Sentences with phrase «in global contemporary art»
Specializing in global contemporary art and spatial practices, Umolu recently curated So - called Utopias (2015) at the Logan Center Gallery.
https://mcad.edu/
So starting this May, the initial rumblings of what ultimately will be a seismic shift in the global contemporary art world, will emerge as a proposition — indeed, a new persona, a merging of minds, aesthetics, voices, and experiences.
The participating artists are at once both creators active in the global contemporary art arena and eye - witnesses to its evolution.
In addition to its support of Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art».
The work will be unveiled on Thursday 9 October 2014 and will be shown for three weeks to coincide with Frieze Art Fair, the landmark event in the global contemporary art calendar.
She now has turned her attention to broadening the foundation's base locally — it already has a stellar reputation in the global contemporary art community — by increasing its visibility.
The fair welcomes both experienced and new art collectors who are seeking a carefully - curated, rich - in - content presentation of the best in the global contemporary art market.
I was especially thrilled with the Spotlight section, having the chance to see masters of art re-contextualized in a global contemporary art fair.
Not exact matches
Dwight Furrow examines the contemporary fascination with food and culinary arts not only as global spectacle, but also as an expression of control, authenticity, and playful creation for individuals in a homogenized, and increasingly public, world.
The Foundation has created groundbreaking independent institutions in each of its three investment areas, including The Broad Center, which develops leaders to help transform America's urban public schools, the Broad Institute, a global leader in genomics, and The Broad, a museum in downtown Los Angeles devoted to showcasing great contemporary art.
Bold and powerful forms and proportions are, upon closer inspection, contrasted with aspects of traditional Japanese craftsmanship expressed in a contemporary way,» said Alfonso Albaisa, senior vice president of global design at Nissan Motor Co., Ltd. «The exterior's combination of western and eastern concepts continues inside the Xmotion, where advanced connectivity and autonomous technologies mix with modern Japanese digital art and cultural craftsmanship.
Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a new, global perspective on Science Fiction.
In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200in 2007.
Recent exhibitions include «Construire, Déconstruire, Reconstruire: Le Corps Utopique,» a solo show at the Musée d'Art Moderne de la Ville de Paris, Documenta 13 in Kassel, Germany, «Performing Histories (1)» at MoMA, New York, «10 ans du Projet pour l'Art Contemporain,» Centre Pompidou, Paris, the 4th Moscow Biennial, Moscow, «The Global Contemporary Art World after 1989,» ZKM, Karlsruhe, Germany, and «Contested Terrains,» Tate Modern, London.
She has participated in global exhibitions at Vizcaya Museum and Gardens, Miami, FL; 2014 La Biennale de Montreal, Montreal, QC; Young Art Museum, Davie, FL; Farnsworth Art Museum, Rockland, ME; Museum of Contemporary Photography, Chicago, IL; National Center for Contemporary Art, Russia among others.
Carlos Salas is one of Colombia's best - known contemporary painters, and some of his monumental abstract paintings will be included in this semi-survey, Carlos Salas: Latin America and the Global Imagination, which also addresses questions of cross-cultural traditions in today's art.
2010 Whitney Biennial, Whitney Museum of American Art, New York, NY Greater New York: 5 Year Review, MoMA / PS1, Long Island City, NY Framed, Indianapolis Museum of Art, Indianapolis, IN Emerge, Museum of Contemporary Art Chicago, Chicago, IL Uncertain Spectator, Experimental Media and Performing Art Center, Troy, NY Sweat, Patricia Low Contemporary, Gstaad, Switzerland F * Utility, Arena 1, Santa Monica, CA Better When Broken, Seventeen Gallery, London, England A Basic Human Impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy Mirror, Mirror, Postmasters Gallery, New York, NY Gim me Shelter, Mixed Greens, New York, NY Knock Knock, Fred Torres Collaborations, New York, NY A Reluctant Apparition», Sue Scott Gallery, New York, NY Global / National, Exit Art, New York, NY Escape from New York, Patterson Arts Council, Patterson, NJ COMPOSE!
Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).
2016 Mentors, Curated by Rick Herron, CFHILL, Stockholm, Sweden New Revolutions: Goodman Gallery at 50, Goodman Gallery, Johannesburg, South Africa Tomorrow Never Happens, Samek Art Museum, Bucknell University, Lewisburg, PA Future Perfect: Picturing the Anthropocene, University Art Museum, SUNY, Albany, NY 9th Berlin Bienniale, KW Institute of Contemporary Art, Berlin, Germany Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY Imitation of Life: Melodrama and Race in the 21st Century, HOME, Manchester, UK Luis Gispert + Jacolby Satterwhite, Lundgren Gallery, Palma de Mallorca, Spain Electronic Superhighway, Whitechapel Gallery, London, UK Disguise: Masks + Global African Art, Brooklyn Art Museum, Brooklyn, NY
Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Faart in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art FaArt Fair.
Aboudia's energized portrayal of the street culture of urban Africa takes full flight in «African Dawn», creating a powerful synthesis of historic and current events and propelling Aboudia to the forefront of global contemporary art.
The Global Eye Programme is an initiative that Parallel Contemporary Art founded in 2009 - the creative vision of founders David and Serenella Ciclitira.
Artnet The Online Marketplace And Magazines's Clique, from left: Ben Davis, national art critic, Artnet News; Christie Chu, assistant managing editor, Artnet News; Ben Genocchio, editor in chief, Artnet News; Cait Munro, culture reporter, Artnet News; Thierry Dumoulin, vice president, marketing; Jessica Zhang, regional manager of greater China; Mops (the dog), mascot; Sophie Neuendorf, global director of partnerships; Jacob Pabst, CEO; Calvin Sharpe, office manager; Gracie Mansion, senior specialist, contemporary and modern art; Gamliel Beyderman, director, business intelligence / data science; Bree Hughes, specialist, photographs.
2015 To Be Young, Gifted, and Black, Goodman Gallery, Johannesburg, South Africa Disguise: Masks + Global African Art, Fowler Art Museum, UCLA, Los Angeles, CA; Seattle Art Museum, Seattle, WA Screen Play: Life in an Animated World, Albright - Knox Art Gallery, Buffalo, NY Mirror Stage: Visualizing the Self After the Internet, Dallas Museum of Art, Dallas, TX America is Hard To See, Whitney Museum of American Art, New York, NY Radical Presence, Yerba Buena Center of the Arts, San Francisco, CA When the Stars Begin to Fall, Institute of Contemporary Art, Boston, MA Weird Science, Marianne Boesky Gallery, New York, NY Queer Fantasy, Moran Bondaroff, Los Angeles, CA
Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecArt Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecart practices through innovative curatorial projects.
«Uncontained,» Whitney Museum of American Art, New York, NY, February 8 — April 29, 2007 «Hammer Contemporary Collection,» Hammer Museum, Los Angeles, CA, January 16 — April 8, 2007 2006 «The Bong Show or This is Not a Pipe,» curated by Beverly Semmes, Leslie Tonkonow Artworks + Projects, New York, NY, December 9, 2006 — January 20, 2007 «The Unhomely: Phantom Scenes in Global Society,» curated by Okwui Enwezor, Second International Biennial of Contemporary Art, Seville, Spain, October 26, 2006 — January 15, 2007; cat.
This screening preceded a symposium on Leon Golub's work and its relevance in contemporary global politics at the Royal College of Art, Battersea.
Presented by Mehta Bell Projects and the Global Eye Programme, START Projects will hone in on contemporary art practices in Vietnam and Korea through its Global Eye Program established by Parallel Contecontemporary art practices in Vietnam and Korea through its Global Eye Program established by Parallel Contemporary Aart practices in Vietnam and Korea through its Global Eye Program established by Parallel ContemporaryContemporary ArtArt.
Today an internationally - recognized cultural destination, The Bronx Museum of the Arts is committed to presenting new ideas and voices in a global context and making contemporary art a vital, relevant experience.
, Contemporary Arts Museum, Houston (2012); ILLUMInations, Venice Biennale, Venice, Italy (2011); 21st Century: Art in the First Decade, Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia (2010); Flow, Studio Museum Harlem, New York (2008); and Global Feminisms, Brooklyn Museum, New York and Davis Museum and Cultural Center, Wellesley, Massachusetts (2007).
It returns to Primary Structures in order to disrupt its canonicity, revealing the parochialism of the mid-1960s New York art world from the contemporary perspective of global art.
2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA
Alicia David Contemporary Art represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across EuroArt represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Euroart fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Europe.
But wandering over to Brussels» pioneering contemporary art centre (fittingly housed in an old art deco brewery) ArtReview gets a dose of the art concerns of a time when the global contemporary art world was just coming into being.
Addressing this global experience, and through his current ties to the contemporary artists and galleries that comprise the local art community, Gross is able to contextualize the influence Los Angeles has on the larger art world and how the ideas of these local artists are being championed in contribution to a global discourse.
This publication introduces and presents the work of a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art (including the painter Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari) offering an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submission that drew over 4,300 entries.
She was a staff writer for Rhizome and her other writings on contemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery ancontemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT Preart and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT PreArt Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery anContemporary Art series published by Whitechapel Gallery and MIT PreArt series published by Whitechapel Gallery and MIT Press.
#race #class #access #commerce #representation #empowerment #codeswitching As the values of the contemporary art elite veer ever farther toward commerce, art with a social justice conscience is rallying in New York — arguably the center of the global art market.
Tags: accola griefen, aqua art miami, Arteria Gallery, contemporary collective, context art fair, Cynthia Corbett Gallery, INK miami, Miami Art Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art Wart miami, Arteria Gallery, contemporary collective, context art fair, Cynthia Corbett Gallery, INK miami, Miami Art Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art Wart fair, Cynthia Corbett Gallery, INK miami, Miami Art Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art Wart, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt Week
Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexart biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico
Nonetheless, this is a speculation; it is clear that Alava's art is not particularly Spanish, participating easily in the general global context of contemporary art.
Gisela Colón: Glo - Pods September 13 through December 31, 2015 Flad B Gallery, Youngstown, Ohio Gisela Colón has fused Op Art, Pop Art, and global art world trends in a dazzling synthesis of elegant, contemporary beauArt, Pop Art, and global art world trends in a dazzling synthesis of elegant, contemporary beauArt, and global art world trends in a dazzling synthesis of elegant, contemporary beauart world trends in a dazzling synthesis of elegant, contemporary beauty.
In the 21st century, contemporary art has become a truly global, cross-cultural dialogue, and artists are employing a variety of media to express their ideas.
This beyond - grand - opening doubles the vast museum's exhibition space and features long - term exhibitions and collaborations with global leaders in contemporary art.
The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial of Contemporary Art of Seville, Spain
Our support for contemporary art in Asia through the Prudential Eye Programme has helped many emerging artists to gain recognition on a global stage.
2010 Hide / Seek: Difference and Desire in American Portraiture, Smithsonian National Portrait Gallery, Washington, DC Off the Wall, Whitney Museum, New York, NY The Global Africa Project, Museum of Arts and Design, New York, NY Traveling 2010 — 2013 to Reginald Lewis Museum, Baltimore, ME; High Museum, Atlanta, GA; Seattle Art Museum, Seattle, WA; Tacoma Art Museum, Tacoma, WA; Bellevue Art Museum, Bellevue, WA Ghana: Who Knows Tomorrow, Dei Centre for the Study of Contemporary African Art, Accra, Ghana
The KCAI printmaking program will provide you with a deep understanding of the processes, creative concepts and issues that inform contemporary printmaking and art in a global creative environment.
2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)
Victor Ekpuk's practice, which began as an exploration of nsibidi graphics and writing systems, has evolved to embrace a wider spectrum of meaning that is rooted in African and global contemporary art discourses.