Sentences with phrase «in paradise lost»

The show emphasizes Hyde's skillful use of the latest digital technology to shoot more reliably in extremely low light, but the photographer hastens to add that creating «Darkness Visible» was a weird, unsettling experience — hence the name of the show, derived from John Milton's description of the fires of Hell in Paradise Lost.

2003 Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL 10 Floridians, Miami Art Central, Miami, FL Inside / Outside: Contemporary Cuban Art, Charlotte and Philip Hanes Art Gallery in Scales Fine Arts Center, Wake Forest University, Winston - Salem, NC A Matter of Facts, Nicole Klagsbrun Gallery, New York, NY Latin American Art, Palazzo Mediceo, San Leo, Italy Social Strategies: Redefining Social Realism, The University Art Museum, University of California, Santa Barbara, CA Social Strategies: Redefining Social Realism, University Galeries, Ilinois State University, Normal, IL Social Strategies: Redefining Social Realism DePauw University Art Gallery, Greencastle, IN Paradise Lost?

To turn Dante's Purgatorio into an action game the developers would likely have to lean even more on Milton and the stories told in both Paradise Lost and Paradise Regained, something that the team is rumored to have already starting doing.

In Paradise Lost the map is an important gameplay element, not only to have a reference of the player's situation but to know the location of locked doors, save stages and shortcuts.

Derek Murphy has an MA in Harry Potter and a PhD in Paradise Lost; studied fine art in Florence and philosophy in Malta; and has been featured in CNN for running writing retreats in medieval castles.

An English teacher speaking about Huck Finn to a class of seniors compares Tom's character to the Devil's in Paradise Lost, a reference that the kids understand because they had read Milton the previous year.

And here's Lucifer fighting some Archangels in Paradise Lost.

Prior to this book, most Miltonists had divided themselves into two camps: those who believed that Milton was sincere in his Roundhead and Puritan convictions and wrote only to edify his readers, and those who believed that, at least in Paradise Lost, he was (in William Blake's famous phrase) «of the Devil's party without knowing it.»

When he appears to Eve in Paradise Lost, Milton's Satan is the consummate flatterer who beguiles «our credulous Mother» into believing that she is one «who shouldst be seen / A Goddess among Gods, ador'd and serv'd / By Angels numberless, thy daily Train.»

One college student wrote, «I have always pictured him according to a description in Paradise Lost as seated upon a throne, while around are angels playing on harps and singing hymns.»

The deep explication of the role Icarus plays in the poem is in the service of a key thesis: «The myths of these highfliers who fall are further countered in Paradise Lost by the motif of poetic flight.»

So if I find a passage in Paradise Lost that seems to run counter to everything else in Paradise, I immediately suspect my reading and try to find a reading that is coherent with the rest of it.»

If it was John Milton's task in Paradise Lost to «justify the ways of God to men,» Dante before him had taken on the responsibility of showing that all that is found in this world and in the next is measured by justice.

Not exact matches

Unlike Dante's Divine Comedy or Milton's Paradise Lost, they are primarily narrative rather than didactic, or more precisely didactic in and through their narrative forms.

When Milton begins his epic Paradise Lost, «Of Man's First Disobedience, and the Fruit,» he violates the iambic pentameter» the sole rule of his blank verse» with the word «Disobedience» in the very first line.

John Milton echoes these lines in Book 1 of Paradise Lost, when he requests inspiration from «chiefly Thou O Spirit, that dost prefer / Before all other Temples th» upright heart and pure.»

(Except once, in a mythic aside: Whitehead cites from Milton, Paradise Lost, Book II, and then adds: «the fact of Satan's journey through chaos helped to evolve order; for he left a permanent track, useful for the devils and the damned» [PR 96].

I mentioned these essays to one of my colleagues, who told me of some students of his who bad written about Book IX of Milton's Paradise Lost, in which the Fall is described.

More often, though, he aims at a kind of sardonic comedy, as in his «Rejection Note for Paradise Regained,» imagining what John Milton's publishers might have said to his follow - up to Paradise Lost:

It is not that the theses of traditional theology regarding Adam's elevation to grace, his Paradise, his knowledge and so on, are to be unmasked and diagnosed as at the most anthropomorphisms or dreams of a golden age in which mankind expressed in vivid form a longed - for future rather than a past that had once existed and was lost?

On a Trinitarian approach, we understand that we and the world exist in the broader context of the economy of salvation: we should expect to see imperfections and evil, both because we ourselves are fallen observers, and because we are observing a «groaning» Creation, in transition from a lost Paradise to «a new Heaven and a new Earth».

«Paradise Lost suggests that from here on love in marriage and community may be the best thing human beings can seek for themselves.»

It is one of the virtues of Quint's book (another is the generosity of critical annotation, amounting almost to a mini variorum edition) that Paradise Lost's still center is given a density so great that reading the poem becomes itself a heroic act; an act difficult to perform, but in its difficulty providing an experience few (if any) efforts of the human imagination are capable of provoking.

Religion can not be left out of it as if this man accepts a transfusion he will lose in place on the long awaited earthy paradise and he will be disfellowshipped / shunned by all of his «true Christian» bible observing friends / so called brothers and sisters.

If they could only have cast their minds further back, perhaps they might have recalled a lost paradise: green and yellow meadows stirred by tender winds, umbrageous forests and emerald groves, glass - blue mountain peaks melting into azure skies, glittering bays whose diamond waters break in jade and turquoise surges on sands like powdered alabaster — where the rain falls gently, and is transformed by the setting sun into shimmering curtains of gold — where, beyond verdant valleys and limestone caves, lies a palace filled with every delight the senses can endure, enclosing garden courtyards where crystal fountains splash in porphyry basins, intoxicating perfumes hang upon the breezes, undying flowers of every hue shine out amid the greenery's blue shadows...

Bird, angel, ancestral voice, he spoke in white flame, Calling from the East, calling from Eden, Calling in beauty to the lost children of Paradise.

There never was a Paradise to lose, nature has always been red in tooth.

It's inherent even in the Christian language of «The Fall,» the foundational understanding that things have all gone wrong, that paradise has been lost.

As an Oxford and Cambridge - educated man, Hawking must know that he is competing against the epochal grand unification theories in Dante's Divine Comedy and Milton's Paradise Lost.

By a common feature of human mythical thinking, however, paradise in the end time is thought of as the recreation of a primeval paradise at the dawn of creation, the lost «golden age.»

The Talmud includes the cautionary tale of four sages who entered paradise: «Ben Azzai looked and died; Ben Zoma looked and lost his mind; Elisha ben Avuyah became a heretic; and Rabbi Akiba entered in peace and departed in peace.»

In fact, the whole purpose of the discernment of spirits coincides with Milton's purpose in writing Paradise Lost: as Fish has rightly seen (and he was the first to do so), Milton wants us to live through the consequences of sin in our imaginative reenactment of salvation history (no wonder he felt that Paradise Regained was the capstone of his work) in order to keep us from the more dire lessons that life impartIn fact, the whole purpose of the discernment of spirits coincides with Milton's purpose in writing Paradise Lost: as Fish has rightly seen (and he was the first to do so), Milton wants us to live through the consequences of sin in our imaginative reenactment of salvation history (no wonder he felt that Paradise Regained was the capstone of his work) in order to keep us from the more dire lessons that life impartin writing Paradise Lost: as Fish has rightly seen (and he was the first to do so), Milton wants us to live through the consequences of sin in our imaginative reenactment of salvation history (no wonder he felt that Paradise Regained was the capstone of his work) in order to keep us from the more dire lessons that life impartin our imaginative reenactment of salvation history (no wonder he felt that Paradise Regained was the capstone of his work) in order to keep us from the more dire lessons that life impartin order to keep us from the more dire lessons that life imparts.

Among these he includes the Old Testament story of Paradise Lost, which is the story of an encounter between God and the devil, and the story of the Passion of Christ in the Gospels, which, he says, portrays «a second encounter between the same antagonists».

But in many ways, we deprive ourselves of any basis for doing so by continuing to find Satan mesmerizing in the first two books of Paradise Lost.

C. S. Lewis would agree; as he put it in his Preface to Paradise Lost, trying to disentangle Milton's poetry from his theology is like asking us to study Hamlet after the revenge code has been removed.

Similarly there are some in this country who hanker after the lost paradise of a mediaeval Merry England.

TheLittle Bear and Little Tiger stories of Janosch − when I read them to children I'm swept up in their almost unbearably, beautiful portrayal of innocent joy, fun and expectation − paradise lost!

His spiritual discoursing was not a common deliberation, more of a personal, spiritual questing, as exemplified by Adam and Raphael in «Paradise Lost».

1491: New Revelations of the Americas Before Columbus Charles C. Mann; Alfred A. Knopf, $ 30 In a poignant reconstruction of paradise lost, Mann marshals compelling evidence that the «New World» was an advanced, thriving, and crowded place before Columbus and his disease - bearing ilk swept through it like a scythe.

-- John Milton, Paradise Lost Before meditation clicked in my brain,...

I am not going to lie, I don't miss almost ANYTHING about my city when I am on holidays, hehehehe, I get lost in my paradise!

From the Lost In Paradise Collection.

From the Lost In Paradise Collection, Karen Walker's red acetate Miss Lark sunglasses showcase a dramatic cat - eye shape.

From the Lost In Paradise Collection, Karen Walker's rimless The Bird sunglasses feature sky blue metal temples and square - cut lenses.

The app serves as a tiny library: For just $ 2.99, you're given access to 23 classic e-books, from Alice's Adventures in Wonderland to Paradise Lost (Yep!

One of his first film roles was for director George Bloomfield in CBC's Paradise Lost.

Paradise Lost 3 never loses sight of the sickening black humor of it all — how Echols, Baldwin, and Misskelley became, in effect, mere extras in a shadowplay about the omnipotence of the state.

From there, he appeared in The Lost World, the sequel to Jurassic Park, The Cell, Return to Paradise and Domestic Disturbance.

Malick's first film set in contemporary times is one of his more minor ones, but it is not without its pleasures as Variety believes, «It's perhaps Malick's simplest, most relatable evocation yet of paradise lost.»

But the film's ambitions and execution are on a par with those of Drew Peterson: Untouchable, as courtroom scenes actually shown in 1996's Paradise Lost are re-enacted with the urgency of high school theater.