Camera operators are more
important than actors because if they do not know what they are doing, well, you can not make a film.
Not exact matches
The major problem for the European markets is that UNLIKE the U.S. financial system, European banks are a much more
important actor as they provide far more corporate loans on a percentage basis of GDP
than U.S. banks.
In IR, National Interest is traditionally linked with what has been labeled by scholars as a billiard ball approach to foreign policy, in which the nation - state is defined and treated as a unitary
actor, more
important than the «cobweb» of national and transnational connections that others see to be
important to an understanding of foreign policy.
Also impressive is director Wenders» use of his and Lisa Rinzler's shoots in Assisi, black - and - white, deliberately faded and silent film, showing an
actor playing St. Francis who at the key point in his life heard God tell him to restore a dilapidated church — which I believe he did thinking that God's will is more
important than his father's rage at the saint's alleged throwing away his money.
More
important than the technical precision of the
actors» turns is the rapport they all share — which ultimately lends this story of a family its authentic, immediate poignancy.
Other
actors have attempted their own version of this form of immersive acting (frequently identified as the Method, though it's not actually Method's defining characteristic), but their antics usually draw attention to themselves as being little more
than self -
important, cast - aggravating stunts (see: Jared Leto).
Though it's been opined elsewhere with more eloquence, one of the reasons that American animation is so far behind the sophistication and maturity of Japanese animation is the belief that professional voice
actors are less
important than «names» like, I suppose, Cary Elwes, Billy Crudup (Princess Mononoke's English - language lead), and Courtney Thorne - Smith.
That means the central performances are more
important and carry more weight
than should be expected of the
actors.
What's
important about the story and Matthew and the
actors is that I've written a screenplay that doesn't have any room for anything other
than hitting it absolutely on the mark.
He tells Rey that the Jedi are more useful as symbols
than as
actors, and Rey understands that symbols are
important to the future.
Much of what makes Selma such a breath of fresh air (that is, until that air is forcefully knocked from the lungs repeatedly and unmercifully) is the approach to make it clear that King Jr was not more
important than what happened in Selma 50 years ago, nor was he the only
actor responsible for it.
I must say that this was one of the worst movies I've ever watched, «Evil Dead» was better
than this mound of shit... Gareth Edwards should be banned from directing hence forth, and now I hear he's directing the new Star Wars spin - off... I'm not one to talk down to others but let's be honest, you have to be retarded to like this movie... It made absolutely no sense, the script (the most
important piece to any movie) was terrible, the plot was stupid, the acting was horrible and it seemed that the
actors who were chosen were acting for a different movie all together... Where was the sense of urgency, I mean there were 300 foot tall behemoths walking through buildings and all you could show us was who was going ride with the little boy on the school bus... Maybe if all the main characters died and they just let Godzilla do his thing from there on out an eyebrow could've been raised but unfortunately, there isn't one good thing to say about this movie... I'm shocked the WB handed over one their biggest names to Legendary Pictures... Let's not forget what they've done with Superman Returns... This is shameful...
Most
important is Churchill's relationship with King George VI, played here by Ben Mendelsohn with far more remove
than the warm portrayal the monarch has gotten from
actors like Colin Firth (in The King's Speech) and Jared Harris (in The Crown).
Voice
actors are becoming increasingly
important in our industry, and perhaps nowhere is this more apparent
than in narrative - driven action titles such as inFamous: Second Son.