Sentences with phrase «in hommage»

Yannick Nézet - Séguin and Philadelphia Orchestra in Anton Bruckner's 8th Symphony and Mahler's 3rd; Philadelphia Assembled at the Philadelphia Museum of Art; Sarah Michelson's September2017; John Akomfrah's The Unfinished Conversation; Ivo van Hove's production of Salome; Suzanne Andrade and Barrie Kosky's production of The Magic Flute; Andrew Watts in Hommage à Klaus Nomi; We Wanted a Revolution: Black Radical Women 1965 — 85 and The Legacy of Lynching: Confronting Racial Terror in America at the Brooklyn Museum; tiny Sara Berman's Closet at the large Met Museum.

In 1911, Klee discovered Picasso's Cubist compositions, which he referenced in Hommage à Picasso (1914), and less overtly in Paysage près de E. (en Bavière)(1921) and Senecio (1922)-- paintings that quote the fractured perspective and prismatic forms of the Spanish master.

We were joined by experimental composer Atau Tanaka, who gave a performance of Pure Data running on a battery of iPhones, sampling and resampling things and nothings, in hommage to Cage.

Burton and co. went back there in hommage, albeit to shoot a dissimilar set - piece.

Drive Me Crazy can be perceptive like this and is sometimes genuinely witty (notably in its hommage to Nazi propagandist Leni Riefenstahl), and its conflict arises organically from heartfelt discussions between intelligent people (as opposed to a stock jock antagonist — though Brad is unrealized, to say the least).

In his excellent commentary track with All the Real Girls star / co-writer Paul Schneider, Green implores us to «test the limits» of our DVD player by listening for the embedded conversations that, partially in hommage to Robert Altman, add layers to several sequences.

Not exact matches

I combined the outfit with jewelry from Freywille's 18kt gold collections Hommage à Alphonse Mucha and Hommage à Gustav Klimt that you can only purchase in the boutiques.

Coupled with some nice film and musical hommages, this makes for great viewing on the big screen, so you folks across the pond should head out to your cinema on September 12th if it is playing in your neighborhood.

She turns out to be no one at all in the story, but the moment — especially as scored by Miklos Rozsa — seems like an hommage to Vertigo, and at the very least is a hint of Romantic splendors to come....

Rose Marie Perreault attends the Hommage Willem Dafoe - Honorary Golden Bear award ceremony and «The Hunter» screening during the 68th Berlinale International Film Festival Berlin at Berlinale Palast on February 20, 2018 in Berlin, Germany.

Rose Marie Perreault attends the Hommage Willem Dafoe - Honorary Golden Bear award ceremony and «The Hunter» screening during the 68th Berlinale International Film Festival Berlin at Berlinale Palast on February 20, 2018 in Berlin,... More

• The tender / fateful slow dissolve from Captain Miller's (Tom Hanks) brooding profile to the figures of his men, moving up into danger again, strung out single file across the night horizon, against the flicker of distant guns — hommage to an honored predecessor, Lewis Milestone's A Walk in the Sun, in Saving Private Ryan...

Based loosely on the BMW M2, it's not dissimilar to some of the marque's «Hommage» cars, in this instance looking like a modern interpretation of the «batmobile» CSL and wearing the iconic BMW Motorsport colours.

While the original concept was displayed in a striking yellow, echoing one of the road - going colour schemes of the period, the latest concept — dubbed the 3.0 CSL Hommage R — wears white paintwork and BMW Motorsport stripes, echoing that IMSA car of 1975.

The long - awaited redesign of the flagship 7 Series sedan made its debut, as did the 3.0 CSL Hommage concept, first in electric yellow - green at Villa d'Este in Italy, then in BMW's classic white, red, and blue racing livery as the Hommage R at Pebble.

And yet every time we think BMW has lost its way, we're presented with something like the 3.0 CSL Hommage R, unveiled during the week of classic car festivities in Monterey, California, and pictured here in the same livery as the 1975 BMW 3.0 CSL racing car it's sitting next to in pit lane.

In line with the 1973 model, the Hommage's cabin features black leather and carbon fiber, contrasting brightwork and wooden accents.

BMW unveils striking CSL Hommage concept at Villa d'Este in tribute to iconic 3.0 CSL from the seventies

Amid the audacious design studies and automotive beauties from a bygone era gathered at the Concorso d'Eleganza Villa d'Este, the BMW Group presents its new BMW 3.0 CSL Hommage — and in the process makes a pretty formidable statement of its own.

The design study is scheduled to make its full public debut at the Concoso d'Eleganza Villa d'Este show in Italy this weekend, a venue where BMW has a history of revealing awesome concepts (last year, the automaker offered up the slick 2002 Hommage Concept).

Crafted from lightweight carbon fibre, the 3.0 CSL Hommage is believed to be based on the M4 and uses a six - cylinder in - line engine with eBoost.

Despite the advancements in technology, the Hommage sticks to the recipe of the original CSL.

Where the cabin of the old 3.0 CSL was trimmed in wood, the Hommage uses only a decorative strip of wood on the instrument panel; the rest is constructed entirely out of carbon fibre.

Although the Hommage vehicles BMW has produced for the Concorso d'Eleganza over the years don't normally make it to production, the company said: «Our Hommage cars not only demonstrate how proud we are of our heritage, but also how important the past can be in determining the future.»

BMW's fresh interpretation of the BMW 2002 adopts the form of a compact sports coupe in the classical tradition of BMW Hommage cars.

But more than that, the BMW 2002 Hommage represents a clear statement of how pure driving pleasure is defined in 2016.

And the sheer self - confidence and sporting prowess of the BMW 3.0 CSL Hommage are perfectly summed up in the original colour of its spiritual predecessor — Golf Yellow.

Her current project, Folded Sky, Hommage to Colin Powell, a 41 foot tall mural of the night sky as it looked at the time of Colin Powell's birth, will be installed later this month at the U.S. Embassy in Kingston, Jamaica, a commission by the Foundation for Art and Preservation in Embassies.

Martí Cormand Postcards to C: Maria Bartuszova's Hommage a Fontana II, 1987, 2017 Graphite on board 7h x 5w in 17.78 h x 12.70 w cm

The public had difficulty understanding his late style, but when he painted his huge Hommage à Rosa Luxemburg shortly after hearing about the death of Joan Mitchell in 1992, it was impossible to deny that Riopelle had mastered a new technique inspired by urban graffiti.

1966 Hommage a Caussa, Cordier & Ekstrom, New York, NY Soloists, Cordier & Ekstrom, New York, NY Contemporary American Sculpture - Selection I, Whitney Museum of American Art, New York, NY 26th Annual Exhibition Society for Contemporary American Art, Art Institute of Chicago, Chicago, IL 7 Decades 1895 - 1965, Crosscurrents in Modern Art, Cordier & Ekstrom, New York, NY Feast and Famine, Permanent Collection Gallery, Los Angeles County Museum of Art, Los Angeles, CA

It is also an hommage to Richard Hamilton on the occasion of his retrospective in Barcelona and Cologne.

Occasionally called «the square man», in his painting series Hommage to the Square (1950 until his death) Albers focused on the effects colors had when confined to a systematic square shape.

Arman (French, 1928 - 2005) Hommage à Yves Klein, 1992 Pigment, gold leaf and acrylic on violin in plexiglass, in three parts Dimensions: 26 × 12 1/2 × 8 7/10 in (66 × 31.8 × 22.2 cm)...

She cites Mary Abbott ($ 28,125 in 2008 for Untitled); Perle Fine ($ 51,000 in 2006 for Hommage à Mondrian [1967 — 69]-RRB-; and Judith Godwin ($ 31,200 in 2006 for Target [1979]-RRB-.

«Spéciale n ° 54 Hommage à Hopper» (2007) features a house with a nearby road sign for the Hopper Center — although no such institution exists, except in this painting, which functions, as does most of Mr. Monory's work, like a movie screen where fantastical drama and action are routinely played out.

When his wife, the artist Joan Mitchell, died in 1992, Riopelle dedicated to her his Hommage à Rosa Luxemburg, a work composed of three big canvases.

In a statement sent to ARTnews, Cassils, who identifies as a gender - nonconforming trans masculine visual artist, wrote, «While Benglis's original Advertisement acted as a commentary on sexist gender - based limitations in the art world, Cassils's Hommage uses the same strategies to intervene in the gendered policing of trans and nonconforming bodies in the world at largIn a statement sent to ARTnews, Cassils, who identifies as a gender - nonconforming trans masculine visual artist, wrote, «While Benglis's original Advertisement acted as a commentary on sexist gender - based limitations in the art world, Cassils's Hommage uses the same strategies to intervene in the gendered policing of trans and nonconforming bodies in the world at largin the art world, Cassils's Hommage uses the same strategies to intervene in the gendered policing of trans and nonconforming bodies in the world at largin the gendered policing of trans and nonconforming bodies in the world at largin the world at large.

Textile design brand Vlisco has recently introduced Hommage à l'Art, a new fabric collection that puts its iconic African - style designs in the spotlight and celebrates its rich heritage.

The title was produced on the occasion of Heinz Mack's 85th birthday and is in accompaniment a three part - exhibition: «Mack: Review and Outlook A Special Selection - Hommage to his 85th birthday» (2016).

2006 Colour Aside, Luhring Augustine, New York, NY Dedica 1986 - 2006, Vent» anni della galleria Alfonso Artiaco, PAN / Palazzo della Arti, Naples Idees de la peinture: Hommage a Marin Barre, Galerie Nathalie Obadia, Paris Gods in Exile: Salvador Dalí, Albert Oehlen, et al, Kunsthaus Graz, Germany Make Your Own Life: Artist In and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Fastein Exile: Salvador Dalí, Albert Oehlen, et al, Kunsthaus Graz, Germany Make Your Own Life: Artist In and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis FasteIn and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Fastein Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Faster!

The repetition of circular shapes in Louise Bourgeois «s «Hommage Duras» (1995) is almost musical, the different rounds like notes of a harmonious score.

Paris, Galerie Nikki Diana Marquardt, Dan Flavin: Hommage à Leo Castelli, 1957 - 1987, May - June 1987 (another example exhibited) Musée d'Art Contemporain de Lyon, Collection Panza: Dan Flavin, June - September 1989 (another example exhibited) Cologne, Galerie Tanit, Dan Flavin: eine Auswahl neuerer Arbeiten, November 1989 - January 1990 (another example exhibited) Musée d'Art Moderne de la Ville de Paris, Un Choix d'art minimal dans la collection Panza, July - November 1990, pp. 48 - 49, illustrated in colour (another example exhibited) New York, Solomon R. Guggenheim Museum, Dan Flavin, September 1995 - January 1996 (another example exhibited) Osaka, Gallery Yamagucki, Untitled (to Don Judd, colorist), October - November 1996 (another example exhibited) North Adams, Museum of Contemporary Art, Test Site, May 1999 - April 2000 (another example exhibited) London, Serpentine Gallery, Dan Flavin, August - September 2001, pp. 16 - 17, illustrated in colour (another example exhibited) New York, Home Alone 2 Gallery, Jimmy Desana and Dan Flavin, September — October 2013 St Ives, Tate St Ives, Artist Rooms: Dan Flavin, 23 May - 27 September 2015 (another example exhibited)

Seeing several of these paintings [his series paintings «Hommage to the square», Josef Albers painted in 1963 - 64] next to each other makes it obvious that each painting is an instrumentation on its own.

A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US

1987 Message Units, 516-277-4338, New York, US About Sculpture, Anthony d'Offay Gallery, London, UK Perverted by Language, Hillwood Art Gallery, Long Island University, Brookville, New York, US Saga 87 (premiere foire), Eric Linard Editions, Grand Palais, Paris, FR Ohne Die Rose... Grusse an Beuys von 199 Kunstlern, Stadtisches Museum Haus, Monchengladbach, and Koekkoek, Kleve, DE XXX Anniversary Exhibition, Leo Castelli Gallery, DE Group Exhibition, Rudiger Schottle Gallery, Munich, DE Hyperspaces, Art City, New York, US Group Exhibition, Marian Goodman Gallery, New York, US Snow, Weiner, Nannucci, Art Metropole, Toronto, CA; Alberta College Art Gallery, Calgary, CA; MacDonald Stewart Art Center, Guelph, Ontario, CA; Anna Leonowens Gallery, NSCAD, Halifax, CA; Forrest City Gallery, London, Ontario, CA; Emily Carr College of Art, Vancouver, B.C., CA Marc Hostettler und die Editions Media, Graphik - Sammlung ETH, Zurich, CH Stichting Fort Asperen, Asperen, NL Group Exhibition, Galerie Francoise Lambert, Milan, IT Group Exhibition, Castello di Rivoli, Museo d'Arte Contemporanea, Turin, IT Jack Goldstein, John Lamka, Lawrence Weiner, Piezo Electric, New York, US Folkwang Video, Videogalerie Gerry Schum, Essen, DE Incrocio - Un Racconto, La Saleriana, Erice, Sicily, IT Aspects of Conceptualism in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, BE

Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!

And all the critical rants to the contrary, this Biennial is not without its ephemeral gestures to private emotions, including Kiki Smith's shower of glass tear drops strewn before two transparent feet and lovingly titled Mother (1992 - 3); Jack Pierson's Diamond Life (1990), a sensitive hommage, with desk cigarette butts and Joni Mitchell albums, to the slower moments of an emotional life in the 70s; Lari Pittman's intricately patterned paintings; Lorna Simpson's wonderful wall of trumpet mouthpieces that form part of her installation Hypothetical?

THE IMAGE OF SENSE, Blain Southern, London, UK The Sea - An hommage to Jan Hoet, Cinema Capitole, VZW De Zee Oostende, BE The Sea, Museum Brandts, Odense C, DK MAN IN MIRROR, Vanhaerents Art Collection, Brussels, BE Pure Water.

Notable among these were «Hommage à Chrysler Corp.,» in which the seductive curves of a car bumper and headlights blend with the ghostly image of a red - lipsticked Venus, and «She,» in which a toaster, vacuum cleaner, refrigerator and breasts float in a consumer dreamspace that Mr. Hamilton regarded with a certain ambivalence.