Sentences with phrase «in a beautiful space at»

It is a fun and casual event in a beautiful space at Verity Women's Club, that brings together Crown Attorneys and Defence Counsel to encourage networking and collegiality.

Not exact matches

In the beautiful departure speech in the 14th chapter of John, we hear, «In nay Father's house there are many dwelling places,» and at the end of the Gospel, John brings his witness to a close by noting that in addition to the things he has told us, there is so much more that if it were all reduced to writing, there wouldn't be enough space in the world to contain the number of books that would be requireIn the beautiful departure speech in the 14th chapter of John, we hear, «In nay Father's house there are many dwelling places,» and at the end of the Gospel, John brings his witness to a close by noting that in addition to the things he has told us, there is so much more that if it were all reduced to writing, there wouldn't be enough space in the world to contain the number of books that would be requirein the 14th chapter of John, we hear, «In nay Father's house there are many dwelling places,» and at the end of the Gospel, John brings his witness to a close by noting that in addition to the things he has told us, there is so much more that if it were all reduced to writing, there wouldn't be enough space in the world to contain the number of books that would be requireIn nay Father's house there are many dwelling places,» and at the end of the Gospel, John brings his witness to a close by noting that in addition to the things he has told us, there is so much more that if it were all reduced to writing, there wouldn't be enough space in the world to contain the number of books that would be requirein addition to the things he has told us, there is so much more that if it were all reduced to writing, there wouldn't be enough space in the world to contain the number of books that would be requirein the world to contain the number of books that would be required.
Just as quantum mechanics is needed to, and does perfectly, fill the gap between the atomic structure of crystals and their beautiful shape in space, so too it will be needed to link the biochemistry of genetic code and cellular processes to the growth and shape of living things — provided, that is, that such a link can be found at all.
My first time here at your blog space and I instantly fell in love with your creative and beautiful blog.
From their bakery and wholesale business to their beautiful new café space in Stoke Newington, to collaborations with Ben and Jerrys and most recently, starting to sell their delights at Borough Market.
In October, I taught another food styling and photography workshop at Sunday Suppers — the most beautiful space.
This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits
And then, in an instant, a beautiful moment, Pablo Hernandez got the ball, sent the ball on a perfectly weighted pass for Hadi Sacko, and Sacko, all alone in almost an acre of space, ran straight at the Burnley goal and put a good shot past a almost stunned Nick Pope.
It will strengthen you, and humble you, and at the end, you'll be standing atop a mountain in the most beautiful sunshine - filled land — calluses, bruises, and more space within you than you ever thought possible.»
Dynamo Gymnastics — With the youngest starting age in our area, your little one can explore starting at 12 months, and the beautiful facility offers plenty of space.
But, this confidence is also best supported in a space where a woman can feel at peace and that she is being celebrated in a gentle and beautiful way.
At a generous 40 inches in diameter, these beautiful quilted play mats from Kip & Co give baby plenty of space to kick and gaze at a toy bar or reach for favorite toys during tummy timAt a generous 40 inches in diameter, these beautiful quilted play mats from Kip & Co give baby plenty of space to kick and gaze at a toy bar or reach for favorite toys during tummy timat a toy bar or reach for favorite toys during tummy time.
But Siena, who co-founded the City Hall Academy at Tweed Courthouse in 2003 and is familiar with the space, called the grand 19th - century courthouse «beautiful» and said she did not see the its limitations as obstacles.
«A beautiful space to deepen your practice of Yoga with 2 highly experienced & dedicated teachers of Ashtanga, you will be in safe hands with Prem & Radha, whether you are an experienced practitioner or a complete beginner, they will give you the tools support & guidance appropriate to where you are at, they will happily answer your questions and are so down to earth & friendly!
I work at Trapp Family Lodge in Stowe VT, leading open yoga classes in their beautiful studio space as well as the Grange Hall Cultural Center.
I think if you're an entertainer at heart, a beautiful vintage bar cart would work the best in your space!
This was held at Wimbourne House — a magnificent converted hat making factory from the 1890s, now converted into a photography studio, painted in spotless white with a beautiful original floor to ceiling arched windows as the standout feature in the space.
look in eyes, almost always enter into direct physical space of man, i.e. are not discharged, and, on the contrary, try to appear to be closer to the man, slightly touch the interlocutor at the conversation; are able charmingly to smile and make it very frequently (beautiful female smile disarms anyone the man!)
(Leo McCarey, 1958) Reel 30b01 — Positano (Pierre Clémenti, 1969) Right Now, Wrong Then (Hong Sangsoo, 2015) Rio das Mortes (R. W. Fassbinder, 1971) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Sag es mir Dienstag (Astrid Ofner, 2007) Shrimp Boat Log (2006 - 2010), So Sure of Nowhere Buying Times to Come (2010), David Gatten Schwitzkasten (John Cook, 1978) Shift (1972 - 1974), Still (1969 - 1971), Ernie Gehr Sisters (1973), Raising Cain (1992), Brian de Palma Smorgasbord (Jerry Lewis, 1983) Spain (Beryl Sokoloff, 1962) Spin (Hannes Schüpbach, 2001) Stella Dallas (King Vidor, 1937) Still Light (1970/2001), Sotiros (1976-1978/1996), Robert Beavers Suspicion (1941), Rope (1948), Alfred Hitchcock The Black Cat (Edgar G. Ulmer, 1934) The Effect of Gamma Rays on Man - in - the - Moon Marigolds (Paul Newman, 1972) Outer Space (2000), The Exquisite Corpus (2015), Peter Tscherkassky The Seventh Victim (Mark Robson, 1943) The Thoughts That Once We Had (Thom Andersen, 2015) The Throw 1 (2006), Eye Eclipse (2007), Fried Egg (2008), The Initiate (2008), Fruit Polyhedron (2009), Hand, Smaller than Hand (2009), The Soup (2009), Cassowary (2010), Pot Smaller than Pot (2010), Spaghetti Tornado (2010), Benguelino putting a spell on the camera (2011), Bread, Tea and Bao Game (2011), Donkey (2011), Dream of a Ray Fish (2011), Getting into bed (2011), The horse of the prophet (2011), The Unparticled Man (2011), Under a Car (2011), Wave (2011), Wheels (2011), Darwin's Apple, Newton's Monkey (2012), Placing the Fisheye (2012), Those animals that, at a distance, resemble flies (2012), Triangles and Squares (2013), Water Mill (2012), Proboscis (2013), João Maria Gusmão & Pedro Paiva Thorndon (1975), Napkins (1975), Aberhart's House (1976), Johana Margaret Paul Three Films from the Room (Peter Todd, 2015) Tortured Dust (Stan Brakhage, 1984) Trixi (Stephen Dwoskin, 1969) Twin Peaks (1990), Fire, Walk with Me (1992), David Lynch Viaggio in Italia (Roberto Rossellini, 1954) Vivir para vivir (Laida Lertxundi, 2015) Yolanda and the Thief (1945), An American in Paris (1951), The Bad and the Beautiful (1952), The Cobweb (1955), The Courtship of Eddie's Father (1963), The Sandpiper (1965), Vincente Minnelli Zanj Revolution (Tariq Teguia, 2013)
We have four preschool classrooms and three pre-K classrooms in our beautiful new space at Achievement Prep.
Starting with the 2018 - 2019 school year, Parklands will have a new location in a beautiful brand new space at THEARC West (1801 Mississippi Ave, SE).
He had a meeting with Wolfgang Porsche and those two minds came together, looked at this beautiful space and decided that it's something that was appropriate for the time, obviously it's the 70th anniversary of the automobile and it's Southern California, just massive humanity that's drawn to Porsche in this area.
Under the very beautiful exterior styling, which as Filippi Perini (Chief designer at Automobili Lamborghini SpA) states offers a drag reduction of 3 percent while increasing downforce by a massive 50 percent, you'll find a Hybrid Chassis... in fact a combination of carbon fiber and aluminum that is 10 % lighter and 50 % stiffer compared to the Gallardo space frame.
All these fairs, and others, too, were going on at the same time in the same cavernous spaces, which were like the biggest big - box stores ever built, their denizens streaming into the fairgrounds, riding half - mile - long mobile walkways, hitching rides on commuter trains from the beautiful old central railway station so evocative for Paul of prewar Europe, drinking late into the night in the dangerously crowded lobbies of the hotels, hungover and sleepless and hoarse by day, complaining and fibbing and wheedling and smoking and drinking, gorging and lying and drinking and fucking by night, and having the time of their lives.
The new MacBook starts at $ 1299 and comes in an array of beautiful colours (silver, space gray, and gold), and is available for shipping on April 10.
At it's centre, a beautiful courtyard, used to separate living spaces and bedrooms and provide another private outdoor area for guests to socialize or relax in solitude.
* Some of the many features available to our guests include * Fully equipped kitchens including dishwasher, microwave, oven / stove, fridge and freezer * Stereo systems, TV, VCR, complimentary Foxtel * Direct dial phones with voicemail and separate internet / fax line * Balconies / decks with outdoor furniture * Full laundry facilities * Video and intercom security system * Reverse cycle air - conditioning * Wheel chair access to a ground floor apartment * 24 - hour food, shopping and restaurants within easy walking distance * Suited to corporate travellers and families requiring living space, who are attending functions in the Dandenongs * A base for visiting the beautiful Dandenongs, Yarra Valley and CBD * Bus service to Knox City and Chadstone Shopping Centres at the front door — train station servicing the CBD a short walk away.
A popular space is the Golden Gate Ballroom, which at more than 8,500 square feet, accommodates up to 950 guests in a beautiful and elegant setting.
Art + Science + Craft IV: Linda Sue Price and Michael Flechtner at the Fine Arts Building through April 8, 2018 By Genie Davis The perfect space for showing neon art may very well be the Fine Arts Building in downtown LA, where the elaborate glass enclosed nooks make beautiful alcoves for displaying the...
This makes it even more attractive to tourists who are looking for proximity to modern amenities while at the same time being in the midst of lush green and beautiful spaces.
Apart from its history, this village has beautiful panorama and the cool environment ideal for retreat.There are some room types available at Puri Lumbung Cottages Munduk including standard cottages, family cottages that is ideal for family or group of four, deluxe family cottage that has more space for family than family cottages and the deluxe alam dewata that offers magnificent views over the rice fields, valley as well as the sea at distant.There are many activities that can be done in north Bali, especially in Munduk Village.
This beautiful four - bedroom family home offers more than 3,000 square feet of living space and an incredible location in the gated Kamilo community at Mauna Lani Resort.
The «King's Court» Restaurant is the perfect place to enjoy a bite or a relaxing meeting in an elegant space, while overlooking our beautiful atrium at the heart of the hotel.
The spacious villas at the Caribbean Club in Grand Cayman are ideal for couples and families, offering plenty of space and a beautiful location on the Seven Mile Beach.
These suites start at 1,263 square feet and have more than enough space to entertain in your lounge and outside on the beautiful terrace.
Beautiful office space located at the intersection of Newtown Barracks, Marine Parade and Eve Street in Belize City.
Designed to offers guests a luxurious space nestled in a stunning natural environment, The Preserve at Los Altos Resort & Spa presents deluxe guest rooms and suites in a beautiful tropical setting.
Powered by the Grace2 engine the game will, according to Topware, be able to render hundreds of ships in beautiful detail at a time, allowing for some epic space battles to take place.
At a touch of the screen, the turret shoots an orb that trails beautiful particle effects into the blank game space, bouncing off walls, other orbs, or anything else that might get in the way until running out of energy.
Set in space, the title's backdrop can be absolutely beautiful, and Orb Games have done a remarkable job at keeping the visuals fresh despite the number of levels.
Coming from Ready At Dawn, the studio that brought us the PSP God of War games and the poorly received (but utterly beautiful to look at) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in spacAt Dawn, the studio that brought us the PSP God of War games and the poorly received (but utterly beautiful to look at) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in spacat) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in space.
The exhibition took place in December 2004 at a beautiful space gallery in Bamako and was well received.
For her solo show at IMT Gallery in East London, Newcastle - based artist Paola Ciarska's minute paintings showcase the personal, domestic spaces of people she knows; this paradox of their display in a public gallery space is engaging, aesthetically beautiful and frequently amusing.
Some of the many strong solo exhibitions around the country this month include: Angelbert Metoyer at Deborah Colton Gallery in Houston; Donald Moffett at Lora Reynolds Gallery in Austin; a beautiful show of figurative works on paper by New York School founding member Jack Tworkov at Valerie Carberry Gallery in Chicago; Brian Bress at Cherry and Martin and a major show of new work by Jonas Wood in David Kordansky's cavernous new gallery space, both in Los Angeles; and Whiting Tennis at Greg Kucera Gallery in Seattle.
We are offering two new ways to be involved with and exhibit at our beautiful space in the heart of bustling Chelsea:
Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.
Their beautiful new space at Tate Britain had been carved up into offices and meeting rooms since staff were driven out of the cellar offices in 1928 by a disastrous flood.
MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Gallery, Jamaica Center for Arts & Learning, Queens, NY 2011 Solo show: Takafumi Ide solo exhibition, The Gallery, Onondaga Community College, Syracuse, NY 2010 Solo show: Takafumi Ide / Life is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East Islip, NY
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