Sentences with phrase «in a commercial gallery for»

He has been a resident at Bauernmarkt, Lenikus Collection, Vienna (2008) and was awarded First Place, Best Group Show in a Commercial Gallery for the Boston - area, by the International Association of Art Critics (AICA) Awards (2007).

Martinez has been a resident at Bauernmarkt, Lenikus Collection, Viena, and was awarded First Place, Best Group Show in a Commercial Gallery for the Boston area by the International Association of Art Critics in 2007.

Not exact matches

Name: Chris Fowler, MA Title: President and Chief Executive Officer Areas of responsibility: Executive management, strategy Years with CWB Financial Group: 27 Career history: Has served at CWB in roles with increasing responsibility since 1991, including, commercial account management (1991 - 1995), credit risk (1995 - 2008), and joined the executive team in 2008 as Executive Vice President, Banking, and then President and Chief Operating Officer Education: Master of Arts Degree in Economics from the University of British Columbia Community involvement: Trustee for the University Hospital Foundation (University of Alberta), Member of the Canadian Bankers Association's Executive Council, director with the Art Gallery of Alberta's board of directors, and campaign cabinet member with the United Way of Alberta Capital Region

wherein the actors are dangled from wires in some desert patch of land, four still galleries filed under «Production Archives,» Huey Lewis and the News» «Power of Love» video, an unappetizing theatrical trailer for BTTF PII, a commercial for Universal theme parks, cast / filmmaker bios / filmos, production notes, and the Spielberg DVD recommendations round out the disc.

Also we have Corvette Factory Photographs in our photo gallery, Original Magazine Advertisement Ads, & Vintage Television TV Commercial Videos for the Classic Chevrolet Corvette!

This would probably work best for an English - speaking artist in North America who is interested in public or commercial gallery exhibition.

I show in galleries, work with several art consultants for commercial installation and do a 3 month show once a year.

ABN: How does working for a nonprofit such as the museum school differ from working in a commercial gallery?

In January 2015 the gallery opened its new 4500 sq. ft. exhibition space in the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizationIn January 2015 the gallery opened its new 4500 sq. ft. exhibition space in the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizationin the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizations.

In 2009, the AICA awarded their show Jay DeFeo: Applaud the Black Fact second place for «Best Show in a Commercial Gallery, Nationally.&raquIn 2009, the AICA awarded their show Jay DeFeo: Applaud the Black Fact second place for «Best Show in a Commercial Gallery, Nationally.&raquin a Commercial Gallery, Nationally.»

She has worked at the Museum of Modern Art, in commercial galleries, as Robert Motherwell's secretary - cum - curator, and as a freelancer for Harry N. Abrams, Inc., Publishers and the Metropolitan Museum of Art.

Pedder BuildingSome of Hong Kong's biggest galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in Central — a must - visit for anyone interested in the city's commercial art world today.

In 2005, the AICA awarded The Privilege of Solitude: Alfred Jensen and Forrest Bess first place for «Best Show in a Commercial Gallery, Nationally.&raquIn 2005, the AICA awarded The Privilege of Solitude: Alfred Jensen and Forrest Bess first place for «Best Show in a Commercial Gallery, Nationally.&raquin a Commercial Gallery, Nationally.»

«Unlike most of the other contenders on this list, David Hammons — much of whose work reflects his devotion to Civil Rights and the Black Power movement — has kept the art world at arm's length for most of his career, in part by refusing to join a commercial gallery.»

Showing in a commercial London gallery for the first time, Pasquali has created a large - scale, colourful, plastic cloud in Peckham's MOCA London, and filled Mayfair's Tornabuoni Art with a cross-section of her works, from her best - known pieces made with drinking straws, to a carpet of broom bristles, on which we sit to talk, during a break from installation.

For one, the dominance of brick walls, wood floors, big windows and frequent columns of its repurposed 19th - century factory buildings is the apotheosis of SoHo, whose small - industry loft spaces were taken over by commercial art galleries in the 1970s.

In 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmIn 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmin commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmin 1963 for the fourth John Moores exhibition; and was the subject of several films.

Locks Gallery is honored to announce that The Body in Spirals has been nominate for «Best Exhibition in a Commercial Space Nationally» by the International Association of Art Critics for the 2014 exhibition of the late Philadelphia artist Thomas Chimes work.

Kelly Schroer holds a BA in Art History and MA in Contemporary Art, and has worked in the visual art world for over ten years in both non profit organizations and commercials galleries.

For the commercial galleries, project spaces, and pop - up exhibition venues that populate the area, it's a dramatic win for the city that many hope will help nourish the continuing growth of the gallery scene (and which jaded Nashvillians hope won't damage the ability of independent spaces to operate in the areFor the commercial galleries, project spaces, and pop - up exhibition venues that populate the area, it's a dramatic win for the city that many hope will help nourish the continuing growth of the gallery scene (and which jaded Nashvillians hope won't damage the ability of independent spaces to operate in the arefor the city that many hope will help nourish the continuing growth of the gallery scene (and which jaded Nashvillians hope won't damage the ability of independent spaces to operate in the area).

With a thriving art scene and a growing collector base, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the world.

Since the late 1970s she has worked primarily in photography and has become best known for shooting art objects in collectors» homes, museums, auction houses, commercial galleries, and corporate offices, whether installed above copier machines or piled on loading docks and in storage closets.

And were it not for the shock I got on discovering this, I would unhesitatingly nominate it the most boring show I've seen in a London commercial gallery this decade.

Set up as a small project room for contemporary art, White Cube is now one of the most influential commercial galleries in the world.

It looks like a major exhibition in a massive commercial gallery with nothing to sell, as if he has tricked White Cube into doing something for the love of art alone.

Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.

They have attained the status of «art world superstars,» as such figures are commonly called today, for continuing Baldessari's mission of raiding mass - produced entertainment in such a direct, unmediated way that it has become increasingly unclear what sets their photographs, collages, paintings, videos, and installations apart from the commercial products they are «appropriating,» except for the fact that their work is displayed in art galleries and museums and auction houses.

For his first commercial gallery show in London in almost 20 years, Gerhard Richter throws it all in the pot, excepting painterly figuration.

Founded in 1970, the fair has become the most prestigious commercial platform for top Modern and Contemporary Art galleries to reach international collectors looking for investment - quality art.

Her use of commercial slatwall panels as an artistic medium for both Crow and Corvette (2011), the latter installed among three works in the «Collective Conversations» gallery, is a departure from traditional materials of painting and sculpture, but a clear reference to Minimalist and Modernist aesthetics.

Consider for starters the dearth of American artists in commercial galleries.

She started a free lance commercial art business in 1963; copyrighted a National Cartoon, 1976 she served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976 - 1978.

Rodeo comes out of the need for additional art spaces in Istanbul that are neither highly institutionalized art centers or locally specific commercial galleries.

In 2014, Michael Rosenfeld Gallery presented our fourth solo exhibition for the artist — Nancy Grossman: The Edge of Always, Constructions from the 1960s — which was awarded Best Show in a Commercial Space in New York by the International Art Critics Association of AmericIn 2014, Michael Rosenfeld Gallery presented our fourth solo exhibition for the artist — Nancy Grossman: The Edge of Always, Constructions from the 1960s — which was awarded Best Show in a Commercial Space in New York by the International Art Critics Association of Americin a Commercial Space in New York by the International Art Critics Association of Americin New York by the International Art Critics Association of America.

As commercial galleries become artist - owned and cooperative galleries become more respected for their high quality art and the freedom they give their artists, Viridian has maintained that critical balance necessary to compete in today's diverse art community.

In 2014, Metro Pictures Gallery and Petzel Gallery simultaneously presented two ambitious companion solo shows, for which he was nominated by the United Section of the International Association of Art Critics for the «Best show in a commercial space in New York.&raquIn 2014, Metro Pictures Gallery and Petzel Gallery simultaneously presented two ambitious companion solo shows, for which he was nominated by the United Section of the International Association of Art Critics for the «Best show in a commercial space in New York.&raquin a commercial space in New York.&raquin New York.»

You are obviously a commercial gallery, but do you ever get government support in some way for the benefit of your artists and for the ability to continue your program?

The Polkes later settled in Düsseldorf, which proved to be an excellent incubator for a budding artist: it was the location of the first postwar Dadaist exhibition in 1958 and in the 1960s a local commercial gallery began showing the work of Rauschenberg and Cy Twombly.

In addition to its commercial activities, the gallery runs a public programme, Art Connect, supported by the AG Leventis Foundation, to provide a platform for discussing contemporary artistic practice.

Conceived by Sylvia Kouvali, art historian living and practicing in Istanbul for the last years, Rodeo will merge the commercial character of a standard gallery with strong curatorial practice.

Entries for the 2016 Print Awards will be judged by a distinguished and experienced panel: renowned German artist Christiane Baumgartner; David Cleaton - Roberts, co-Director of Alan Cristea Gallery, London, one of Europe's leading contemporary commercial galleries with an impressive publishing programme; Swedish - born Sune Nordgren, Founding Director of BALTIC, the Centre for Contemporary Art in Gateshead, England.

For this career survey of 25 years, he is in a commercial gallery where blue - chip stocks are the order of the day, on the Upper East Side of Manhattan.

Some of Hong Kong's biggest galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in Central — a must - visit for anyone interested in the city's commercial art world today.

By presenting this work together in a commercial gallery, the paradoxical position of the artist is laid bare; the war is brought home, and the artist - driven activity which Jerry Saltz calls for and the internal self - reckoning that Andrea Fraser calls for is shown to be very much in practice already.

Several works here are by artists included in the historic Ninth Street Exhibition of 1951, mounted by Vicente and other Club members in a building that was slated for demolition — a kind of proto - alternative space that shifted attention away from the commercial galleries of 57th Street to the downtown artists» scene.

Typically for a commercial gallery, the expiration of a lease prompted their decision to close after 41 years in the business, working with internationally acclaimed artists including Vija Celmins, Philip Guston and Harvey Quaytman.

In a city like Amman, for instance, there are relatively few commercial art galleries that are showing work outside of more traditional, maybe academic styles, but then there's also Darat al Funun, an experimental space that holds an important collection in the region, hosts residencies and workshops, and commissions works by young artistIn a city like Amman, for instance, there are relatively few commercial art galleries that are showing work outside of more traditional, maybe academic styles, but then there's also Darat al Funun, an experimental space that holds an important collection in the region, hosts residencies and workshops, and commissions works by young artistin the region, hosts residencies and workshops, and commissions works by young artists.

She hopes that her gallery can provide more freedom of experimentation, perhaps even room for mistakes — indeed a truly caring attitude in today's results - driven world of commercial galleries.

The subversive appropriations of commercial imagery in Hank Willis Thomas's Unbranded series, on view in the Block's main gallery, serve as a launching pad for this series, which looks at the ways filmmakers have used cinema to explore — and to dismantle — socially - imposed images and identities of race, class, gender, and sexuality.

«This year the Newd Art Show really added another dimension to the weekend, since it highlighted some of the many strong galleries in the neighborhood and brought in a few others from surrounding areas to create a hub for the commercial face of the area's art scene.»