Sentences with phrase «important international exhibitions at»

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary Art, MOCA (Los Angeles), The Jack S. Blanton Museum of Art (Austin), Chateau de Tours (Tours, France), Bienal de Mercosul (Porto Alegre, Brasil), among others.

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary -LSB-...]

Not exact matches

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

Morellet's work has been included in important international group exhibitions including The Responsive Eye at The Museum of Modern Art, New York (1965), Documenta in Kassel, Germany (1964 [with GRAV], 1968, and 1977), and the Venice Biennale (1970, 1990, and 2011).

Rome's new - kid - on - the - block Damiano Quaranta pays homage to Alberto Burri with a solo exhibition at Galleria Acquario, one of the most important places in Rome for national and international artists.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

He was one of fourteen artists included in «Unbound: Possibilities in Painting», the important exhibition of international artists held at the Hayward Gallery in London earlier this year.

The exhibition brings together an extraordinary selection of works by some of the most important Dutch artists of the late 20th century, who stood at the forefront of the international ZERO movement and of geometric abstraction in the 1960s.

In addition, the gallery has highlighted emerging talents, such as Mickalene Thomas, Hernan Bas, Angel Otero, and the Japanese artist Mr. by organizing important solo exhibitions around the world and presenting their work at prominent international art fairs.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

In addition to shows and projects by the gallery's LA - based artists, exhibitions at Hauser Wirth & Schimmel will include a mix of important historical, thematic group exhibitions; exhibitions that introduce LA to the gallery's international artists; and one - person shows and special projects by artists new to LA and the gallery.

Jenny Holzer, Talking Politics, 2008, Pigment print, ed 1/5, 60 x 75 in., Given by the artist, UM 2014.32 40 Years / 40 Artists is an exhibition of work by renowned local, national, and international artists who, at crucial moments in their careers, had exhibitions at our museum which had great impact in opening up important dialogue on ideas relevant to contemporary art and society.

The most important exhibitions include, in 2003, participations at the Mies van der Rohe - Haus, Berlin and Seeing Red: An International Exhibition of Nonobjective Painting, at the Hunter College / Times Square Gallery in New York City.

He has been included in important exhibitions at the Tate Modern (Street & Studio), Haus der Kunst (Click Double Click) and the 52nd International Venice Biennale, Ukrainian Pavilion (A Poem about an Inland Sea).

A symbol of all that is new and modern in sculpture, Anthony Caro is present in all the most important international events: it is worth recalling his first personal show at André Emmerich in New York in 1964, his participation, as the only sculptor, at the British pavilion of the 1966 edition of the Venice Biennale, the retrospective at the MoMA in New York in 1975, the 1984 exhibition at the Serpentine Gallery in London, and, finally, his work with Normal Foster for the Millennium Bridge.

During the early 1910s, as well as teaching himself photography on a five dollar Brownie camera, and undertaking photographic commissions for local architects, he also showed his paintings at important group shows, including the International Exhibition of Modern Art (Armory Show)(1913), the Forum Exhibition (1916), and the Society of Independent Artist's Exhibition (1917).

From 2005 to 2008 she was curator of contemporary art at the Westfälisches Landesmuseum in Münster, during which time she co-curated «sculpture projects münster», the most important international exhibition of art in public space.

As one of the leading figures in the Hong Kong art community, she has also coordinated / curated several important exhibitions including the Microwave International Media Art Festival 2001 and the recent Digital Delight at the Macau Museum of Art.

In the last few years, he's gained an international audience, with one - person exhibitions in London, Paris, and Berlin, not to mention his participation in the 2015 Venice Biennale; later this summer, his work will be included in an important exhibition at the Tate Modern in London, «Soul of a Nation: Art in the Age of Black Power.»

During the past year, there have been several important solo exhibitions of his work worldwide: Seeing Things at The Nasher Sculpture Center, Dallas; Figure In / Figure Out at The Louvre, Paris; Museum Küppersmühle für Moderne Kunst, Duisburg, Germany; Tony Cragg in 4 D from Flux to Stability at The International Gallery of Modern Art, Venice; It is, Isn't It at the Church of San Cristoforo, Lucca, Italy; and Tony Cragg: Sculptures and Drawings at The Scottish National Gallery of Modern Art, Edinburgh.

Gaining any overview of his exhibition activities proves likewise a challenge, and he was already at the beginning of his career being given solo shows in important international museums.

Last sold at auction in 1973 at Sotheby's in London, Femme assise has remained in a private collection for over forty years, during which time it has featured in some of the most important international exhibitions of Picasso's work, including key exhibitions on Cubism: Picasso and Braque: Pioneering Cubism at The Museum of Modern Art, New York, in 1989; Picasso: Sculptor / Painter at Tate Gallery, London, in 1994; and Picasso: The Cubist Portraits of Fernande Olivier at the National Gallery of Art, Washington in 2003 - 04.

Many Chicago artists participated in important annual exhibitions beyond Chicago; indexes have been compiled for only a few of the most prominent: the Carnegie International at the Carnegie Museum in Pittsburgh and the annual exhibitions of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia.

For some of the emerging artists at the time who have since become an integral part of the scene, this was their first exhibition abroad and represented an extremely important step in their international careers.

The artist represented Brazil at the 2003 Biennale di Venezia and has participated in important group exhibitions including the Carnegie International (1995); International Biennial of Sao Paolo (1998 and 2005); Biennale of Sydney, Australia (2008); Shanghai Biennial (2006); and Prospect I, New Orleans (2008).

Hernan Bas, Angel Otero, and the Japanese artist Mr. by organizing important solo exhibitions around the world and presenting their work at prominent international art fairs.

Integrating these international productions, we had a unique Caravaggio and Modigliani exhibitions, and important reviews as Adriana Varejão in Museum of Modern Art São Paulo (mam - sp) and Lygia Clark at Itaú Cultural, also in São Paulo.

His projects have been shown in festivals and solo, group and retrospective exhibitions worldwide at important events and international institutions, including the 2010 São Paulo Biennial, Documenta X and XXII in Kassel, Tate Modern in London, MACBA in Barcelona, Museum Ludwig in Cologne and the Jeu de Paume in Paris.

At Tate St Ives, Martin has also programmed a number of exhibitions by important British and international modernists including Peter Lanyon, Ben Nicholson, Lucio Fontana, Barbara Hepworth, Marlow Moss and William Scott.

Frida's work has been presented in important international exhibitions such as: the 20th São Paulo International Biennial (1989); 49th Venice Biennial (1990); «Metropolis International Art Exhibition», in Berlin (1991); «Ultramodern: The Art of Contemporary Brazil» at Gulbenkian's Foundation, in Lisbon (1993) and «Discover Brazil» at Ludwig Museum, in Cointernational exhibitions such as: the 20th São Paulo International Biennial (1989); 49th Venice Biennial (1990); «Metropolis International Art Exhibition», in Berlin (1991); «Ultramodern: The Art of Contemporary Brazil» at Gulbenkian's Foundation, in Lisbon (1993) and «Discover Brazil» at Ludwig Museum, in CoInternational Biennial (1989); 49th Venice Biennial (1990); «Metropolis International Art Exhibition», in Berlin (1991); «Ultramodern: The Art of Contemporary Brazil» at Gulbenkian's Foundation, in Lisbon (1993) and «Discover Brazil» at Ludwig Museum, in CoInternational Art Exhibition», in Berlin (1991); «Ultramodern: The Art of Contemporary Brazil» at Gulbenkian's Foundation, in Lisbon (1993) and «Discover Brazil» at Ludwig Museum, in Cologne (2005).

He was an important force in the English Surrealist movement, although he was not entirely committed to its doctrines; Moore participated in the International Surrealist Exhibition at the New Burlington Galleries, London, in 1936.

She has participated in important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York NY, Documenta XI in Kassel, Germany, and the 44th and 56th Venice Biennale, Venice, Italy; where she was the first African American woman to be shown in 1990.

Operating under Antonia Carver's leadership out of the humble Project Space Art Jameel at Alserkal Avenue in Dubai, the organisation not only hosted important exhibitions such as Egyptian artist Maha Maamoun's first solo show in the Gulf, but also announced the 2018 opening of the new 10,000 - square metre, three - storey Jameel Arts Centre on Dubai Creek and a multi-year international art commissions programme.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Versions of the sculpture have been included in traveling museum solo exhibitions as well as important international group exhibitions, including the Asia Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Gallery of Modern Art, Brisbane (2002); Whitney Biennial in Central Park, New York (2004); and Louvre's Sculpture Programme for FIAC in the Jardin des Tuileries, Paris (2010); among others.

He has created other important exhibitions such as Revisiting Gordon Matta - Clark at Next: The Venice Architectural Biennale in Venice, Italy; The Snow Show: Venice at the 50th International Art Exhibition / La Biennale di Venezia; The Ship of Tolerance by Ilya and Emilia Kabakov, in Siwa, Egypt; Dreams and Conflicts — The Viewer's Dictatorship, in Venice, Italy; Crossing Parallels at the SSamzi Space in Seoul, Korea and Going Home at the Edward Hopper Historical Museum in Nyack, New York.

Gradually, the situation improved until, from the 1960s, it gained international renown through more and more numerous and important exhibitions at home and abroad, large orders from industry and cities as well as museum acquisitions.

It will tell you where to find the most important events for each topic, what expert presentations you can attend at the Intersolar Europe Conference, and which innovations from the international solar industry you can find in which exhibition hall.