Sentences with phrase «important international museum»

Significant loaned works from important international museum collections will complement selected works from the collection of the Nationalgalerie, resulting in a large show of approximately 100 exhibits.

Laing's works have been included in many important international museums and biennials including the Museum of Contemporary Art, Sydney, Frist Center for the Visual Arts, Nashville, USA; and the National Museum of Art, Osaka, Japan; and Biennale of Sydney (2008), Venice Biennale (2007), Busan Biennale (2004), and Istanbul Biennial (1995).

Gaining any overview of his exhibition activities proves likewise a challenge, and he was already at the beginning of his career being given solo shows in important international museums.

His work is displayed in the collections of many important international museums including Tate, the Museum of Modern Art in New York and the Centre Georges Pompidou in Paris.

On display are masterpieces from important international museums and collections including Musée Magritte in Brussels, the Kunstmuseum Bern, the Dallas Museum of Art, the Menil Collection in Houston, the Tate in London, the Metropolitan Museum of Art in New York, the Museum of Modern Art in New York, the National Gallery of Victoria in Melbourne and the National Gallery of Art in Washington D.C.

Not exact matches

Both museums house some of the most important pieces of art in Australian history as well as works from international masters such as Van Gogh and Picasso.

It is a must - attend event for serious collectors, curators, museum directors, and interior designers to see important work at the forefront of the international contemporary art movement.

In the most significant and far - reaching collaboration between the Museum and the University of South Florida, over 100 works by 45 artists will fill the Museum walls and highlight the important connection between Tampa and the international arts world.

We go to International Art Fairs and Biennials and cover important gallery and museum shows outside Philadelphia.

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

Drawing on the Met's collection of European sculpture and modern and contemporary art with a selection of important works from national and international museums and private collections, the exhibition will examine sculpture from 14th century Europe to the global present.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

Croatian artist Zlatan Vehabović is likely the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with a solo exhibit in 2011 at Lauba Museum in Zagreb, and inclusion in many important group shows.

Throughout the 1960s he exhibited regularly, and his work was included in numerous national and international group shows, the most important of which were the São Paulo Biennial and the Fogg Museum of Art's «Three American Painters,» both held in 1965.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

Morellet's work has been included in important international group exhibitions including The Responsive Eye at The Museum of Modern Art, New York (1965), Documenta in Kassel, Germany (1964 [with GRAV], 1968, and 1977), and the Venice Biennale (1970, 1990, and 2011).

His work was included in the Museum of Modern Art's 1961 group exhibition, «Art of Assemblage,» an important international survey of artists working with collage in two and three dimensions, and during that same year he participated in the São Paulo Bienal.

Besides important paintings and sculptures from international museums and private collections, the book also presents the ensemble of figures from Dubuffet's stage play Coucou Bazar, his unparalleled Gesamtkunstwerk synthesis of the arts.

He is currently involved in the creation of the first Italian museum devoted to contemporary art made of glass, the Berengo Center for Contemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by international artists.

The centerpiece is an important landscape, The Big Bayberry Bush (The Bayberry Bush) ca. 1895, which returns to the museum after being on an international tour.

Viridian sponsors an Annual International Juried Competition, which gives a generous number of fine artists the opportunity to be seen by important museum curators and viewers from all over the world.

18th Street plays an important role as a center for extended research and support for international artists, and as such, we have partnered with major institutions like the Los Angeles County Museum of Art on collaborative programs.

«Alex is deeply committed to MOCA's mission, which is dedicated to providing an international platform to cutting - edge contemporary artists from around the world and from Miami alike, and will make an outstanding steward of the museum during this important transitional period.»

Regli's work is included in many important international public and private collections, including the Kunsthaus Zurich, the Fotomuseum Winterthur, and the Migros Museum für Gegenwartskunst, Zurich.

Tom Braden, founding chief of the CIA's International Organizations Division (IOD) and ex-executive secretary of the Museum of Modern Art said in an interview, «I think it was the most important division that the agency had, and I think that it played an enormous role in the Cold War.»

In particular, Kukje has played a critical role in introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitions.

VMFA to share works publicly while galleries are refurbished The esteemed French Impressionist Art and British Sporting Art collections at the Virginia Museum of Fine Arts will be embarking on national and international tours during the next two years, creating opportunities for more people to view these important paintings and sculptures that were donated to...

Faenza is also home to the International Museum of Ceramics, the largest and most important collection of ceramics in the world where Hart will have the opportunity to discover both ancient and contemporary ceramic making techniques.

A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

Her work has been featured in important international group exhibitions including the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, Newinternational group exhibitions including the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, NewInternational, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, NewInternational Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, New York (2008).

Ms. Block's defenders also said that this type of international effort was important for a small museum seeking broader recognition.

In addition to contemporary works by the gallery's stable of international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions organized by Schimmel and other curators.

Since the mid 1980s, Ottersbach's works have been included over one hundred international group and solo exhibitions and are held in some of the most important international collections today including the permanent collections of the Blibliothèque Nationale, Paris, the Museum of Modern Art, New York, the Getty Center, Los Angeles, and National Gallery, Canberra Australia amongst others.

Art Projects International is pleased to announce that M +, the new visual culture museum in Hong Kong, recently acquired Nature C (1987), an important ink on paper work by Zhang Jian - Jun, for the museum's permanent collection.

His works are in important international public collections, including the Centre Pompidou, Paris; MUMOK, Vienna; the Whitney Museum of American Art, New York; and the Museum of Modern Art, New York.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

In addition to art criticism, Krauss has also curated for some of the most important international institutions like the Solomon R. Guggenheim Museum and MoMA New York.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

«In the beginning I think no - one could have envisioned that in such short term it would get on the map as being one of the most important museums not only in Switzerland, but also having an international reputation as being a house which shows art at the highest quality.

The Museum recently celebrated its 122nd year — a year highlighted by an extraordinary schedule of international exhibitions, the acquisition of important works of art, and screenings of important films from around the world.

Jay Levenson, Director, International Program; Astrid Persans, Programs Associate; and Amy Horshak, Museum Educator at The Museum of Modern Art have also organized the African Museum Professionals Workshop, an important initiative that will provide fifteen curators and educators from sub-Saharan Africa an opportunity to experience institutional practices in New York, while establishing relationships with museums and galleries in New York City, Washington D.C., and Los Angeles.

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

John Ferren, Paris Abstract, ca. 1935 Oil on canvas, 25 1/2 x 31 3/4 inches Collection Newark Museum, NJ Presented by the Newark Museum and the Colección Patricia Phelps de Cisneros Saturday, April 10, 2010, 10 am — 5 pm Billy Johnson Auditorium, Newark Museum The Newark Museum and the Colección Patricia Phelps de Cisneros present Dialogues in South and North American Abstraction, an important international symposium that explores the conceptual and aesthetic parallels that linked artists -LSB-...]

The New Museum Triennial is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture.

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Many examples from the «Paris Circus» series are housed in important international collections including the Tate Gallery, London; Solomon R. Guggenheim Museum, New York; National Gallery of Art, Washington D.C., and the Centre Georges Pompidou, Paris.

The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.

She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of São Paulo (1994).

In 1975 the University Museum of Contemporary Art (formerly the University Gallery) was created as a unique organization at UMass Amherst centered on the fundamental vision of bringing the most important contemporary national and international art to our community.