Sentences with phrase «in etched lines»

Previous Turner Prize nominee, Ian Davenport is about to show his most ambitious work to date in Etched Lines, a solo show of over 30 new works at Alan Cristea Gallery from 4th March.

Not exact matches

«There is a wonderfully straight section and the [etch] turns in one continuous line.

This is mainly due to the discovery in the 1930s of the so - called «Nazca Lines» — a series of lines, plazas and drawings of animal designs etched onto the surrounding deLines» — a series of lines, plazas and drawings of animal designs etched onto the surrounding delines, plazas and drawings of animal designs etched onto the surrounding desert.

The hassled life that every second person is living has etched worry lines on their forehead resulting in a distorted psychic state.

Featuring a unique combination of criss - cross lines in a silver and black finish, with an etched white glass shade, bringing a bold, modern touch to any outdoor setting.

In the middle is a large round brown ceramic bead etched with white lines.

Whereas the Miata is all soft contours and gentle swells of sheetmetal, the 124 Spider adds a sharp crease in the belt line and twin scallops in the hood (the etched lines make for a modern twist on the similarly shaped hood «bumps» seen on later versions of the original).

There are a couple of etched character lines in the side, the edginess that crossovers have been chasing for years.

The houses are far apart when you're out in the hills, where trees and petunias grow in straight lines for profit, but once you get close to town, the streets look like something drawn by a child with an Etch A Sketch.

Staring over him in the dim light of a side lamp, my tired eyes traced along the path of faint, yet emerging, lines etched around his equally - tired eyes.

In the solarised shadow and light, you will see lines on your forehead, and those ones etched between your nose and mouth, the awful twist of discontent.

Watching Sardinian horses and pink flamingos with a mountainous backdrop is etched in my mind but so are the truckloads of rubbish which line the highways.

Thiebaud has stated: «There's nothing really that I've ever found in other lines that is like an etched line — its fidelity, the richness of it, the density you just don't get that any other way.»

In his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchingIn his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchingin London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchings.

Suite of 12 line etchings with letterpress title page and colophon, in gray linen clamshell box with embossed title, images 3 x 5 inches each, sheets 8 x 10 inches each.

(The allusion to methods for collecting and preserving natural specimens was strengthened by the nine large blown - glass bell jars lined up on the floor in the middle of the space, each with the stylized outline of a cherry blossom etched on its surface.)

For him, the few objects in the studio and the white ground of the paper are the world of the picture in its entirety, and to this we must add Freud's sometimes dramatic cropping of the picture surface — something that circumscribes the character — another form of line much like those of each etch.

The artist's recent turn to etching feels like a logical and unforced next step in her ongoing exploration of line, form and process.

In the Monument Drawings of 1996 --- 97, Chase - Riboud reused an etching as the starting point for unique compositions that she enhanced and obscured by delicate charcoal, graphite, and ink lines.

The allusion to Goya's famous etching The Sleep of Reason Produces Monsters (1799), which shows an artist similarly burying his head in his arms, draws a line between Bacon's and Goya's tortured subjects and sets the somber tone of the exhibition.

In this small hard - ground etching, scratchy and attentive lines articulate the head of a man in profile, gazing wide - eyed at something beyond the framIn this small hard - ground etching, scratchy and attentive lines articulate the head of a man in profile, gazing wide - eyed at something beyond the framin profile, gazing wide - eyed at something beyond the frame.

The etchings give a heart - warming insight in to Freud's charming mentality and affection for his sitters through carefully crafted lines that circumscribe personality.

In this etching from 1998, Bourgeois renders a headless, armless figure in simple drawn lines and a smudge of color — the title a reference to topiary shrubberIn this etching from 1998, Bourgeois renders a headless, armless figure in simple drawn lines and a smudge of color — the title a reference to topiary shrubberin simple drawn lines and a smudge of color — the title a reference to topiary shrubbery.

Lee allows, in all these recent etchings, for his lines to have different levels of energy — to develop their own personalities.

On a press in his studio, Lee uses color and the special qualities of the etching surface to play with both line and the suggestion of line as he creates layering, atmosphere and the impression of near and far space.

«The Cherry Tree III,» an aquatint with drypoint and etching, comprises vertical leaning lines and other geometric and organic shapes in the colors of nature against a background of pink and orange.

Tchah - Sup Kim works with crisscrossing fine lines in his etching «Between Infinities» to create an abstract field of subtle variation.

In another group of 18 - by -24-inch unaltered etchings, floating glyphic forms emerge from antic geometries of line.

Its foundation is a field of etched lines and small gestures similar to Sublime Light, over which Pousette - Dart laid cloud - like billows of white acrylic and graphite that swirl and coalesce in delicate patterns.

In the Armory Show he exhibited two paintings and five etchings and took away new influences, the colorful palette of the Fauves and the stylized drawing of emerging abstract painters who were emphasizing form and line over objective three - dimensional reality.

The National Museum Cardiff presents Artists in Focus: Lyrical Lines: Drawings and Etchings by Augustus John (1878 - 1961) on view through 5 June, 2011.

Emerging from the depths of the black background, her deeply tanned skin is interrupted by the unmistakable lines of a swimsuit, etched in bright white flesh.

Recent notable group exhibitions include Ron Arad's Curtain Call, The Roundhouse, London (2011); Rude Britannia, Tate Britain, London (2010); Laughing in a Foreign Language, Hayward Gallery, London, UK (2008); Momentary Momentum, Parasol Unit foundation for contemporary art, London; touring to Kettle's Yard, Cambridge, UK (2007 - 2008); The Compulsive Line: Etching 1900 to Now, The Museum of Modern Art, New York, NY (2006) and State of Play, Serpentine Gallery, London (2003).

He rediscovered sculpture and developed a new technique for creating relief sculptures, through pouring plaster into lines etched in a metal etching plate.

Throughout his career, he has also maintained a printmaking practice, exalting, «There's nothing really that I've ever found in other lines that is like an etched line — its fidelity, the richness of it, the density.

Jones favors lines, circles, squares, and ovals formed by shaped canvases that he carves, cuts, etches, and paints like a craftsman, while Slater layers the paint over the surface resulting in images that are never flat, line - driven, or hard - edge.

Facility with line becomes especially evident in her etchings, which range from Hockney, who is tightly knit together with hatched lines, to Lowman and Barney, who are loosely rendered in smooth, free - flowing marks that reflect restraint and a discerning eye for the essential.

Al Held, for example, used line etching to render an illusionistic world of space and form in «Straits of Malacca,» 1987.

Woodcuts, etchings and screenprints explore variations of what LeWitt describes, in his titles, as «straight» and «not straight» lines and evenly delineated «arcs».

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation

Named after the streets of Greenpoint in Brooklyn, Lee's Greenpoint series of limited - edition etching prints are evocative of his most recent ballpoint works that depart from his seemingly endless flowing lines.

Join us for a workshop in art history, color theory, drawing from the figure, drypoint etching, figure drawing, the monoprint, oil painting, photography, plein air painting, still life drawing, watercolor, the white line print, and exploring your creative expression.

She writes: «Though printmaking has been an important means of expression for many artists of his generation, it was a brief endeavor for Twombly... That said, he worked in nearly all traditional printmaking techniques... including line etching, mezzotint, aquatint, lithography, and screenprinting... Many of them were issued as portfolios, in keeping with his mode of painting and drawing in cycles.»

Two exhibitors from Edition participated in Kabinett: Alan Cristea Gallery (London) with two works by Michael Craig - Martin and Two Palms (New York) with a suite of 11 line etchings by Chris Ofili, whose entwined figures are only revealed upon close inspection of the fine lines.

After producing a series of 25 etchings in which he made reference to Chinese ideograms, he introduced a network of meandering lines into his paintings.

The last also doubles here as the entry to a climate - controlled container lined with many older coal works, beginning with etchings from the nineteenth century that depict coal mines in the landscape, through paintings and drawings of the Industrial Revolution's coal quarries, and continuing to the twentieth - century photographs by the Bechers of Ruhr Valley mines.

Accomplished in drawing, Hockney developed a natural talent for depiction in line on etching plates.

Jamie draws on large smooth plates of wet clay, by reacting to draw lines and create forms using both his hands, fingers, and a large needle to mark shapes as he etches incisions, scratches, or stipples, which he then quickly scrapes or smooths out, in order to start again.

Like hand lettering, the image feels scalable, as if it would be legible rendered as either a sweeping mural on the side of a building or etched in delicate blue lines on porcelain.

His new work has progressed from riffs on modernism, like his Mondrian Box of 2004 that rendered the Dutch painter's signature grids in neon lights, to large steel - and - bronze disks etched with lines or symbols.