Sentences with phrase «in woodblock»

If Frankenthaler's ambiguous, loose, fluid painting style seems at odds with all the planning and collaboration required in woodblock printing, fear not.

A second, and equally engaging exhibition at The Clark, No Rules: Helen Frankenthaler Woodcuts, traces her groundbreaking work in woodblock printing back to 1973, when Frankenthaler made her first woodcuts.

Known for his imaginative depictions of Chinese and Japanese folklore, culture and history, especially Kabuki — a classical Japanese art form of dramatic dance and song, Yoshitoshi presented the intensity and height of action in his woodblock prints.

Here she talks about her extensive work in Japan interviewing craftsman involved in the woodblock process, and sets their work in the wider context.

The fee for the workshop is $ 150 for League members and $ 200 for non-members; no experience in woodblock printing is necessary.

Not exact matches

In Portland, we've paired up with Xocolatl de Davíd, Alma, Woodblock, Missionary Chocolate, and Cocanú to capture the Pacific Northwest's obsession with quality roasts and collaboration, and in Los Angeles we worked with Compartés, ChocoVivo, Twenty - Four Blackbirds, Ococoa, and Bar au Chocolat to show off a uniquely Southern Californian approach to cacao excellencIn Portland, we've paired up with Xocolatl de Davíd, Alma, Woodblock, Missionary Chocolate, and Cocanú to capture the Pacific Northwest's obsession with quality roasts and collaboration, and in Los Angeles we worked with Compartés, ChocoVivo, Twenty - Four Blackbirds, Ococoa, and Bar au Chocolat to show off a uniquely Southern Californian approach to cacao excellencin Los Angeles we worked with Compartés, ChocoVivo, Twenty - Four Blackbirds, Ococoa, and Bar au Chocolat to show off a uniquely Southern Californian approach to cacao excellence.

A handmade waffle cone shell, cinnamon and ancho chili ice cream, dipped in a ton of Woodblock Chocolate, and topped with Bitterman's Sel Gris.

2017 Desk Calendar, with woodblock stand handmade in Los Angeles from reclaimed wood.

I fell in love with so many of the patterns in their collection, from the super chic Indiennes style to this graphic Vriksa woodblock.

There's so much pleasure in the ambitious production design too, from the exquisite puppets and sequences influenced by traditional shadow play to animation inspired by Japanese woodblocks and Alexandre Desplat's striking, non-orchestral score, which is fully in tune with the film's setting.

But a Hayao Miyazaki print done in the style of Japanese woodblock prints may just come close.

I suppose that the style harkens back to the original illustrations of yokai in ancient woodblocks, but this art has a lot less grace and subtle other - worldliness to it that those original illustrations contained.

This Mexican printers» collective based in Guanajuato sells modern and original woodblock and silkscreen handmade prints and t - shirts.

The Okami inspired «Wolf Goddess» woodblock print was hand - printed in Tokyo with traditional materials and techniques.

This experimental, free form approach to painting also led her to make unprecedented strides in abstract printmaking - particularly woodblock printing.

In Greene Street Mural, Lichtenstein layered pervasive images from his pop lexicon — marble - patterned composition notebooks, cartoonish brushstrokes, and Swiss cheese — with new motifs, including the Neo-Geo tropes of the Perfect / Imperfect paintings; faux woodblock shading patterns; and office items including filing cabinets, envelopes, and folding chairs.

McCloud, who worked on construction sites for more than a dozen years, transitioned from design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and woodblock printing techniques, to create his works.

In his main studio, a kind of square box with tall ceilings, were his woodblocks — both the abstraction shown here and large prints of vintage punk album covers.

In his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchingIn his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchingin London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchings.

Checklist of works in the exhibition «Views of Japan: Modern Woodblock Prints by Hiroshi Yoshida,» June 20 - September 27, 1987 held at the Dallas Museum of Art.

Each print is unique, and painstakingly produced by an arrangement of flower - shaped woodblocks, each printed in a single color.

Examples of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly on the plate.

Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.

In the centre of the gallery, he set up a fully functional print studio, where he was present with a team of assistants two afternoons per week, making carefully carved woodblock prints as visitors observed him.

She has her BFA from Herbert Lehman College, was trained in etching color print with Maria Samosa (El Museo del Barrio, NYC, 1972 - 3), in viscosity printing with Arun Bose and Krishna Reddy (NYC, 1972 - 3), papermaking with Zarina Hashmi (NYC, 1979), and in Hanga (Japanese water based woodblock printing) with Sensei Toshi Yoshida (Nagano — Japan, 1984).

These striking prints by the Japanese - American artist and longtime Berkeley professor Chiura Obata present the classic American landscapes of Yosemite and the High Sierra in the tradition of Hokusai's 36 Views of Mount Fuji, executed with a traditional Japanese woodblock technique.

Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywooWoodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoowoodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.

Color woodblock on cream wove paper, 22 x 14 1/2 in.

Image: Helen Frankenthaler, Freefall, 1993, Hand - dyed paper in 15 colors and 12 color woodcut from 1 plate of 21 woodblocks, 78 1/2 x 60 1/2 inches (199.4 x 153.7 cm).

In most cases these books and broadsheets were woodblocks printed on paper, but a few were printed on cloth.

His unique woodblock prints often illustrate social issues such as corruption, environmental damage, consumerism and social division, while his paintings depict simpler yet rich and symbolic motifs with explorations in colors and textures.

Included among these are two monumental, sculptural wall pieces constructed from the rough - hewn woodblocks McCloud used to stamp the paintings in the exhibition.

Through her Tecelares, Pape proposes an alternative function for woodcuts, then considered a craft tradition; medium becomes a protagonist in these spatial investigations, as the texture of the woodblock becomes a compositional element.

The exhibition focuses on the work of four artists: Helen Hyde (1868 — 1919), Bertha Lum (1869 — 1954), Elizabeth Keith (1887 — 1956), and Lilian Miller (1895 — 1942), all of whom trained as painters but, while living in Japan, also designed woodblock prints.

Meanwhile, other examples of woodblock prints can be seen at Lady Lever Art Gallery in the autumn, where works owned by local collector Frank Milner reveal the celebrities, sports champions, fashion icons and villains of 19th century Japanese culture.

Viewers will appreciate seeing masterful examples, in contemporary interpretation, of familiar and not so familiar printing techniques — woodblock, etching, silkscreen, lithograph, drypoint and aquatint.

In her display, images of beggars from art history are exhibited on a low table, quite literally begging a closer look, while a series of nine woodblock prints, based on Ernst Barlach's 1919 sculpture of a cloaked mendicant, initially seem childlike in terms of their composition, but prove deeply affectinIn her display, images of beggars from art history are exhibited on a low table, quite literally begging a closer look, while a series of nine woodblock prints, based on Ernst Barlach's 1919 sculpture of a cloaked mendicant, initially seem childlike in terms of their composition, but prove deeply affectinin terms of their composition, but prove deeply affecting.

The Park prints are created by arrangements of dozens of carved woodblocks, printed either individually or in sections.

Rebecca Salter RA's prints from the Sato Woodblock Workshop in Kyoto are part of the Summer Exhibition.

In celebration of the acquisition of Helen Frankenthaler's breakthrough color woodblock print, East and Beyond, 1973, the Art Center presents an exhibition contextualizing Frankenthaler's print.

Seasonal Flowers in Japan: Woodblock Prints by Kawase Hasui April 18 — October 12, 2015 Works on Paper Focus Gallery Free

Helen Frankenthaler, Freefall, 1993, hand - dyed paper in 15 colors and 12 color woodcut from 1 plate of 21 woodblocks, 78 1/2 x 60 1/2 inches (199.4 x 153.7 cm).

Related Exhibitions: Native American Art: The Robert and Nancy Nooter Collection, Temples and Shrines in Japan: Woodblock Prints by Kawase Hasui, and The Jewels of Jean Schlumberger

The Circuits prints are relief prints, the consequence of relief - printed woodblocks variously combined with relief - and intaglio - printed etched plates, some of which, notably in Pergusa Three, were embedded into the woodblocks.

Miwako Nishizawa is a California - based Japanese artist specializing in the traditional shin - hanga Japanese woodblock technique that revitalized the ukiyo - e tradition in early 20th century Japan.

Helen Frankenthaler, East and Beyond, 1973, eight - color woodblock print on buff laminated Nepalese handmade paper Sheet: 31 3/4 × 21 in.

The collection has grown and evolved to collect more expansively and in ways that support curriculum across disciplines, and it now holds over 5,000 objects including select and growing holdings of contemporary Chinese art, pre-Columbian art, Japanese woodblock prints, and African art, to name a few areas.

Miwako Nishizawa is a California - based Japanese American artist specializing in the traditional shin - hanga Japanese woodblock technique that revitalized the ukiyo - e tradition in early 20th century Japan.

Frankenthaler's paintings were created in the isolation of her studio, but the process of carving and printing woodblocks in collaboration with others brought new challenges to the artist — ones she relished.»

Takahashi Hiroaki (Shotei), Published by Fusui Gabo Cat Prowling Around a Staked Tomato Plant, 1931 Woodblock print, 20 7/8 x 13 7/8 in.