Sentences with phrase «in a commercial gallery today»

Not exact matches

Pedder BuildingSome of Hong Kong's biggest galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in Central — a must - visit for anyone interested in the city's commercial art world today.

They have attained the status of «art world superstars,» as such figures are commonly called today, for continuing Baldessari's mission of raiding mass - produced entertainment in such a direct, unmediated way that it has become increasingly unclear what sets their photographs, collages, paintings, videos, and installations apart from the commercial products they are «appropriating,» except for the fact that their work is displayed in art galleries and museums and auction houses.

As commercial galleries become artist - owned and cooperative galleries become more respected for their high quality art and the freedom they give their artists, Viridian has maintained that critical balance necessary to compete in today's diverse art community.

Some of Hong Kong's biggest galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in Central — a must - visit for anyone interested in the city's commercial art world today.

She hopes that her gallery can provide more freedom of experimentation, perhaps even room for mistakes — indeed a truly caring attitude in today's results - driven world of commercial galleries.

Several commercial galleries and nonprofit groups are taking more contemporary looks at the movement's legacy in the art of today, including the Washington Project for the Arts / Corcoran's «Experimental Media Series.»

Starting the post-summer gallery programme with a purposeful sense of immediacy, the gallery presents a group exhibition that is brief in time, of five artists, followed by a talk and discussion by Andrew Marsh on the role and position of the commercial art gallery today.

The commercial gallery system that we know today emerged in the late»60s and»70s in New York, and in the»80s in Los Angeles.

The gallery became one of the most influential of its generation for a reason that might sound strange in today's aggressively global commercial art world, fueled by fairs in every time zone.

As the curator Anthony Huberman, who runs a Lower East Side alternative space in conjunction with Hunter College called the Artist's Institute, noted, major museums, as well as commercial galleries like Reena Spaulings and Alex Zachary Peter Currie, are showing much of today's most venturesome art.