Sentences with phrase «important international exhibitions including»

Pistoletto's work has been included in numerous important international exhibitions including Documenta 4, 7, 9, and 11 in Kassel (1968, 1982, 1992, and 1997) and the Venice Biennale (1966, 1976, 1978, 1984, 1986, 1993, 1995, 2003, and 2005).

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Contemporary Art Gallery, Vancouver (2009); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Istanbul Biennial, 9th Istanbul Biennial, Istanbul (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Institute of Contemporary Art, London (1999), among others.

She has presented in many important international exhibitions including Documenta 12 (2007), Asia - Pacific Triennial (2009 - 10), Singapore Biennale (2011), and Gwangju Biennale (2014).

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

Not exact matches

NMNA is a U.S. subsidiary of Germany - based NürnbergMesse GmbH, one of the 20 largest trade show companies in the world with a portfolio covering 120 national and international exhibitions and congresses, including Brau Beviale, which is this year's most important capital goods exhibition for the beverage industry worldwide.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

Morellet's work has been included in important international group exhibitions including The Responsive Eye at The Museum of Modern Art, New York (1965), Documenta in Kassel, Germany (1964 [with GRAV], 1968, and 1977), and the Venice Biennale (1970, 1990, and 2011).

His work was included in the Museum of Modern Art's 1961 group exhibition, «Art of Assemblage,» an important international survey of artists working with collage in two and three dimensions, and during that same year he participated in the São Paulo Bienal.

He was one of fourteen artists included in «Unbound: Possibilities in Painting», the important exhibition of international artists held at the Hayward Gallery in London earlier this year.

Mellors has been featured in several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.

Her work has been featured in important international group exhibitions including the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, Newinternational group exhibitions including the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, NewInternational, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, NewInternational Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, New York (2008).

In addition to contemporary works by the gallery's stable of international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions organized by Schimmel and other curators.

Since the mid 1980s, Ottersbach's works have been included over one hundred international group and solo exhibitions and are held in some of the most important international collections today including the permanent collections of the Blibliothèque Nationale, Paris, the Museum of Modern Art, New York, the Getty Center, Los Angeles, and National Gallery, Canberra Australia amongst others.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Works by international contemporary artists, including Yinka Shonibare, MBE, will play an important role in the exhibition.

In addition to shows and projects by the gallery's LA - based artists, exhibitions at Hauser Wirth & Schimmel will include a mix of important historical, thematic group exhibitions; exhibitions that introduce LA to the gallery's international artists; and one - person shows and special projects by artists new to LA and the gallery.

She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of São Paulo (1994).

In addition to the loan from the Astrup Fearnley Collection the exhibition also includes important loans from international museums and private collections including Centre Georges Pompidou, Paris; Fondation Beyeler, Riehen / Basel; Smithsonian Institution, Washington, DC; Museum of Modern Art, New York and Tate, London.

In addition to receiving extensive commissions, residencies, awards and critical attention, studio faculty have exhibited their works in major museums and galleries around the world, and in important exhibitions including the Whitney Biennial, the Sao Paulo International Biennale, and the Venice Biennale.

In its ninth annual exhibition, The Armory Show 2007 will present 148 international galleries, including many of the most important contemporary dealers showcasing new art from around the world.»

She brought important international exhibitions to her gallery, including a show of Picasso paintings.

The multi-storied space became a centre for international art gatherings and exhibitions, including an important installation of works by Paul McCarthy, the first in Britain.

The most important exhibitions include, in 2003, participations at the Mies van der Rohe - Haus, Berlin and Seeing Red: An International Exhibition of Nonobjective Painting, at the Hunter College / Times Square Gallery in New York City.

He has been included in important exhibitions at the Tate Modern (Street & Studio), Haus der Kunst (Click Double Click) and the 52nd International Venice Biennale, Ukrainian Pavilion (A Poem about an Inland Sea).

Important exhibitions curated or co-curated by him in recent years include «Post-Material» (2000, Beijing), «Manufacturing in China» (2002, New York), «The 2nd Seoul International New Media Art Biennale» (2002, Seoul), «The 50th Venice Biennale — Chinese Pavilion» (2003, Venice), «The 7th International Art Biennale in Parma, Italy» (2004, Parma) and «The 26th Sao Paulo Biennale — Chinese Pavilion» (2004, Sao Paulo).

During the early 1910s, as well as teaching himself photography on a five dollar Brownie camera, and undertaking photographic commissions for local architects, he also showed his paintings at important group shows, including the International Exhibition of Modern Art (Armory Show)(1913), the Forum Exhibition (1916), and the Society of Independent Artist's Exhibition (1917).

His work also was featured in important international exhibitions, including the São Paulo and Venice biennials and the Brussels World's Fair.

He oversaw a number of important exhibitions and scholarly exchanges with leading international museums, including the Louvre, the Courtauld Institute of Art, the Staatliche Graphische Sammlung in Munich, and the Royal Library (Biblioteca Reale) in Turin.

As one of the leading figures in the Hong Kong art community, she has also coordinated / curated several important exhibitions including the Microwave International Media Art Festival 2001 and the recent Digital Delight at the Macau Museum of Art.

In the last few years, he's gained an international audience, with one - person exhibitions in London, Paris, and Berlin, not to mention his participation in the 2015 Venice Biennale; later this summer, his work will be included in an important exhibition at the Tate Modern in London, «Soul of a Nation: Art in the Age of Black Power.»

Her work has been included in important group exhibitions and biennials such as the 20th Biennale of Sydney (2016); 10th Gwangju Biennale, Gwangju, Korea (2014); 10th International Istanbul Biennial (2007); Taipei Biennial (2006).

Last sold at auction in 1973 at Sotheby's in London, Femme assise has remained in a private collection for over forty years, during which time it has featured in some of the most important international exhibitions of Picasso's work, including key exhibitions on Cubism: Picasso and Braque: Pioneering Cubism at The Museum of Modern Art, New York, in 1989; Picasso: Sculptor / Painter at Tate Gallery, London, in 1994; and Picasso: The Cubist Portraits of Fernande Olivier at the National Gallery of Art, Washington in 2003 - 04.

Since then, his works have been featured in numerous international solo and group exhibitions, and they are included in various important collections worldwide.

During his final decade, he participated in several important international exhibitions, including the 1956 and 1960 Venice Biennales and the 1957 Sao Paulo Bienal, and was awarded a number of major prizes.

The artist represented Brazil at the 2003 Biennale di Venezia and has participated in important group exhibitions including the Carnegie International (1995); International Biennial of Sao Paolo (1998 and 2005); Biennale of Sydney, Australia (2008); Shanghai Biennial (2006); and Prospect I, New Orleans (2008).

It is an aesthetic that links many of the women artists who feature in this issue, including Barbara Hepworth (1903 — 1975), whose forthcoming Tate Britain exhibition celebrates not only her long life of radical experimentation (both in the creation of her artworks and also the way they were to be experienced by the viewer), but also how important an international figure she became, with exhibitions across the globe from a relatively young age.

His projects have been shown in festivals and solo, group and retrospective exhibitions worldwide at important events and international institutions, including the 2010 São Paulo Biennial, Documenta X and XXII in Kassel, Tate Modern in London, MACBA in Barcelona, Museum Ludwig in Cologne and the Jeu de Paume in Paris.

At Tate St Ives, Martin has also programmed a number of exhibitions by important British and international modernists including Peter Lanyon, Ben Nicholson, Lucio Fontana, Barbara Hepworth, Marlow Moss and William Scott.

Another new exhibition running until May 2005, this celebrates Gustav and Elly Kahnweiler's gift to Tate of works of art by important modern international artists including Pablo Picasso, Georges Braque, Fernand Léger, Juan Gris and André Masson.

Johanson has been featured in important group exhibitions including Glasgow International 2012 and the 2002 Whitney Biennial.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Plans for 2011 also include solo exhibitions by leading Irish and international artists such as Gerard Byrne, Barrie Cooke, Romuald Hazoumè and Philip Taaffe; a large - scale exhibition from an important American photographic collection, which is being donated to IMMA, and a display of works from the Museum's collection of Old Master Prints.

Versions of the sculpture have been included in traveling museum solo exhibitions as well as important international group exhibitions, including the Asia Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Gallery of Modern Art, Brisbane (2002); Whitney Biennial in Central Park, New York (2004); and Louvre's Sculpture Programme for FIAC in the Jardin des Tuileries, Paris (2010); among others.

Mellors has been featured in several important group exhibitions including British Art Show 7: In The Days of the Comet, touring: The Slaughterhouse, Plymouth; CCA, Glasgow; Hayward Gallery, London (2011); La Biennale di Venezia - 54th International Art Exhibition — ILLUMinations, Venice, Italy (2011); Un» Expressione Geografica, Fondazione Sandretto Re Rebaudengo, Turin, Italy (2011); and Altermodern, Tate Triennial 2009, Tate Britain, London.

His work has also been included in a number of important international group exhibitions, including: «The Encyclopedic Palace,» 55th Venice Biennale (2013); «10,000 Lives,» Gwangju Biennial, South Korea (2010); «21 artists for the 21st century,» Fondazione Sandretto Re Rebaudengo, Turin (2010); «Making Worlds,» 53rd Venice Biennale (2009); «Italics: Italian Art between Tradition and Revolution, 1968 - 2008,» Palazzo Grassi, Venice, and the Museum of Contemporary Art, Chicago (2008 — 10); «After Nature,» New Museum, New York (2008); «Fractured Figure: Works from the Dakis Joannou Collection,» DESTE Foundation for Contemporary Art, Athens (2007); and «Of Mice and Men,» 4th Berlin Biennial (2006).

Gallery artists have been included in many important exhibitions, such as Documenta (1992, 1997, 2002, 2007); The Venice Biennale (1990, 1995, 2001, 2003, 2005, 2007, 2011, 2013); The Paris Triennial (2012); The Carnegie International (1989, 1999/2000); the Moscow Biennale (2005, 2009); The Gwangju Biennale (2000, 2004, 2008); The Havana Biennale (2009); The Johannesburg Biennale (2005); and the Whitney Biennale (1997, 2006).

Important group shows include: 2014, First International Biennial of Contemporary Art of Cartagena de Indias, Cartagena, Colombia curated by Berta Sichel, Trees as Art, Peabody Essex Museum, MA, Stationary Realms, University of Arkansas, The Fifth Season, James Cohan Gallery, Re-presenting Representation VIII, Arnot Art Museum, NY and BEYOND EARTH ART: Contemporary Artists and the Environment, Herbert F. Johnson Museum of Art, Cornell University, NY; 2013, Unfolding Tales: Selection from the Collection, Brooklyn Museum of Art; 2010, 185th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, NY.