Sentences with phrase «in hyperobjects»

Tara Donovan is included in Hyperobjects, a group exhibition co-organized by philosopher and Rice University professor Timothy Morton and Ballroom Marfa Director & Curator Laura Copelin.

Via aesthetics, direct sensory experience, speculative explorations, and dramatic fluctuations in scale, the artists in Hyperobjects reflect various facets of this monumental theory.

Not exact matches

In Morton's writing, hyperobjects are «entities that are so massively distributed in time and space as to transcend spatiotemporal specificity, such as global warming, styrofoam, and radioactive plutonium.&raquIn Morton's writing, hyperobjects are «entities that are so massively distributed in time and space as to transcend spatiotemporal specificity, such as global warming, styrofoam, and radioactive plutonium.&raquin time and space as to transcend spatiotemporal specificity, such as global warming, styrofoam, and radioactive plutonium.»

Morton has characterized the phase we are in as the «Asymmetrical Phase» in which forces beyond our cognition that he calls «hyperobjects» take on a life of their own, much like the objects we create and house in a Museum develop a life removed from their maker.

In his 2013 book, Hyperobjects: Philosophy and Ecology After the End of the World, Morton defines hyperobjects as entities that are bewilderingly huge — global warming, plastic in the ocean, nuclear waste — and seemingly incomprehensiblIn his 2013 book, Hyperobjects: Philosophy and Ecology After the End of the World, Morton defines hyperobjects as entities that are bewilderingly huge — global warming, plastic in the ocean, nuclear waste — and seemingly incomHyperobjects: Philosophy and Ecology After the End of the World, Morton defines hyperobjects as entities that are bewilderingly huge — global warming, plastic in the ocean, nuclear waste — and seemingly incomhyperobjects as entities that are bewilderingly huge — global warming, plastic in the ocean, nuclear waste — and seemingly incomprehensiblin the ocean, nuclear waste — and seemingly incomprehensible.

Both authors will discuss the relationship of the idea of the avant to their own work and the extent to which it is or isn't a useful way to think about ideas of time and temporality, newness and oldness, chronology and succession, beforeness and afterness, and the layered, textured, multi — species spaces in which culture (and not just human culture) happens: Morton in relation to his writings on literature, art, music, and ecology in landmark texts such as Ecology Without Nature, The Ecological Thought, Hyperobjects, and Dark Ecology; and Wolfe in relation to his work as both author (Critical Environments, Animal Rites, and What Is Posthumanism?)

Tara Donovan will be the subject of a solo - exhibition at Fieldwork, Museum of Contemporary Art, Denver (21 September 2018 - 27 January 2019) and included in the group exhibition Hyperobjects, Ballroom Marfa, TX, (13 April - October 2018).

Hyperobjects opens April 13 at Ballroom Marfa in Marfa, Texas.

Timothy Morton spoke with artist and Art Books in Review Editor Greg Lindquist to discuss his new book Hyperobjects (University of Minnesota Press, 2013).

The show is a group exhibition inspired by the ideas in his book about his invented term: «the hyperobject,» which he writes, «describe [s] all kinds of things that you can study and think about and compute, but that are not so easy to see directly... not just a styrofoam cup or two, but all the styrofoam on Earth, ever.»