Sentences with phrase «in autobiographical memory»

Cerebral representation of ones own past: neural networks involved in autobiographical memory.

Rubin, David C. Remembering Our Past: Studies in Autobiographical Memory.

As a result, our early years tend to be relatively overrepresented in our autobiographical memory and, on reflection, seem to have lasted longer.

Not exact matches

His studies back in the early 1990s led him to conclude that human consciousness requires autobiographical memory, which emerges from emotions and feelings.

The research, «Externalizing the autobiographical self: sharing personal memories online facilitated memory retention,» appeared in a recent edition of the journal Mmemory retention,» appeared in a recent edition of the journal MemoryMemory.

«This work is the first step toward a better understanding of the autobiographical self in the internet era where the virtual externalization of personal memories has become commonplace,» the study said.

My autobiographical memories fit the general pattern described in your feature (6 October, p 36): I have few before the age of 5 or 6.

Persons with highly superior autobiographical memory (HSAM, also known as hyperthymesia)-- which was first identified in 2006 by scientists at UC Irvine's Center for the Neurobiology of Learning & Memory — have the astounding ability to remember even trivial details from their distantmemory (HSAM, also known as hyperthymesia)-- which was first identified in 2006 by scientists at UC Irvine's Center for the Neurobiology of Learning & Memory — have the astounding ability to remember even trivial details from their distantMemory — have the astounding ability to remember even trivial details from their distant past.

In a series of tests to determine how false information can manipulate memory formation, the researchers discovered that subjects with highly superior autobiographical memory logged scores similar to those of a control group of subjects with average memory.

Canadian and U.K. researchers found that two patients who had lost their autobiographical memory (not to mention the ability to view themselves in future situations — such as dreaming about their wedding day) were able to pick up emotional cues and figure out the intentions of others.

The hippocampus has been implicated in episodic and autobiographical memory formation in animal models (Devito and Eichenbaum, 2011; Ergorul and Eichenbaum, 2004; Morris et al., 1982; Squire, 1992) and humans (Squire and Zola - Morgan, 1991; Tulving, 2002).

In the early 1950's, the psychological study of a few neurosurgical patients (including the now well - known patient H.M.), all of whom exhibited a profound anterograde amnesia following bilateral damage to the medial structures of the temporal lobes, revealed the importance of the hippocampal region for autobiographical memory.

By contrast, «episodic memory» refers to the encoding of autobiographical information relating to a specific event that is located in time.

Invited Speakers: Martin Conway — Autobiographical memory and self http://www.city.ac.uk/arts-social-sciences/academic-staff-profiles/profe... Nick Chater — Self and Other in Joint Action http://www.wbs.ac.uk/about/person/nick-chater/ Kevin O'Regan — Phenomenal experience of self http://nivea.psycho.univ-paris5.fr/ Giorgio Metta — Physical Self and Peri-personal Space http://pasa.liralab.it Yiannis Demiris — Motor Self and Development of the Mirror system http://www.iis.ee.ic.ac.uk/yiannis Paul Verschure — An Architecture for Self specs.upf.edu Peter Ford Dominey — Construction of the Narrative Self over Time http://pfdominey.perso.sfr.fr/RobotDemos.htm

Negative self - processing is associated with alterations in the neural correlates of self - referential processing (e.g., midline cortical structures) and autobiographical memory systems (e.g., medial temporal lobe structures).

Much like his previous film on American movies, Scorsese begins on an autobiographical note, the sense of nostalgic reminiscence foregrounded with memories of family viewings of Roberto Rossellini's Paisan, before affording the movies in question a greater depth of analysis, of personal resonance.

Award - winning Spanish author Molina tells the story of James Earl Ray's attempt to escape after killing Martin Luther King Jr. in 1968 and mixes it with autobiographical elements to ask: How does our experience of history, or our collective memory, affect our future?

Using the visual language of mythological depictions of wrestling, mined from art historical sources and his own memory, these paintings propose new through lines in Dunham's practice that are both formal and autobiographical in nature.

Either way, I don't know how helpful autobiographical links are to the narratives in my work, but, when I make a painting, experience and memory does play a role in choosing images or the composition.

These autobiographical works draw on the memories that Neely carries with her, «hidden in plain sight,» of the experiences that have shaped her life.

In Fragmented Memory fatmi furthers this personal journey by mining his memories — marking a rare autobiographical approach in his worIn Fragmented Memory fatmi furthers this personal journey by mining his memories — marking a rare autobiographical approach in his worin his work.

Fabric drawings by Louise Bourgeois integrate the artist's autobiographical locus with allegory and memory conjured from working in the family tapestry shop as a child.

A ghostly yet solid memory of the piece of furniture, Whiteread's subjects are inspired by both public and personal narratives, driven by «an autobiographical impulse, using something familiar, to do with my childhood» (R. Whiteread, quoted in Rachel Whiteread, exh.

Personal history is primary in works such as Radcliffe Bailey's Tricky 3 (2011), a multilayered piece that employs collage and explores both African American history and influences on the artist, and Trenton Doyle Hancock's 548 First Street N.E. (2012), an autobiographical portfolio based on the artist's childhood memories of his grandmother's house.

In those far off days Sonia Boyce made large scale pastel drawings, full of pattern and portrait, seductive autobiographical narratives revealing absolutely everything about real life and young love, secret conversations, working peoples aspirations, difficult relationships and childhood memories.

Yet, far from an autobiographical study, the work evokes varieties of collective cultural memory, the contrasting ways in which different inhabitants of the landscape identify with its idiosyncratic character and atmosphere.

His art made in the last decade often explores the theme of the «origins» of civilization and incorporates autobiographical reflections, including his childhood memories of watching the physical torture and suffering of his parents during the Cultural Revolution (1966 — 76), states the museum in an artist bio.

Downey uses the material, painterly process of image - creation to merge a history experienced only through books, movies, and photographs with autobiographical memories set in the leftover landscape of that history.

Her projects are often autobiographical in nature, maintaining a focus on womanhood, memories and the development of society.

The autobiographical dimension of the artist's work is revealed in pieces related to friendships, memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based on architectural planes.

A prolific printmaker, Louise Bourgeois (1911 — 2010) created the Autobiographical series in 1994, capturing her deepest thoughts and memories.

Eternity is a Long Time, has been conceived as a way of coming to grips with the artist's complex and highly diverse body of work, while simultaneously creating the opportunity to examine the fascinating web of cultural aspects and autobiographical memories that are so engrained in his art.

Leckey's new work is a compelling and distinctive visual essay, an act of memory that conjures slippery fragments of the familiar with the unfamiliar in a nuanced autobiographical mode.

Afro's works are often autobiographical, drawing on past memories conjured up some time after the event in order to allow the instant to be recalled through his senses rather than as mental images.

What I ended up with is these strange part - autobiographical scenarios that are about blending experience, memory and ideas in an all - enveloping textural field, within which a figure or group of figures exists loosely.

The autobiographical dimension of the artist's work is clear in her pieces related to friendships, memories and places; while the formal aspect of her oeuvre is evident in her paintings of grids and squares rendered in primary colors and in works based on architectural planes.

Curated by Emi Fontana, a Mike Kelley expert and independent curator based in Los Angeles, and Andrea Lissoni, curator at HangarBicocca, Mike Kelley: Eternity is a Long Time, has been conceived as a way of coming to grips with the artist's complex and highly diverse body of work, while simultaneously creating the opportunity to examine the fascinating web of cultural aspects and autobiographical memories that are engrained in his art.

In these cases are autobiographical memories for events which, if they occurred, did so 30 or even 40 years ago, reliable?

When a person recalls an autobiographical memory, then, these two types of long - term memory representation are brought together and a person consciously experiences episodic memories of specific aspects of the past and conceptual knowledge that acts as a personal context for the episodic memories, locating them in a person's life and providing a personal, self - relevant, meaning for them (3.15).

In general the type of memory we are concerned with here is known as autobiographical memory (3.25).

Throughout, relations between mother — child reminiscing, children's emerging autobiographical memory skills, and children's developing understanding of self and emotion are underscored, and these threads are woven together in the final section, in which implications of autobiographical reminiscing and self - understanding are discussed more fully.

Individual differences in how mothers structure reminiscing about shared past experiences with their preschool children are related to children's developing autobiographical memory skills and understanding of self and emotion.

In contrast your right brain, which maps out feelings and emotions, is also responsible for retrieving and re-assembling your autobiographical memory.

Currently, it is tested whether ANP and EP simulating healthy women have different psychophysiological reactions to neutral and aversive autobiographical memories (Reinders et al, in progress).

In addition to mapping out your and other people's thoughts, beliefs, and knowledge, your left brain stores your «autobiographical memory» ---- the story of your life based on remembered past events including your mental maps of your own and other people's mental states at the time.

The emergence of cultural self - constructs: Autobiographical memory and self - description in European American and Chinese children.

Autobiographical memory disturbances in childhood abuse survivors.

This study examined the relationship between episodic and semantic autobiographical memory and self - concept clarity in 100 undergraduate students.

Autobiographical memory research documents increased access in the number of memories recalled by emerging adults (ages 18 — 25) with stable, clearly defined self - concepts.