — Reflex Amsterdam.

The exhibition reexamines this important history, deepening the understanding of a remarkable artistic exchange set in motion by Dwan between Los Angeles, New York, and Paris during a seminal era of postwar art.

Mounting over 50 solo exhibitions during his life, including numerous museum shows in the USA, Europe and Japan, he has, since his death, continued to be the subject of important retrospectives.

During that decade collectors had the opportunity to buy first - rate examples of Cuban Modernism at important galleries such as Perls and Pierre Matisse, while MoMA's groundbreaking Modern Cuban Painters exhibition in 1944 showcased the full breadth of the island's artistic talents.

This exhibition will include important paintings, sculpture, photography and works on paper by more than thirty artists, offering a rare opportunity to examine the significance of an artistic tradition that, outside of the African - American community, was too often ignored during much of the twentieth century.

During her tenure at the Studio Museum in Harlem, Lauren Haynes curated several important exhibitions, oversaw the museum's collection and acquisitions, and also guided its highly regarded artist - in - residence program.

Among the significant exhibitions that took place during this period were first shows for Alfred Maurer, John Marin and Marsden Hartley, second shows of Rodin and Matisse, and important shows for newer artists Arthur Carles, Arthur Dove and Max Weber.

Proof of this willful ignorance (or amnesia) are some of the shockingly retread gallery exhibitions on view during New York's all - important back - to - school season.

This year, it seems that New York City galleries have largely chosen to put solo shows by women front and center during Armory week — arguably their most important exhibition dates of the year.

This exhibition presents works by artists who were featured at one or both venues during these years, and who remain important to the current and continuing discourse in contemporary art in Southern California.

The inaugural opening at Hauser Wirth & Schimmel, a 113,000 square - foot gallery, located in Los Angeles, is an important, monumental, museum - size exhibition of one hundred abstract sculptures created by thirty - four well - known contemporary women artists during the last seventy years.

In the 1980s and 1990s Valenzuela participated in important solo and group exhibitions including Chile Vive at the Circulo De Bellas Artes, Madrid (1987)-- one of the most significant group shows of Chilean art held during the years of the Pinochet dictatorship.

During his long career, Nama has been represented in numerous important exhibitions, galleries, and public collections, such as The Morgan Library, the Boston Athenæum, The Metropolitan Museum, the Brooklyn Museum and the Carnegie Institute.

Bruce Silverstein Gallery is pleased to present Seven Americans, a rendition of Alfred Stieglitz» eponymous 1925 exhibition, which showcased seven of the most important American artists working during the period: Georgia O'Keeffe, Marsden Hartley, John Marin, Arthur Dove, Charles Demuth, Paul Strand, and Stieglitz himself.

This catalog accompanied the exhibition Seven Americans at Bruce Silverstein Gallery September 6 - October 20 2012, a rendition of Alfred Stieglitz» eponymous 1925 exhibition, which showcased seven of the most important American artists working during the period: Georgia O'Keeffe, Marsden Hartley, John Marin, Arthur Dove, Charles Demuth, Paul Strand, and Alfred Stieglitz.

During this time I began a conversation with The Midland about a possible exhibition or project at their site, which seemed really important as it was so central to my research.

During recent trips to my favorite art gallery and an amazing museum exhibition, I was reminded of how important an artwork's display is to the overall effect of the art.

I regularly exhibited in Jamaica during the 1980s and held a number of important group and solo exhibitions each based on a single theme that related to my life.

During her 15 years at the Pompidou, Ms Macel has presented a number of important exhibitions.

I regularly exhibited in Jamaica during the 1980s and held a number of important group and solo exhibitions, including: Painting, Patchwork, Paper, The Barn, 1983, Patchwork: The Female Pattern, Frame Centre Gallery 1984, Young Talent, National Gallery of Jamaica, (1984) and Magic Carpets, Frame Centre Gallery 1986 and my paintings can be found in renowned private and public collections including the Victoria & Albert Museum, London.

During the early 1910s, as well as teaching himself photography on a five dollar Brownie camera, and undertaking photographic commissions for local architects, he also showed his paintings at important group shows, including the International Exhibition of Modern Art (Armory Show)(1913), the Forum Exhibition (1916), and the Society of Independent Artist's Exhibition (1917).

From 2005 to 2008 she was curator of contemporary art at the Westfälisches Landesmuseum in Münster, during which time she co-curated «sculpture projects münster», the most important international exhibition of art in public space.

JACK TWORKOV: The Accident of Choice, the artist at Black Mountain College is a historic exhibition of important works by Tworkov, who taught painting at Black Mountain College during the summer of 1952.

Kelly's sculpture relates to two important early works: Study for Black and White Panels, 1954, a collage created during the artist's time in Paris, and Black Over White, a 1966 painting made in New York City, both of which will be on view in the gallery as part of the opening exhibition.

The exhibit, which the art website Hyperallergic described as «perhaps the most important exhibition New York has seen in recent years,» highlights the work of Black women during a period of tremendous cultural and sociopolitical upheaval.

Visitors see the first - floor sculpture studio, renovated in 1963 by the artist; temporary exhibition on the 2nd floor; and on the 3rd floor, the living and dining space featuring over 200 works from Gross's extensive global art collection, including important American paintings by Marsden Hartley, Willem De Kooning, Milton Avery, Jacob Lawrence and many others, installed by the artist and preserved as he had it during his lifetime.

During the past year, there have been several important solo exhibitions of his work worldwide: Seeing Things at The Nasher Sculpture Center, Dallas; Figure In / Figure Out at The Louvre, Paris; Museum Küppersmühle für Moderne Kunst, Duisburg, Germany; Tony Cragg in 4 D from Flux to Stability at The International Gallery of Modern Art, Venice; It is, Isn't It at the Church of San Cristoforo, Lucca, Italy; and Tony Cragg: Sculptures and Drawings at The Scottish National Gallery of Modern Art, Edinburgh.

Last sold at auction in 1973 at Sotheby's in London, Femme assise has remained in a private collection for over forty years, during which time it has featured in some of the most important international exhibitions of Picasso's work, including key exhibitions on Cubism: Picasso and Braque: Pioneering Cubism at The Museum of Modern Art, New York, in 1989; Picasso: Sculptor / Painter at Tate Gallery, London, in 1994; and Picasso: The Cubist Portraits of Fernande Olivier at the National Gallery of Art, Washington in 2003 - 04.