Sentences with phrase «in dogtooth»

Take part in the mountain lifestyle movement as this resort in the Dogtooth Range above Golden, British Columbia, has families in mind with a ski in - ski out philosophy that exemplifies its base area chalet and hotel accommodation.
A fast way to access the vast amount of terrain in the Dogtooth Range near Kicking Horse Ski Resort.
Adrenalin Descents is pleased to offer tenured sled skiing tours and avalanche skills training courses in the Dogtooth Mountains near Golden BC.
However, much less known is the fact that this resort in the Dogtooth Range above Golden also has families in mind with a ski in - ski out philosophy that exemplifies its base area chalet and hotel accommodation.
He stars in Dogtooth director Yorgos Lanthimos» The Lobster, as a man on a rather peculiar dating retreat.
Lanthimos's thing is analyzing human relations and habits by expunging the emotional illogicality, and sex — in Dogtooth and The Lobster — has an insidious quality, an act of self - and mutual - destruction that's necessary.
Yorgos Lanthimos» bizarre explorations of the human condition have steadily increased in star power over the years, moving from the relative unknowns who played the deranged family in Dogtooth, up to his recent The Lobster, which featured a star - studded cast that included Colin Farrell, Ben Whishaw, and Léa Seydoux.
Parenthood, or whatever nihilist - based form of it, was under the microscope in DOGTOOTH.

Not exact matches

Olson says Dogtooth Bend farmers and landowners, members and staff of the Len Small Levee and Drainage District, community and state - level leaders, and the U.S. Army Corps of Engineers have some difficult decisions ahead in repairing the current landscape and preparing for future flood events — decisions that affect future land uses, resource allocations, and the livelihoods of the people of southern Illinois.
The dogtooth print is surprisingly versatile, as it can be worn in a relaxed and causal way, but also can be smart enough to wear to the office.
Argyle or dogtooth patterns in light and bright shades will make your business style shine above the rest.
It's a no - winners landscape in the hands of director Yorgos Lanthimos (sharing screenwriting credit with Efthimis Filippou), whose earlier arthouse offerings, like «Alps» and the Academy Award - nominated «Dogtooth,» dove deeply into similar pools of human sadness.
As his English - language debut and first time working with Hollywood actors, The Lobster marks the beginning of a new chapter for Yorgos, whose previous films (My Best Friend, Kinetta, the Academy Award — nominated Dogtooth, and Alps) were each made in Greece on an extremely modest budget with a crew made up of Yorgos's friends.
After shooting, Lanthimos began preparation to shoot The Favourite but then turned back to The Killing of a Sacred Deer after the filmmaking team watched footage and figured the feature could be finished in time for a premiere at Cannes, where the filmmaker's previous films The Lobster and Dogtooth debuted.
Release Date: After winning Un Certain Regard for his 2009 film Dogtooth, Lanthimos premiered ALPS at Venice in 2011 (where it won Best Screenplay), before tapping into the Cannes main comp (taking the Jury Prize) in 2015.
Dogtooth -LRB-» 09) is all about isolationism, where a family teaches their children to only believe in the complex mythology they lay out before them.
The term Greek New Wave (sometimes called Weird Wave) has been floating around ever since Giorgos Lanthimos's Dogtooth screened at Cannes in 2009.
Lanthimos hails from Greece and has been making provocative films for years, first bringing his break out hit Dogtooth to the Cannes Film Festival in 2009.
The other disappointment in the Official Competition programme — though more from an expectations point - of - view than anything else — was Borgman, which calls to mind Michael Haneke's Funny Games (1997/2007) and Yorgos Lanthimos» Kynodontas (Dogtooth, 2009).
The Killing Of A Sacred Deer doesn't have as sharp an allegorical edge as his best work — it's no Dogtooth in that respect — but it does find the director honing his command of unnerving atmosphere to a razor point, enhanced by a camera that glides menacingly down hospital corridors and gazes from above with the severity of a merciless god.
The Greek filmmaker (also responsible for Dogtooth) refuses to play nice in this odd tale of an awkward man (Colin Ferrell) who must find a mate less he be turned into a lobster.
He first cocked heads with 2009's Dogtooth and brought the same level of weirdness and dry, uncomfortable humor in 2015's The Lobster.
It is good to see that outside of the work of Yorgos Lanthimos (The Killing of a Sacred Deer, The Lobster and Dogtooth) that the genre scene in Greece is being upheld by the work of the organizers of the...
Yorgos Lanthimos («Dogtooth», «The Lobster») is a surgical filmmaker of great opacity; his film a bright and coldly lit Gothic work in the mode of Stanley Kubrick.
Colin Farrell, Rachel Weisz, Ben Whishaw and John C. Reilly star in Yorgos (Dogtooth) Lanthimos's off - kilter love story set in a dystopian future.
If you've seen his earlier work — Dogtooth or The Lobster, perhaps — you'll have some idea of his unsettling style where characters speak in monotone platitudes.
Such is the message we seem to be gleaning from the cinema of 2009, as a vast range of unrelated titles — «Precious,» «Coraline,» «Dogtooth,» «Antichrist,» «Fish Tank,» even «An Education» — appear united in visiting the physical and / or psychological -LSB-...]
While Lanthimos doesn't make any specific political allusions, Dogtooth carries a lot of resonance in the Glenn Beck era, when people are living in paranoid bubbles of their own making, bunkered down by ideology.
And while the film throws some shadows reminiscent of recent Greek «Weird Wave» cinema (Papoulia also starred in Yorgos Lanthimos's Dogtooth and Alps), such as its unhinged, barking mad, and eyeball - rolling style of acting, this is a bigger, bolder, and angrier work.
It might be indebted in many aspects to «Dogtooth,» with which it shares both thematic and stylistic links, but it's arguably more fully achieved than even that film — the helmer's win of the Silver Lion for Best Director might not have been popular in the room, but to our mind, it's well - deserved.
The wave began at Cannes in 2009 with Yorgos Lanthimos, «Dogtooth,» and has continued with his follow - up «Alps» and Athina Rachel Tsangari «s «Attenberg,» among others.
33:05 — Review: Dogtooth 1:11:45 — Trailer Trash: X-Men: First Class, Arthur, Bridesmaids 1:29:30 — Other Stuff We Watched: Uncle Buck, Weird Science, Sixteen Candles, Gates of Heaven, Dazed and Confused, Nothing But Trouble 1:54:50 — Junk Mail: Reed Raimi Remix, Kiss of Death, Azrael in The Dark Knight Rises, Film Junk Ads, Greg's Recommended Classics and Police Procedurals, Judging Acting in Foreign Films, New Watch vs. Rewatch, Horror Remakes and Sequels, Name That Movie 1 and 2 2:26:20 — This Week's DVD Releases 2:29:40 — Outro
We're guessing Dogtooth, still in the running, made the shortlist in phase two of the voting process by the grace of that face - saving executive committee.
0:00 — Intro 5:10 — Headlines: Roseanne Reality Show and New Beavis and Butthead Show, Robocop Statue in Detroit, Shane Black Confirmed for Iron Man 3, Disney Announces Cars Spin - Off Called Planes, 2011 Breaks Record for Most Sequels in a Year 29:00 — Review: Mr. Nobody 1:12:45 — Trailer Trash: Apollo 18, Dead Island 1:28:00 — Other Stuff We Watched: Dogtooth, Pleasantville, Beverly Hills Cop, Beverly Hills Cop II, Uncle Buck, Dial M for Murder, I Confess, Lifeboat, Foreign Correspondent, The Wrong Man, Suspicion, Megamind, Scott Pilgrim vs. The World, Superman, Network, Dog Day Afternoon, I Knew It Was You, Runaway Train 2:16:55 — Junk Mail: Film Junk Artwork Contest, Takashi Miike, Gates of Heaven, Arsenic and Old Lace, Directors We Wish Were Making Different Kinds of Movies, Machine Girl and Man v. Food, Name That Movie and Visually Amazing Films That Are Just Okay, Shutter Island Shutout at the Oscars and Sequel Titles 2:59:15 — This Week's DVD Releases 3:02:55 — Outro
Tonally similar to recent cultish favorites from Yorgos Lanthimos and Ben Wheatley («Dogtooth» feels like a particularly close and favoured first cousin), there's also a little Haneke in its chilly dissection of a perfect bourgeois life.
Audiences have come to expect the bizarre from director Yorgos Lanthimos, who broke out in 2009 with the wonderful and unsettling Dogtooth, and The Lobster definitely doesn't disappoint on that front.
Perfecting his style of absurdist deadpan comedy, Greek director Yorgos Lanthimos (Dogtooth) introduces new rules, activities, and gruesome punishments at every turn: Matches are made based on arbitrary similarities; trial couples are assigned children; and time extensions can be earned by hunting down renegade singles who live in the woods and only listen to electronic music.
His international breakthrough, Dogtooth, tackled social conditioning (parental or otherwise) through a nightmare experiment in child rearing; it remains a shock - buzzer cult film for the ages.
Numerous of the country's films in recent years — Tsangari's previous film Attenberg, Yorgos Lanthimos» Dogtooth and Alexandros Avranas» Miss Violence — have received critical acclaim and accolades at International award ceremonies.
From the moment Dogtooth barreled onto the film festival circuit in 2009, Greek auteur Yorgos Lanthimos has been on the radars of cinephiles hankering for absurdism and social critique.
To Ursula Meier's Home, Anders Edström and C. W. Winter's The Anchorage, Yorgos Lanthimos's Dogtooth, and Bong Joon - ho's segment in the anthology film Tokyo!
The English - language debut of Greece's Yorgos Lanthimos (Dogtooth), this absurdist dystopian comedy offers up a near future in which all single people are required to find a partner within 45 days or be transformed into an animal of their choice, with extensions for those who hunt down and tranquilize rogue «loners» who live in the woods and listen to electronic music.
Tomorrow: Yorgos Lanthimos, whose Dogtooth placed at # 25 on The Dissolve's list of the decade's best films so far, returns to Cannes — in Competition this time — with The Lobster, about which I know absolutely nothing.
This jacket in particular typifies the businessman look of the nineties: road shouldered and heavily designer influenced with a fanciful dip into patterns of the past; Glen plaid proving especially popular, along with dogtooth check.
Indeed, Dogtooth is a film that delights in disconcerting the viewer and refuses to supply any easy answers (in fact, any answers at all).
* «Biutiful» Mexico * «Dogtooth» Greece * «In a Better World» Denmark * «Incendies» Canada * «Outside the Law» Algeria
Building on the tradition he had established in films like Alps and Dogtooth, he there brought his obsession with societies built on arcane systems of governance to glorious fruition in a mesmerizing tale anchored by a deliriously deadpan performance from Colin Farrell (Seven Psychopaths).
Yorgos Lanthimos» name has become synonymous with contemporary absurdism; the films that have made him one of the most lauded filmmakers in recent years - Dogtooth, Alps, and The Lobster - have mixed stories of families and relationships in the most strange of circumstances, combining black comedy, violence, and the crisis of identity.
On this strange premise hangs Greek auteur Yorgos Lanthimos» (Dogtooth) latest absurdist allegory, a dystopian satire steeped in narrative tension.
Mexico — «Biutiful» Greece — «Dogtooth» Denmark — «In a Better World» Canada — «Incendies» Algeria — «Outside the law»
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