Her work has been the subject of many
important institutional exhibitions and is included in various public collections.
Not exact matches
Take It or Leave It: Institution, Image, Ideology is the first large - scale
exhibition to focus on the intersection of two vitally
important genres of contemporary art: appropriation and
institutional critique.
«Her «Italian Paintings, 1961 - 69»
exhibition in New York in 2016 provoked deep
institutional soul - searching as to how such an
important body of work by an American artist had remained unrecognized for so long.
He has held numerous solo
institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of
important group
exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).
The group
exhibition pursues the questions of how geographical, political, and
institutional structures as well as new technologies are creating
important conditions for the production of art in the course of the digital turn.
The first ever
exhibition in Greece to feature solely New York - based artists, Greek Gotham is the gallery's largest
exhibition to date — one of «nearly
institutional proportions» as Vranopoulou excitedly exclaimed hours before the opening — and draws playful yet acute associations between two of the most
important cultural centres of the Western world — namely, Ancient Greece and present - day New York City.
You will notice too that the door to the office is wedged open; another
important element of the show, this gesture reveals the
institutional underpinnings of the
exhibition, breaking open the illusion of the white cube and inviting the viewer to contemplate the staff working beyond it.
Jac Leirner,
Institutional Ghost 14 February 2017 — 5 June 2017 Considered one of Brazil's most
important contemporary artists, this solo
exhibition from Jac Leirner comprises of exciting recent and new work made in response to the architecture of IMMA.
The
exhibition draws on IMMA's own significant holding of his work, with such
important pieces as Slow Dance Forest Floor, 1976, and Megaceros Hibernicus, 1983, as well as on private and
institutional collections.