Sentences with phrase «in documentary filmmaking»

I live and work in Los Angeles as a network television editor (The Real World, RuPaul's Drag Race, Epic Meal Time — and I have a background in documentary filmmaking and music videos (University of Southern California Cinema - Television degree).

He was one of the first artists to pioneer video - wall installations and in the 1990s, he also ventured in documentary filmmaking.

Jeremy Robins / Echoes of Incarceration provides training in documentary filmmaking and activism for youth with incarcerated parents.

Beston has an impressive curriculum vitae in documentary filmmaking and BBC productions.

The Netflix hit is being submitted for Emmy consideration in a variety of nonfiction categories, including Exceptional Merit in Documentary Filmmaking.

By far, the highest concentration of women is to be found in the documentary film categories: Exceptional Merit in Documentary Filmmaking and Outstanding Documentary Or Nonfiction Special.

Joe Berlinger has spent over 2 decades creating critically acclaimed documentaries, making him one of America's leaders in documentary filmmaking.

Documentary Showcase Presented by 500 Walnut: Comprising the best in documentary filmmaking, these compelling films feature everything from stirring character studies to fascinating looks at current global issues.

In 1994, Hoop Dreams announced an important new voice in documentary filmmaking: Steve James.

Master Class in Documentary Filmmaking with Jeffrey Brown May 19, 2018 9am - 6 pm Note: Walk - in registrations available.

That is the goal of the CHA (Chicago Housing Authority) Program in Documentary Filmmaking.

Doc Soup Man talks with Sundance Institute's documentary program director, Tabitha Jackson, who says she wants make sure «that the doors are opened more widely» for artistic expression in documentary filmmaking.

I live and work in Los Angeles as a network television editor (The Real World, RuPaul's Drag Race, Epic Meal Time — and I have a background in documentary filmmaking and music videos (University of Southern California Cinema - Television degree).

Not exact matches

Here's the caption @nascarcasm claims goes with this photo: Oscar winners (from left) Christian Bale (Best Actor In A Supporting Role, «The Fighter»), Natalie Portman (Actress In A Leading Role, «Black Swan»), Melissa Leo (Actress In A Supporting Role, «The Fighter»), Colin Firth (Actor In A Leading Role, «The King's Speech») and Kurt Busch (Best Directing, Cinematography, Costume Design and Short - Subject Documentary, «A Positive Step For Me»), celebrate backstage following the Academy Awards, which honor achievement in filmmakinIn A Supporting Role, «The Fighter»), Natalie Portman (Actress In A Leading Role, «Black Swan»), Melissa Leo (Actress In A Supporting Role, «The Fighter»), Colin Firth (Actor In A Leading Role, «The King's Speech») and Kurt Busch (Best Directing, Cinematography, Costume Design and Short - Subject Documentary, «A Positive Step For Me»), celebrate backstage following the Academy Awards, which honor achievement in filmmakinIn A Leading Role, «Black Swan»), Melissa Leo (Actress In A Supporting Role, «The Fighter»), Colin Firth (Actor In A Leading Role, «The King's Speech») and Kurt Busch (Best Directing, Cinematography, Costume Design and Short - Subject Documentary, «A Positive Step For Me»), celebrate backstage following the Academy Awards, which honor achievement in filmmakinIn A Supporting Role, «The Fighter»), Colin Firth (Actor In A Leading Role, «The King's Speech») and Kurt Busch (Best Directing, Cinematography, Costume Design and Short - Subject Documentary, «A Positive Step For Me»), celebrate backstage following the Academy Awards, which honor achievement in filmmakinIn A Leading Role, «The King's Speech») and Kurt Busch (Best Directing, Cinematography, Costume Design and Short - Subject Documentary, «A Positive Step For Me»), celebrate backstage following the Academy Awards, which honor achievement in filmmakinin filmmaking.

His new film, screening in the Un Certain Regard section of the festival, combines his skills at narrative and documentary filmmaking to create a brutal mockumentary of loosely connected vignettes about the propaganda - and conflict - riddled Donbass region in eastern Ukraine.

The result is a seamless, collaborative weave of documentary and narrative filmmaking in which every scene, even when heightened for dramatic effect, has a bone - deep authenticity.

Getting his start working on TV commercials, Mann took his rapid - paced, flash - cut approach into documentary filmmaking, producing an award - winning short on the 1968 French student riots, Janpuri.Mann's fragmented - image technique further manifested itself on such TV detective series of the»70s such as Starsky and Hutch and Vegas, both of which utilized his scripts (though they were directed by others in the standard conventional style of the period).

In this lively, illuminating and unexpectedly moving documentary, directors Noah Baumbach and Jake Paltrow engage in a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the fielIn this lively, illuminating and unexpectedly moving documentary, directors Noah Baumbach and Jake Paltrow engage in a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the fielin a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the field.

Stylised mix of documentary and fiction which seeks the true essence of filmmaking and the way in which one can faithfully capture the beauty of reality.

Frederick Wiseman, one of the giants of American documentary filmmaking, spent a month in the fall of 1996 shooting 110 hours of footage of life in a small New England town, and this four - hour - and - eight - minute feature was the result.

In 2015, the IDA awarded Gordon its Career Achievement Award, honoring his services to documentary filmmaking.

Meanwhile, music documentary «Beware of Mr. Baker» and William Friedkin «s «Killer Joe» (which opens in July) were both highlights of SXSW, while Cuban drama «Una Noche» and Keanu Reeves «filmmaking documentary «Side By Side» were leading lights at Tribeca and Berlin.

Made in America is a somewhat special case, as many documentaries are, blending an episodic structure with the more epic scope of filmmaking.

But perhaps it was the six award - winning films in MIFF's 50th Shorts Awards that most fittingly captured the hybrid nature of MIFF 2011, a selection of old and new forms of filmmaking, from a myriad of countries on a range of issues: A Fine Young Man (Kevan Funk, 2010) from Canada, winner of Best Short Film; Best Australian Short, The Palace (Anthony Maras, 2011); Andrew Kavanagh, winner of the Emerging Australian Filmmaker Award for At the Formal (2010); Green Crayons, (Kazik Radwanski, 2010) from Canada, winner of Best Fiction Short Film; Nullabor (Alister Lockhart, Patrick Sarell, 2011) from Australia, the Best Animation Short Film; Leonids Story (Rainer Ludwigs, 2011) from Russia, the Best Documentary Short; and A History of Mutual Respect (Gabriel Abrantes, Daniel Schmidt, 2010) from Portugal, winner of Best Experimental Short Film.

During the 2018 Montclair Film Festival, the thrilling political documentary took home the David Carr Award for Truth in Non-Fiction Filmmaking.

The IDA Enterprise Doc Fund provides production and development funds to feature - length documentary films taking on in - depth explorations of original, contemporary stories and integrating journalistic practice into the filmmaking process.

«We are so happy to be able to celebrate the supremely talented, leading voices in this golden age of documentary filmmaking and nonfiction television,» said BFCA President Joey Berlin.

Lost in Translation gives Charlotte's journey the feeling of a personal documentary travelogue (almost guerilla filmmaking) by following her throughout Japan, across the crowded Shibuya Crossing, underground in the Tokyo subway and along the shinkansen track to visit temples in Kyoto.

Hitchcock / Truffaut is a documentary film for all movie buffs that have ever considered magnifying their knowledge of the components in filmmaking.

Eventually I enrolled in a sound and image course where I had the opportunity to experience filmmaking with a great teacher — award winning video artist Joan Braderman — and a whole new world opened up for me — not the world of cinema fantasy but the world of documentary.

A U.S. Documentary Special Jury Award for Achievement in Filmmaking was presented by Diane Weyermann to:

Writer - director George Ratliff has helmed feature - length documentaries in the past, but Joshua is his first real stab at narrative filmmaking.

Documentary Filmmaking Alexis Bloom, Fisher Stevens, Sheila Nevins, Brett Ratner & Nancy Abraham («Bright Lights: Starring Carrie Fisher and Debbie Reynolds») TJ Martin, Dan Lindsay, Jonathan Chinn & Simon Chinn («LA 92») Ezra Edelman, Caroline Waterlow, Connor Schell, Libby Geist, Tamara Rosenberg & Nina Krstic («O.J.: Made In America») Barak Goodman, Emily Singer Chapman, Mark Samels & Susan Bellows («Oklahoma City (American Experience)») Joanna Natasegara («The White Helmets»)

It's a documentary that truly puts you in the heart of the filmmaking process and what it takes to balance being a director on set and having your family live with you for six months on location in Bangkok.

Goldstein's most recent filmmaking credits include Les Rues de Mean Streets, a short documentary on the New York neighborhoood where director Martin Scorsese grew up, created for the French Blu - ray release of Mean Streets; and In the Footsteps of Speedy, a critically - acclaimed 30 - minute documentary on the making of Harold Lloyd's 1928 silent comedy Speedy, commissioned by the Criterion Collection.

Bilge's lucid summary of the twisty - turny documentary Kate Plays Christine — in which director Robert Greene follows around a real - life actress while she rehearses for a fictional movie about the life of a real person — got me thinking: Aren't we starting to need more words for the bounteously proliferating forms of nonfiction filmmaking besides just documentary?

It also highlights the effort that Linklater has made in support of Independent filmmaking and how he was influential in helping create the Austin Film Society whereby old film prints could be saved and showed, as well as raising money from filmmakers to help make more films.Overall, it does little but scratch the surface and a bit more in - depth analysis to his films would have been welcome but to paraphrase Billy Bob Thornton on the outtakes at the end; «Rick Linklater doesn't need anyone to make a documentary about him.

Her interdisciplinary training in literature, gender studies, contemporary art, and politics informs her artful approach to documentary filmmaking.

«At Berkeley» In theory, the 70th Venice Film Festival was something of a banner one for documentaries: two in competition, one of which, «Sacro GRA,» won the Golden Lion, several others in sidebars or out of competition, and a number of films - about - filmmaking in the Classics strand, including «A Fuller Life,» «Bertolucci On Bertolucci» and «Double Life: James Benning and Richard Linklater» (the latter two we didn't make it to, but heard good things about, and hope to catch up with in the near futureIn theory, the 70th Venice Film Festival was something of a banner one for documentaries: two in competition, one of which, «Sacro GRA,» won the Golden Lion, several others in sidebars or out of competition, and a number of films - about - filmmaking in the Classics strand, including «A Fuller Life,» «Bertolucci On Bertolucci» and «Double Life: James Benning and Richard Linklater» (the latter two we didn't make it to, but heard good things about, and hope to catch up with in the near futurein competition, one of which, «Sacro GRA,» won the Golden Lion, several others in sidebars or out of competition, and a number of films - about - filmmaking in the Classics strand, including «A Fuller Life,» «Bertolucci On Bertolucci» and «Double Life: James Benning and Richard Linklater» (the latter two we didn't make it to, but heard good things about, and hope to catch up with in the near futurein sidebars or out of competition, and a number of films - about - filmmaking in the Classics strand, including «A Fuller Life,» «Bertolucci On Bertolucci» and «Double Life: James Benning and Richard Linklater» (the latter two we didn't make it to, but heard good things about, and hope to catch up with in the near futurein the Classics strand, including «A Fuller Life,» «Bertolucci On Bertolucci» and «Double Life: James Benning and Richard Linklater» (the latter two we didn't make it to, but heard good things about, and hope to catch up with in the near futurein the near future).

A U.S. Documentary Special Jury Award for Achievement in Filmmaking was presented to American Promise, directed by Joe Brewster, Michèle Stephenson — This intimate documentary follows the 12 - year journey of two African - American families pursuing the promise of opportunity through the education of Documentary Special Jury Award for Achievement in Filmmaking was presented to American Promise, directed by Joe Brewster, Michèle Stephenson — This intimate documentary follows the 12 - year journey of two African - American families pursuing the promise of opportunity through the education of documentary follows the 12 - year journey of two African - American families pursuing the promise of opportunity through the education of their sons.

A legend in New York and documentary filmmaking, Albert Maysles» posthumous «In Transit» tugs appropriate heartstrings as it follows passengers on the nation's most highly trafficked train route «The Empire Builder.&raquin New York and documentary filmmaking, Albert Maysles» posthumous «In Transit» tugs appropriate heartstrings as it follows passengers on the nation's most highly trafficked train route «The Empire Builder.&raquIn Transit» tugs appropriate heartstrings as it follows passengers on the nation's most highly trafficked train route «The Empire Builder.»

A tireless explorer of cinema's discarded past, Bill Morrison brings his unique approach to found - footage filmmaking to his latest project, a documentary about lost reels of nitrate film found in Canada's Yukon Territory.

The ultimate filmmaking chameleon, in the past five years alone Steven Soderbergh has directed an action infused spy thriller, a globespanning medical disaster movie, a seventies - set comedy about corporate corruption, an experimental drama starring a hard - core pornstar, a four hour Che Guevara biopic, and a documentary about Spalding Gray.

For personal reasons, though, as well as personal tastes, Montage of Heck was 145 minutes of fascination, excitement, and enlightenment, a clear standout in a year where there were ample amounts of superb, documentary filmmaking.

The Best Documentary Feature Oscar race is off and running, and the contenders aren't lacking in quality non-fiction filmmaking.

I was pleasantly surprised at this mix of documentary style filmmaking with a faux story thrown in.

Anatomy of a Killer Theme Song» new interview with the original members of the American punk band, The Dickies; «The Chiodos Walk Among Us: Adventures in Super 8 Filmmaking» new documentary highlighting the making of the Chiodo Brothers childhood films, from the giant monster epics made in their basement to their experiments in college; new HD transfers of the complete collection of the Chiodo Brothers 8 mm and Super 8 films, including «Land of Terror,» «Free Inside,» «Beast from the Egg», and more; «Tales of Tobacco» interview with star Grant Cramer; «Debbie's Big Night» interview with star Suzanne Snyder; «Bringing Life to These Things» tour of Chiodo Bros..

«Amy,» «Listen to Me Marlon» and «The Look of Silence» have now been nominated for both of the top honors in non-fiction filmmaking, the Cinema Eye Honors and the International Documentary Association's IDA Awards.

Additional filmmaking talent attending for films in competition include: for Official Competition: Jerzy Skolimowski, Cary Fukunaga, Apichatpong Weerasethakul, Athina Rachel Tsangari, Jonás Cuarón, Lucile Hadžihalilović, Lenny Abrahamson, Brie Larson, Terence Davies, László Nemes, Sean Baker; First Feature Competition: Mai Masri, Eva Husson, Magnus von Horn, Trey Edward Shults, Yared Zaleke, Esther May Campbell, Nitzan Gilady, Ariel Kleiman, Eugenio Canevari, Robert Eggers, Piero Messina; Documentary Competition: João Pedro Plácido, Mor Loushy, David Sington, Walter Salles, Tomer Haymenn, Patricio Guzmán, Sarah Turner and Hanna Polak.

There are no retrospectives this year, but there's a promising sidebar titled «Film on Film» that features documentaries about filmmaking, plus one pseudo-documentary titled «Hitler in Hollywood.»