Sentences with phrase «important painting survey»

De Keyser was born in 1930 in the Flemish town of Deinze, Belgium, where he still lives, and his reputation was almost entirely confined to his home country and the Netherlands until 1990, when he began exhibiting regularly abroad, first in Germany and then throughout Europe and further afield, not only in one - person shows but in big international exhibitions like Documenta 9 (Kassel, 1992) and «The Broken Mirror,» an important painting survey in Vienna in 1993.

Not exact matches

Over the past year, «Kerry James Marshall: Painting and Other Stuff,» an important survey of his practice and his most substantial exhibition in Europe, was on view in Antwerp, Copenhagen, Barcelona and Madrid (and a coinciding catalog was published).

The most important show that I did at MOCA, for me, was «The Painting Factory,» a survey of new abstraction.

In the number and quality of paintings on view from this period, the show parallels Guston's important 1966 survey at the Jewish Museum in New York, a half century ago.

We knew that the show couldn't be an exhaustive survey of self - portraiture but we started by thinking about the Van Dyck painting and what makes it so important: the fact that the artist caused such a seismic shift in the approach to portraiture in the 17th century that was to last for at least the next three centuries; that his portraits were a form of «self - advertisement» and show an acute awareness of his identity and public image as a successful artist; that it was his final self - portrait, made in the last year of his life at the age of 42 and that his various self - portraits (there are seven known in total) trace his life as an artist.

From these perches, the visitor can survey the results of their «play» with the sculpture, as well as four important paintings by Christopher Wool from the Hessel Collection.

Westfall has been included in several important survey exhibitions of abstract painting including: Abstraction / abstractions, geometries provisoires at the Musée d'art moderne in Saint - Etienne, France in 1997 and in two exhibitions titled Conceptual Abstraction, first at Sidney Janis Gallery in 1991 and in the exhibition that revisited that show which took place at the Hunter College Art Gallery in 2012.

So it's good news that the Phillips Collection and the Hirshhorn Museum have pulled together a joint exhibition of the paintings of Markus Lüpertz, an important postwar German artist who has never been the subject of a major museum survey in the United States.

The present exhibition, the first complete overview of this important aspect of Hofmann's art, surveys his life - long engagement with drawing, watercolor, and painting on paper.

This presentation, Duality, is a survey of paintings by Fleming — founding member of the important New York - based artist collective in the 1960s, Park Place Gallery — that includes selections from the 1960s and 70s as well as recent works.

His work has been included in a number of important survey exhibitions on contemporary painting, and held in numerous public collections.

Forthcoming important exhibitions for Rothenberg include a group show titled «Paint Made Flesh» at the Frist Art Center in Nashville, Tennessee from 23 January — 10 May 2009, and a solo survey of twenty - five paintings presented by the Modern Art Museum of Fort Worth and the Georgia O'Keeffe Museum in Santa Fe, New Mexico.

The exhibition at VENUS will present historic paintings from Bengston's career alongside new Chevron paintings from 2016, offering viewers a survey of the artist's unique style and his undeniably important cultural impact both in Los Angeles and throughout the United States.

He has been included in several important survey exhibitions of abstract painting, including both exhibitions titled Conceptual Abstraction, first at Sidney Janis Gallery in 1991 and in the exhibition that revisited that show, and which was held at the Hunter College Art Gallery in 2012.

He has been included in several important survey exhibitions of abstract painting, including both exhibitions titled

In the reviews of The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art's first survey of contemporary painting in a very long time, a few critics recalled the modest but important surveys of new art the museum used to mount decaPainting in an Atemporal World, the Museum of Modern Art's first survey of contemporary painting in a very long time, a few critics recalled the modest but important surveys of new art the museum used to mount decapainting in a very long time, a few critics recalled the modest but important surveys of new art the museum used to mount decades ago.

The first solo exhibition in 2011, Elusive Transparencies, was a survey of what the artist referred to as «see - through» paintings — overlapping planes of color that looked as though they were floating in space, conveying depth and perspective — that were very important to him and spanned nearly his entire career.

That exhibition, in 1971, was the first real survey of his work, although some of the most important paintings were unavailable for it.

Among the big temporary exhibition tickets: A definitive retrospective of works by Abstract Expressionist Mark Rothko at the Museum of Fine Arts, Houston (the show's sole U.S. venue); bold paintings by the Impressionist Gustave Caillebotte at the Kimbell Art Museum in Fort Worth; the largest - ever survey of Jackson Pollock's work at the Dallas Museum of Art; and an important show of Joan Miró's works at the McNay Art Museum in San Antonio.

In the number and quality of paintings from this period, the book parallels Guston's important 1966 survey exhibition held at the Jewish Museum in New York, a half century ago.

The painting sets the stage for a riotous survey of work by 31 of the most important African American artists over the past three decades, including Lorna Simpson, Barkley L. Hendricks, Rashid Johnson, Kerry James Marshall, Carrie Mae Weems, Iona Rozeal Brown, Hank Willis Thomas and Jean - Michel Basquiat.

will comprise of a core survey of recent important painting, sculpture and installation at The Butler Gallery, at Kilkenny Castle and the exhibition will extend into the medieval city of Kilkenny in an extraordinary way as the artist has devised a provocative suite of off - site projects in stimulating venues.

Surveying four centuries, the Museum's American holdings include important Colonial and Federal portraits and a superb collection of Hudson River landscape paintings by artists including Thomas Cole, Frederic Church and Albert Bierstadt.

The show surveys Hopper's significant and underappreciated achievements as a draftsman, and will pair many of his greatest oil paintings — including Office at Night (1940), an important piece from the Walker Art Center's collection — with their preparatory drawings and related works.

The group was founded by seven female artists in New York City, disappointed that the Museum of Modern Art's exhibition An International Survey of Recent Painting and Sculpture, showcasing 169 important contemporary art and artists in the world, featured only 13 female artists — less than 10 percent of the total.

Mark Grotjahn: Butterfly Paintings, curated by Douglas Fogle, will be a select survey of this important series of paintings by the Los Angeles - basePaintings, curated by Douglas Fogle, will be a select survey of this important series of paintings by the Los Angeles - basepaintings by the Los Angeles - based artist.

The Butler Institute of American Art is pleased to present a major survey, Jack Tworkov: Important Paintings from the»70s.

Important solo exhibitions include a retrospective organized by the Albright - Knox Art Gallery that traveled to the Hirshhorn Museum, The Saint Louis Art Museum, Museum of Contemporary Art Chicago, Seattle Art Museum, and the Dallas Museum of Art (1992 - 1994); a survey at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996 - 1997); «Susan Rothenberg: Paintings from the 90's» at The Museum of Fine Arts, Boston (1999); and an exhibition of drawings and prints at the Herbert F. Johnson Museum of Art at Cornell University which traveled to the Contemporary Museum, Honolulu and the Museum of Fine Arts, Santa Fe (1998 - 1999).

Important solo exhibitions include a retrospective organized by the Albright - Knox Art Gallery, Buffalo that traveled to the Hirshhorn Museum, The Saint Louis Art Museum, Museum of Contemporary Art Chicago, Seattle Art Museum, and the Dallas Museum of Art (1992 - 1994); a survey at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996 - 1997); «Susan Rothenberg: Paintings from the 90's» at The Museum of Fine Arts, Boston (1999); and an exhibition of drawings and prints at the Herbert F. Johnson Museum of Art at Cornell University which traveled to the Contemporary Museum, Honolulu and the Museum of Fine Arts, Santa Fe (1998 - 1999).

The information gathered thus far, from the 547 people who answered our survey, paints a fascinating picture of polyamorous individuals and their family arrangements, and has important implications for the future of family law in Canada.

This type of recruitment procedure, while able to increase the sample's diversity in some important ways (specifically, there were more males and more same sex relationships reported on in this study than in many relationship surveys), also limits the overall generalizability of our results and only paints a one - sided picture of a phenomenon that is inherently dyadic.