Sentences with phrase «important historical works»

Departing from a number of important historical works, the exhibition presents a network of interdependent topical themes such as consumerism, value circulation, trade routes, and also how these abstract notions influence the individual's experience within a natural and urban environment.

Tanya Bonakdar Gallery is very pleased to celebrate its twentieth anniversary with a group exhibition highlighting important historical works by gallery artists.

This show has been organized with a keen curatorial edge, crisply defining an elusive yet important period of Conner's work when he produced some of his most important historical works on paper, conceptual works of art, paintings, photographs, lithographs and films.

«I love the combination of anonymous vernacular photographs and important historical works,» said Jack Shear, photographer, collector and exhibition co-curator.

This show presents Bank of Sand, Sand of Bank, an important historical work by Huang for the first time in New York since its creation nearly two decades ago.

Huang Yong Ping's fifth exhibition with the gallery presents Bank of Sand, Sand of Bank, an important historical work for the first time in New York since its creation nearly two decades ago.

Not exact matches

The stock market works your money at an average historical rate of approximately 10.5 %, which makes understanding credit card interest rates so important.

Even so, what is needed for a present - day reading of Kierkegaard is something more important than the crutches professors typically offer to the reader of the works of a genius: an historical introduction that would focus not so much on the circumstances of the inception, but rather on the conditions of the appropriation, of his works.

Fredriksen's eloquent work shows precisely why it is important that this generation's quest for the historical Jesus is a quest for a Jewish Jesus, as emphatically Jewish as Amos and Jeremiah.

The philosophical and historical work of Wilhem Dilthey, himself averse to establishing an independent sociological discipline, proved to be important systematically and epistemologically (Theodor Litt, Joachim Wach).12

On the contrary, probably the most important and instructive work incumbent on the history of religions at the present time is the historical analysis of Mahayana Buddhism.

We begin by highlighting the most important historical developments, including the notion of mass as it appeared prior to and in Newton's work, the formal characterization of Mach, and its eventual role in relativity and quantum theory.

Sure there is irony in the Guy Fawkes mask use as of late HOWEVER it seems fairly clear to me as well that the historical relevance of this symbolism is nowhere near as important as the shear numbers using it to represent their collective frustration against what they believe is a system not working for but instead against them.

For example, instead of selecting research topics entirely because of the state of the discipline, a historical scholar can select a topic that the church finds important in its own theological work.

He touches these questions anew, insofar as they had already delivered important problems in his earlier works on pure mathematics (philosophical problems in UA, MC, and PM; historical matters in MC; and applied mathematics in his earliest scientific publications).

It's important to him that fifth generation Bill Seppelt, who Randall first met when he was packaging manager for the company in the 1980s, is now back in the fold, working on the winery's enormous, priceless archive of historical documents, signing the certificates of authenticity for the old Para tawnies.

Rick Grice, CEO of Maya Natural Imports — the parent company of Maya Natural Sea SaltTM — said it was important to keep the salt works producing because of their historical context and because of the positive impact the salt works has on the local community.

In addition to the historical precedent, there's also an important cultural shift working in Boyajian's favor.

Those points aside, ’71 is an important film that works both as a historical document and an action thriller.

As one would expect from director Joe Wright and producers Working Title Films, Darkest Hour is a well made portrayal of important historical events.

It is important to note that the classroom teacher served solely as an observer in the prior year's work, and the students involved in this research had not been engaged in any prior activities centered on historical thinking.

From a historical perspective, it is important to revisit the work of the Annie E. Casey Foundation.

But the important thing to remember is it was written as an imaginative work of historical fiction.

One of the most important creator strikes in fashionable comedian historical past was when Brian Michael Bendis left Marvel Comics to work at DC.

Still, at the mosque's opening, the mood was positively joyous, with speakers from Muslim communities in Venice and Iceland talking about how important the work was (the city's historical center has never had a mosque) and art - world denizens, shoes off, sitting on the ground and listening alongside the faithful.

Soulages work feels wholly present in the contemporary discourse, rather than an important figure in the art historical, or a road marker in post-war abstraction.

Robert Berman Gallery is showcasing select works featured in two important historical books, Hispanic Art In the United States: Thirty Contemporary Painters and Sculptors (1987), also an exhibition, and Le Demon Des Anges: 16 Artists Chicano Autour de Los Angeles (1989).

Over the years this space has hosted important exhibitions - both of recent works and also historical surveys - featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson.

A fully illustrated catalogue features texts by Byers, Claire Bishop, Lynne Cooke, and Ingrid Schaffner, as well as a historical compendium of influential 20th - century artworks and exhibitions that provide important precedent to the works in the exhibition.

The curators of The Third Dimension saw that it was important to «present the work as an entity independent of painting and subject to its own historical dialectic.»

Work by important artists who documented early impressions of the area, historic photographs, oral histories and rarely - seen artifacts from private and public collections reveal a historical link to the area's past.

In an artist statement from 1988, Felix Gonzalez - Torres described his work for a show at the New Museum as «panoramas in which the fictional, the important, the banal and the historical are collapsed into a single caption.»

represents the first historical examination of the circumstances, relationships and works of an increasingly important lineage of American artists.

Featuring works gifted to the Museum by Boltanski from that project, in addition to important loans and site - specific works, the exhibition carries local and historical significance while posing human questions beyond place and time.

The book's essays offer new scholarship, extensive documentation and analysis of each artist's works, and a compendium of historical exhibitions and artworks that serve as important precedents for the exhibition.

This is an important and historical body of work not seen in over twenty years.

Whether it's the history of steel in Braddock, automobiles in Flint, or coal in Borinage, a historical element is always necessary in my work for the fact that it proves people are more important than profits.

Between historical significance and the work of some of today's most important artists, Prospect 3 has a unique rhythm that is part of the experience created by Artistic Director, Franklin Sirmans.

A suite of important paintings by Jacob Lawrence, War Series (1946 — 7), and a major work by Ben Shahn, The Passion of Sacco and Vanzetti (1931 — 1932), situate these themes within a larger historical sweep.

Drawing upon the town's important collection of Romano - British, artefacts including coins, ceramics will be shown alongside contemporary works that consider the treatment of objects in the museum and contemporary culture as future historical record.

According to Katharina Manchada, the curator of the museum exhibition, it was important to show these recent paintings to contextualize Kusama as a contemporary artist «to remind people that she remains extremely vital as an artist working today, in addition to being a historical figure.»

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

Together, these historical and contemporary objects depict a visual narrative of the Northwest while providing insight to significant works by artists such as Northwest School members Carl Morris, Morris Graves, and Mark Tobey, legendary Oregon artist C.S. Price, and the acclaimed Jacob Lawrence, who is best known for depicting important moments in African - American history.

«Grace's highly regarded tenure as the Curator of Contemporary Art at the Laguna Art Museum, coupled with her recent work in Portland as an arts writer and critic, make her an ideal candidate to lead our important mission of evaluating and celebrating our region's historical and burgeoning visual arts scene.»

These lives of art works and objects, and the trans - national, trans - cultural and trans - historical conditions they interconnect is an important leitmotif in an exhibition dedicated to unfolding less anthropocentric, less Eurocentric and more ecologically minded forms of agency and intelligence.

The reappearance of The Golden Tower feels like salient news on aesthetic and historical grounds, but writing as someone who has regularly found himself lost in Venice, this seems like it just might be important for another reason: the work might be tall enough to serve as an orientation device.

Our carefully curated presentation conjoins two important, historical works by Marcel Duchamp and Joseph Kosuth, which independently marked a sea change in the development of art and painting as a medium.

Chief curator Alexander, whose job it was to consider and select artists whose work represents important art historical moments captured by the Walker collection as well as some recent purchases that foreshadow areas of possible growth, said: «I was interested in enabling a public vote and taking advantage of the natural impulse people have when encountering art to form an opinion.»

Opening today this first display of works explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century to 1967, an important historical period in the region.

This work serves as more than just an important addition to the historical portraiture collection already in the museum's hands.