Sentences with phrase «in oral narratives»

Peer Interaction Does Not Always Improve Children's Mental State Talk Production in Oral Narratives.

Not exact matches

But in the process of oral transmission it became transformed into a narrative of an actual historical event.

Whether these interpretative «morals» were added by the authors — or editors — of the Gospels or represent accretions to the narratives in the oral period does not greatly matter; what we want is the original parable or saying as it came from the lips of Jesus.

Oral epic song is narrative poetry, composed in a manner evolved over many generations by singers of tales who did not know how to write.

Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply from the Passion narrative that it could hardly have been the natural continuation of that in the stage of oral tradition, (b) this pericope, however, could not have existed in its present form as an independent tradition, (c) the pericope itself falls naturally into two parts, the first of which can exist as an independent story, but the second of which can not, for it depends upon the first.

How do you account for the presence of two discrete forms of the oral tradition (a healing story and a conflict story) in a single narrative?

Interestingly, the depictions are what would be expected of relatively primitive hunting societies, but to my knowledge, they certainly do not reflect a literate people, let alone a people who were familiar with the particular oral or written narrative contained in Genesis or this book's alleged supreme deity.

Technical details pursued through books could not be similarly pursued in an oral presentation, but the minister may be surprised at the mental ability of his people to chase an idea through paradoxes, dilemmas, myths, history, and dramatic narratives if the movement of the chase corresponds to the way they think through the issues of daily life.

Dibelius found them in the so - called «paradigm,» or example narrative in oral tradition, which can be reconstructed behind the proclamation.

Here is the narrative of the Cave (1 Kings 19) as it may first have come to form, oral or written, still in Elijah's own century.

Everything of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time of the exodus, but by the story of the exodus — the story as it was first remembered and repeated; the story as it assumed relatively fixed classical forms in different areas, in the North or South; the story as its multiple versions, written and oral, were compared, mutually «corrected,» and finally composed into the single, unified narrative that is before us now.

In his words, «Furthermore, since between 95 and 97 percent of the Jewish state was illiterate at the time of Jesus, it must be presumed that Jesus also was illiterate, that he knew, like the vast majority of his contemporaries in an oral culture, the foundational narratives, basic stories, and general expectations of his tradition but not the exact texts, precise citations, or intricate arguments of its scribal elites» (Ibid: 25 - 26In his words, «Furthermore, since between 95 and 97 percent of the Jewish state was illiterate at the time of Jesus, it must be presumed that Jesus also was illiterate, that he knew, like the vast majority of his contemporaries in an oral culture, the foundational narratives, basic stories, and general expectations of his tradition but not the exact texts, precise citations, or intricate arguments of its scribal elites» (Ibid: 25 - 26in an oral culture, the foundational narratives, basic stories, and general expectations of his tradition but not the exact texts, precise citations, or intricate arguments of its scribal elites» (Ibid: 25 - 26).

This oral tradition formed the basis or main body of the evangelic tradition up to but not including the passion narrative; it was the common knowledge of Jesus as it circulated in Palestine during, and soon after, the lifetime of Jesus — «the report that spread all over Jewish Palestine, as you yourselves know, beginning in Galilee after «the baptism» which John preached» and continuing down to the present.

These passages are all narratives of a synoptic type and include the Miracle at Cana (2:1 - 11), the Cleansing of the Temple (2:14 - 16), the Healing of the Nobleman's Son (4:46 - 53)» the Anointing at Bethany (12:1 - 8) and the Triumphal Entry into Jerusalem (12:12 - 15); it is at least possible that the evangelist was here using a written source or oral tradition that had become comparatively «fixed» in form.

At this point we will look at the arguments based on (1) the empty tomb; (2) the absence of appearance narratives in Mark; (3) the testimony of Paul; and (4) the evidence of the oral traditions.

This material, partly oral, partly written, was already in circulation in the communities before the composition of the Gospels, and it consisted of narratives, sayings, and other bits of discourse (including the parables), and the Passion story.

They focus on vocabulary and narrative, as these oral skills have been identified as foundational in children's literacy development.

With her collaborator Mariela Paez, associate professor at Boston College, Uccelli examined the development of vocabulary and oral narrative skills among a group of 24 bilingual (Spanish / English) children living in communities in Massachusetts and Maryland.

Local Black History Help students learn about African American history in their city or town using library sources, online sources, and oral narratives.

Lawrence - Lightfoot's experience with oral history and family narratives through her book, Balm in Gilead: Journey of a Heale, became one of the topics in the documentary.

use library sources, online sources, and oral narratives to learn about the history of African Americans in their city or town;

African - American children tend to have stronger oral narrative skills in preschool, a new study says.

In addition, I offer professional development for staff in the areas of tableau, storytelling, oral narrative and connections to writing, arts integration, and musiIn addition, I offer professional development for staff in the areas of tableau, storytelling, oral narrative and connections to writing, arts integration, and musiin the areas of tableau, storytelling, oral narrative and connections to writing, arts integration, and music.

Despite the popular insistence that each entry in the franchise takes place in a distinct chronology, Skyward Sword introduction reveals the mythos of the Zelda series: every game is a variant of a main theme, recalling the manner in which oral narratives are transmitted.

For the first time since the original Legend of Zelda, the experience was truly your own, and while the narrative took a backseat in this title, the legacy of this new Link, his own narrative, was that oral history of your gameplay, talking to friends, streaming online, however it was you shared your adventurous tales.

Influenced by oral history of her family's arrival in America from the Philippines, she infuses these narratives with memory and imagination, addressing themes of migration and the permeable concept of home.

The material ephemera and the oral histories that construct her narrative will be presented in an immersive installation, as a reconstruction of a space resembling the municipal archives of Bordeaux.

The wide array of sources that underlie her large - scale forms include Biblical and mythological narratives, Arab oral traditions, Gothic architecture, Western painting, Islamic ornamentation, and scientific advances in physics and astronomy.

Influenced by the oral history of her family's arrival in the United States from the Philippines and of growing up in the midwest, Palileo infuses these narratives with both memory and imagination.

Visual artist and quilter Marla A. Jackson discusses narrative quilt patterns like those found in works by Nari Ward, oral histories, and the vital coded language of the Underground Railroad.

Working under the sign of Benjamin, «Storyteller» curators Claire Gilman and Margaret Sundell grouped together fourteen artists who employ the story form as a documentary mode, setting aside Benjamin's distinction between the subjectivity of oral communication and the assumed veracity of mechanical broadcast in order to investigate the use of narrative across a swath of contemporary art.

It was, in other words, a form of ontological warfare meant to separate children from their roots in language, cultural practices and oral narratives that fundamentally inform the way in which a person interacts with their environment.

I worked as media officer at the Human Rights Media Centre in Cape Town though my studies and through the work was exposed to the importance of oral history, particularly to highlight the grassroots voices often discounted by the grand narrative of history.

A conceptual narrative in three parts, the works on view are inspired by personal recollection, oral history, family relics, and the unearthed bones of the horse that carried Young's great - grandfather north during the Great Migration.

Fragments of ghost stories sourced from an oral tradition in Cape Breton, Nova Scotia, form a nonlinear narrative linking one room to the next.

Influenced by the oral history of her family's arrival in the United States from the Philippines, and of growing up in the midwest, Palileo infuses her narratives with both memory and imagination: as stories and recollections are subjected to time and constant retelling, the narratives become questionable, somewhere between fact and fiction, even as they remain cloaked in the convincingly familiar.

[2] What she is referring to is the space whereby we rely on the action of one another in order to have a narrative of ourselves, whether through portraiture, written word or oral histories.

Her work focuses on sites specific to Africa and the African diaspora, examining how certain events expand and unfold into popular and folk narratives, and revealing how these stories take shape in objects and oral histories.

This traditional oral form inspired the region's cinema at its origins, as well as other modern narrative genres, and intersects in their work with archival footage assembled to represent contemporary history and engender new cultural forms of post-colonialisation.

Now, in their own voices, we have the narratives of many of those lawyers as recounted in a series of oral interviews.

[13] However, Gottman's 2002 paper makes no claims to accuracy in terms of binary classification, and is instead a regression analysis of a two factor model where skin conductance levels and oral history narratives encodings are the only two statistically significant variables.

Recently we are starting to see this oral tradition emerge across diverse disciplines and settings in multiple forms, including digital storytelling, photovoice, literature, poetry, traditional oral storytelling, theatre, and personal narrative, to name a few.