Sentences with phrase «important exhibitions which»

In 1969 Boezem took part in two important exhibitions which have laid the ground for innovative art movements such as Conceptual Art, Minimalism, Arte Povera and Land Art.

While in New York, Tamayo instructed Helen Frankenthaler at the Dalton School [12] Tamayo, while in the United States, attended important exhibitions which influenced his art mechanics.

Not exact matches

NMNA is a U.S. subsidiary of Germany - based NürnbergMesse GmbH, one of the 20 largest trade show companies in the world with a portfolio covering 120 national and international exhibitions and congresses, including Brau Beviale, which is this year's most important capital goods exhibition for the beverage industry worldwide.

You have the Arcade mode, which has you going up against the computer, Exhibition mode for one to four players, Tutorial Mode, which is very helpful, Challenge Mode, which will test your skills, and the most important of all, Pro Tour Mode.

The important stages of Noor's spy training have been imagined in an impressive exhibition, which trails the SOE journey linking geographic locations in London, Beaulieu and Tangmere.

The magazine «Country Life», in the 29 April 1899 takes up the story: «Some five - and - thirty years ago in fact, [i.e. about 1865], the small - sized or light - weight Bulldog was common in this country; so much so that dogs of the breed that scaled over 28 lbs were not encouraged at such shows as Birmingham, which was at that period the most important exhibition of its kind in England.

The Palazzo Grassi is a definite must see for culture vultures and art lovers alike as it offers world class installations and exhibitions, as is the Peggy Guggenheim Collection which is one of the city's most important museums.

The most important decision - makers in global travel and tourism are set to attend the glittering ceremony, which will be staged at Katara Cultural Village, Qatar's ground - breaking new arts and exhibitions complex.

WOW Airport Hotel is at a walking distance from Istanbul Atatrk Airport and Istanbul Exhibition Center and CNR Expo Center where important congresses and exhibitions are organized.It offers ease of access to all central points of Istanbul with the metro station located in its garden.WOW Airport Hotel which was renovated in 2014 serves its guests with diversity of vacation and service as well as the opportunities offered to the business world with 360 standard rooms.

Yeilky Mahallesi Atatrk Caddesi No: 15-17-19 Bakrky 34149 Istanbul (+) 90 212 468 50 00WOW Istanbul Hotel is at a walking distance from Istanbul Atatrk Airport and Istanbul Exhibition Center and CNR Expo Center where important congresses and exhibitions are organized.It offers ease of access to all central points of Istanbul with the metro station located in its garden.WOW Istanbul Hotel which was renovated in 2014 serves its guests with diversity of vacation and service as well as the opportunities offered to the business world with 56 executive, 3 suites and 216 standard rooms.

In addition to serving the luxury business traveller, the hotel is targeting the lucrative and increasingly important MICE (meetings, incentives, conferences and exhibitions) market, which currently does not have a hotel of sufficient scale to host such large groups.

The exhibition features three important paintings from the 1965/1 — ∞ series, called Passages, each of which marks the culmination of one million consecutive numbers.

The touring «ARTIST ROOMS» exhibition devoted to Hirst, shown in the city in which he grew up, comprised fourteen important works, taken predominantly from the d'Offay collection, with loans from the Arts Council and the artist.

During his lifetime, Felix Gonzalez - Torres (1957 - 1996) was the subject of several important museum exhibitions, including Felix Gonzalez - Torres: Traveling (1994) at the Museum of Contemporary Art, Los Angeles, the Hirshhorn Museum and Sculpture Garden, Washington D.C. and The Renaissance Society at the University of Chicago, and a retrospective organized by the Solomon R. Guggenheim Museum, New York (1995), which traveled to the Centro Galego de Arte Contemporánea, Santiago de Compostela, and ARC - Musée d'Art Moderne de la Ville de Paris.

Haynes is co-curator of an important Alma Thomas exhibition currently on view at the Studio Museum and is co-editing a comprehensive catalog about the artist known for her powerful use of color working in abstraction, which is expected to be published in November.

In this precise and jewel - like exhibition, important Diebenkorns from the artist's estate are seen with examples from his contemporaries which include de Kooning, Gorky, Gottlieb, Guston, Motherwell, and Smith.

During the 1970's and 80's, Marlborough continued to stage major exhibitions of its stable of artists alongside important retrospectives of Modern Masters: Jacques Lipchitz and René Magritte in 1973; Max Beckmann and Max Bill in 1974; Henri Matisse in 1971 and in 1978 and the revisionist Kurt Schwitters in Exile: The Late Work 1937 - 1948 in 1981 which led to a new appreciation for the late work of this artist.

Wide - open gaps in the gallery walls of this important exhibition, which offer glimpses of future works from earlier bays and vice versa, allow us to conceive of Stella's career as a single, unceasing effort to grapple with painting's potential.

This exhibition in London also brings together important archival material, such as rare propaganda posters from the original pavilion and a replica of Miró's infamous work El Segador (The Reaper) which disappeared when the pavilion was dismantled in 1937.

Included in the exhibition are her notebooks which play an important role within the work; along with several canvases in progress that are positioned on trestles.

The exhibition is the latest in a series of important exhibitions of the work of female artists at Tate Modern, which has included Eva Hesse in 2002, Frida Kahlo in 2005, Louise Bourgeois and Doris Salcedo in 2007, Yayoi Kusama in 2012, Saloua Raouda Choucair and Mira Schendel in 2013, and Marlene Dumas and Sonia Delaunay in 2015.

With this solo exhibition in the collection, we initiate an a new exhibition series in which we'll present and highlight some of the most important artists in the collection.

Beginning where earlier Morgan exhibitions had left off, New York Collects examined the ways in which the concept of drawing changed over the past century and emphasized the important role it continued to play in the artistic process.

For his New Museum exhibition, Halilaj presents a major new project that begins in Runik, the city in Kosovo in which he grew up and the site of one of the earliest Neolithic settlements in the region, where some of Kosovo's most important artifacts have been found.

On the occasion of the exhibition, HangarBicocca is showing his most important work, Double Bind, which was made in 2001 for the Turbine Hall at Tate Modern in London and never exhibited to the public afterwards.

A further important highlight is Fuego Flores in acrylic and oil stick on canvas by Jean - Michel Basquiat (1960 - 1988), which has remained off the market for over 20 years and was last exhibited publicly in the 1984 exhibition Jean - Michel Basquiat at the Gallery V in Stockholm.

This very important exhibition organised by Dana Miller and with a major support from the Barnett and Annalee Newman Foundation (Herrera was very close friends with Barnett Newman) presents the first in - depth examination of the early career of Herrera, which spanned the cities of Havana, Paris and New York from 1948 to 1978.

Three major paintings in which Schapiro took her first steps towards putting into effect what she had been teaching and lecturing about that first year at CalArts — «Eurydice,» «Flying Carpet» (both 1972), and «Voyage» (1973)-- are the highlight of the exhibition at Firestone, and important new exemplars of her work.

Smith's work has also been included in important group exhibitions such as Painting 2.0: Expression in the Information Age, which opened at the Museum Brandhorst, Munich, and subsequently traveled to the Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2015 - 2016); The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York (2014 - 2015); The Painting Factory: Abstraction after Warhol, The Museum of Contemporary Art, Los Angeles (2012); ILLUMInations, the central exhibition at the 54th Venice Biennale (2011); Le Printemps de Septembre festival in Toulouse, France (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

It became a launch pad for Oiticica's other Nest projects, which became his trademark for the following five years, presented in other important exhibitions of his career, including Information, curated by Kynaston McShine in the Museum of Modern Art in New York in 1970.

This exhibition celebrates the two - hundredth anniversary of Brontë's birth in 1816, and marks an historic collaboration between the Morgan, which holds one of the world's most important collections of Brontë manuscripts and letters, and the Brontë Parsonage Museum, in Haworth, England, which has loaned a variety of key items including the author's earliest surviving miniature manuscript, her portable writing desk and paintbox, and a blue floral dress she wore in the 1850s.

Sidney Janis Gallery was representing his work, which had been selected for all the important exhibitions of the new American painting here and abroad.

In 2010, Ferrer's survey exhibition Retro / Active opened at El Museo del Barrio, New York which received important reviews in the New York Times by Roberta Smith, The Nation by Barry Schwabsky, and ArtNexus by Luis Camnitzer, among many others.

This fusion is most evident in the centerpiece of the exhibition and one of the two most important works Kudo created, Garden of the Metamorphosis in the Space Capsule, 1968, a room - sized die equipped with UV light and designed as an environment for works which fluoresce in black light.

The Newport Street exhibition is the first major show since Hoyland's death in 2011 and will reaffirm his status as an important and innovative force within international abstraction, providing new insights into the way in which his work evolved from the huge colour - stained canvases of the 1960s, through the textured surfaces of the 1970s to the more spatially complex paintings of the early 1980s.

He has also participated in important group exhibitions such as The Painting Factory: Abstraction after Warhol at the Museum of Contemporary Art, Los Angeles, Le Printemps de Septembre in Toulouse, ILLUMInations in the 2011 Venice Biennale, The Generational: Younger Than Jesus at the New Museum in New York, MoMA's The Forever Now: Contemporary Painting in an Atemporal World, and most recently, Painting 2.0: Expression in the Information Age, which showed at the Museum Brandhorst, Munich, and traveled to MUMOK, Vienna.

The exhibition will feature over 30 rare and important paintings, drawings, and sculptures from Audrey B. Heckler's prestigious collection, many of which will be exhibited to the public for the first time.

Coinciding with Frieze Masters, the exhibition of these important series will provide a renewed perspective in which to consider the significance of the artists» earlier works and their influence on subsequent generations of painters and photographers.

We are delighted to introduce our visitors the oeuvre of this ingenious artisan through the upcoming exhibition, which together with our current Portico Gallery show, White Gold: Highlights from the Arnhold Collection of Meissen Porcelain, will offer them a sense of the important contributions made by those at work for the Saxon court at Dresden.

«Sylvie has played an important role in building our dynamic special exhibition program, which brings living artists and new ideas into conversation with our permanent collection, and she has also expanded our relationship with leading arts institutions around the world,» said Thom Collins, Executive Director and President of the Barnes Foundation.

Following the incredibly successful Quest for Immortality exhibition, which came to the Frist Center in 2006, To Live Forever: Egyptian Treasures from the Brooklyn Museum includes 109 important works from the superb collection of the Brooklyn Museum that illustrate Egyptian beliefs regarding the defeat of death and promise of the eternal afterlife.

NARRATOR: The exhibition is organized thematically around [Edward] Hopper's most important paintings, which are shown alongside related drawings.

A format in which Turner had never worked before his sixties, these square paintings are displayed together within this exhibition for the first time, thanks to important loans from the Kimbell Art Museum, USA and the Ulster Museum, Belfast.

The exhibition highlights 21c's commitment to using art as a lens through which to view important current events and issues, exploring the complicated nature of truth today.

2017 was a particularly active year for solo and group exhibitions, in the U.S. and abroad, in which Frankenthaler's artwork and legacy were either central or had important roles.

Works from the collection are now on display in an exhibition at the Ogden Museum of Southern Art in New Orleans, which similarly draws attention to the important developments made by black artists over the past 70 years or so, specifically relating to abstraction.

Legacies play an important role and act as a formative nucleus for the exhibition — both the legacy of modernism and that of our predecessor the Mendel Art Gallery, from which Remai Modern inherited a collection of nearly 8,000 works.

Along with her husband, William, she exhibited her post-impressionist and fauve - inspired paintings in a number of important exhibitions of modern art, including the landmark 1913 Armory Show, which is currently marking its centenary.

Significant exhibitions include: Andy Warhol's Campbell's Soup Boxes in December 1986, just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman, brought together, for the first time, two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows of important New York - based artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haring.

The tenth edition of Young Gods, curated by Zavier Ellis, which opens at CHARLIE SMITH LONDON on 13 January is always an important exhibition to visit if you want to continue to have your ear to the ground!