Not exact matches
Name: Chris Fowler, MA Title: President and Chief Executive Officer Areas of responsibility: Executive management, strategy Years
with CWB Financial Group: 27 Career history: Has served at CWB
in roles
with increasing responsibility since 1991, including,
commercial account management (1991 - 1995), credit risk (1995 - 2008), and joined the executive team
in 2008 as Executive Vice President, Banking, and then President and Chief Operating Officer Education: Master of Arts Degree
in Economics from the University of British Columbia Community involvement: Trustee for the University Hospital Foundation (University of Alberta), Member of the Canadian Bankers Association's Executive Council, director
with the Art
Gallery of Alberta's board of directors, and campaign cabinet member
with the United Way of Alberta Capital Region
Since then, Seth has developed a career as a Lifestyle Pet Photographer, accepting commissions and
commercial assignments, collaborating
with dozens of publishers and exhibiting his artwork
in galleries around the world.
In contrast, Lima's modern part has reached a remarkable urban development which is reflected in every district of the city's North, South, East and West areas, with the districts of Miraflores and San Isidro standing out, as they have become Peru's financial center, with their large hotels and prosperous commercial galleries, such as the Larco Mar
In contrast, Lima's modern part has reached a remarkable urban development which is reflected
in every district of the city's North, South, East and West areas, with the districts of Miraflores and San Isidro standing out, as they have become Peru's financial center, with their large hotels and prosperous commercial galleries, such as the Larco Mar
in every district of the city's North, South, East and West areas,
with the districts of Miraflores and San Isidro standing out, as they have become Peru's financial center,
with their large hotels and prosperous
commercial galleries, such as the Larco Mar..
That includes a
gallery of concept art and other rare illustrations, a music player
with both new and classic tracks, Sigma's origin story
in The Day of Σ prequel anime, and a catalog of nostalgic Mega Man X
commercials and trailers.
FrameWorks is a diversified, woman - owned
commercial framing company and art
gallery with a longtime retail presence
in Miami...
But if you chose this way — the way of showing
with a
commercial gallery in any specific setting — you might increase your own audience and market.
I show
in galleries, work
with several art consultants for
commercial installation and do a 3 month show once a year.
Comfortable
in an advertising campaign, on a concert stage, or
in a
gallery, their work can be regarded as sculpture, design, and product — a confluence that is unconcerned
with differences of
commercial enterprise and nonprofit, the varying demands of function and aesthetics, and distinctions between consumer and connoisseur.
Located
in the Galerie Rivoli, a mixed - use
commercial development from the 1970s, the new
gallery space was designed by Swiss architect Harry Gugger, who was previously
in partnership
with Herzog and De Meuron.
In the artworld, artists of the 1970s were inventing postmodernism, becoming socially conscious, and invading the
commercial gallery scene
with temporary installations and video.
It is the UK's first museum survey
in two decades, though there have been several displays
in commercial galleries, most recently last year's double - bill
with Giacometti at the Gagosian Grosvenor Hill.
Half of the artists have been
in their 30s or younger, and more than one - third did not have an affiliation
with a
commercial gallery at the time of their MATRIX experience.
Showing
in a
commercial London
gallery for the first time, Pasquali has created a large - scale, colourful, plastic cloud
in Peckham's MOCA London, and filled Mayfair's Tornabuoni Art
with a cross-section of her works, from her best - known pieces made
with drinking straws, to a carpet of broom bristles, on which we sit to talk, during a break from installation.
So we've asked past and present AFC editors to weigh
in on the artists that
commercial galleries haven't snagged exclusive contracts
with yet — despite acclaim from critics, museums, and audiences.
I was able to meet
with the Director of VAN HORN, Daniela Steinfeld, during her brief stay
in Chicago the week before last — below is a redacted text of our conversation; on her transition from being a
gallery artist to a
commercial gallerist, the differences between American vs. European attitudes on market and gender, and the rare, but special chance of encountering unknown, or yet undiscovered work.
BLACKLEY: I'm interested
in asking you about your situation at Participant now,
with commercial galleries or other more institutionalized or long - standing nonprofits, such as White Columns or Artists Space, and this kind of peer group or any sort of commonality or common practice that you may share.
When Kurimanzutto opened
in Mexico City
in 1999, Mónica Manzutto and her husband, José Kuri, along
with the artist Gabriel Orozco, wanted to create something different from an ordinary
commercial gallery.
Returning to London four years later, he rejoined Alecto and continued to collaborate
with commercial galleries on exhibitions exploring aspects of modern British art, before eventually opening his own premises, the Albemarle
Gallery, off Piccadilly,
in 1986.
Mediating a collaboration
with artist Tsuyoshi Osawa, curator of the miniature so - called «Nasubi
Gallery» which takes its form from the once - common Japanese milk - box, the self - appointed «Smallest Gallery in the World» was first launched in 1993 as a parody and protest against the prevailing commercial gallery
Gallery» which takes its form from the once - common Japanese milk - box, the self - appointed «Smallest
Gallery in the World» was first launched in 1993 as a parody and protest against the prevailing commercial gallery
Gallery in the World» was first launched
in 1993 as a parody and protest against the prevailing
commercial gallery gallery system.
In 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several film
In 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and
with great success,
in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several film
in commercial and public
galleries from 1959; was selected
in 1963 for the fourth John Moores exhibition; and was the subject of several film
in 1963 for the fourth John Moores exhibition; and was the subject of several films.
The most recent space to have opened there, UTA Artist Space — the
commercial gallery of Beverly Hills - based United Talent Agency which opened
in September last year
with a show of Larry Clark's photo collages and paintings from his «Heroin» series of 2014 — seemed utterly oblivious to the controversy.
I fell
in love
with the idea of making historical exhibitions
in a
commercial gallery.
The South Street
Gallery and WPPB invites you to listen, support and participate
with us to secure
commercial free local access to vital information, life - enhancing arts and informed discourse about issues that affect the quality of our life together
in this very fortunate community.
With a thriving art scene and a growing collector base, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the wo
With a thriving art scene and a growing collector base, Sydney is a dynamic cultural destination
with an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the wo
with an international reputation for presenting the very best
in visual art through its public institutions, private collections, leading
commercial galleries, and internationally renowned Biennale of Sydney, the third oldest
in the world.
Weiner has presented a number of projects and exhibitions across the UK since the early 1970s: at ICA, London; Pier Arts Centre, Orkney; The Fruitmarket
Gallery, Edinburgh; The Henry Moore Sculpture Trust, Halifax; Art Transpennine, Hull; Inverleith House
in Edinburgh; several engagements
with Bury Art
Gallery, including their Text Festivals; a solo show at the National Maritime Museum, London; and occasional shows
in commercial galleries, the most recent at Lisson
Gallery in 2013.
This fall there are some really exciting shows at
commercial galleries all across the country, especially
in the case of artists previously featured
in New American Paintings, and we're pleased to share
with our readers the must - see
gallery shows of the season.
During the entire 4 1/2 year run of Culture Pundits, only two
commercial galleries in New York advertised
with the network.
Prospect.1.5, an interim - year program focused on artists from or working
in New Orleans, was organized
in collaboration
with public art centers and museums, schools, alternative spaces, and
commercial galleries in New Orleans.
In 2011, Lee partnered with Oliver Newton to open 47 Canal, a commercial gallery in New York which acts as an extension of her curatorial practice and ongoing commitment to supporting emerging ar
In 2011, Lee partnered
with Oliver Newton to open 47 Canal, a
commercial gallery in New York which acts as an extension of her curatorial practice and ongoing commitment to supporting emerging ar
in New York which acts as an extension of her curatorial practice and ongoing commitment to supporting emerging art.
It looks like a major exhibition
in a massive
commercial gallery with nothing to sell, as if he has tricked White Cube into doing something for the love of art alone.
Curiously some of the
commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here
in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner,
in spaces that either are as beautiful as any museum or that are just functional
in a good way,
with few frills, just good walls and space.
Additionally, Mark Moore
Gallery works closely
with commercial and government agencies to develop and execute various public art projects — some of which include major works
in Los Angeles, San Francisco, Portland, New York City, and Las Vegas.
In 2015, he became the first Chinese artist to show
with the Fine Art Society, London's oldest
commercial gallery on Bond Street, where he has since staged two solo exhibitions.
Even though Art of This Century
Gallery in New York was Guggenheim's most celebrated commercial art venture, she began her «adventures in the art world» with a small gallery she opened in London i
Gallery in New York was Guggenheim's most celebrated
commercial art venture, she began her «adventures
in the art world»
with a small
gallery she opened in London i
gallery she opened
in London
in 1938.
Even
in traditionally more conservative
commercial galleries, programmes are diverse and anything goes
in a city that feels flooded
with art.
In the past few years
commercial galleries have been doing some of the historical heavy lifting we usually associate
with museums.
In the
gallery director Fiona van Schendel curates every year a group show that goes beyond the format of a
commercial gallery exhibition and encompasses a collaboration
with other
galleries, artists and museums.
The competition will be open to graduate students of any age enrolled
in visual arts programs throughout the state of Texas,
with the stipulation that they not be formally represented by a
commercial gallery or dealer.
SVEN SCHUMANN — You're only 31 and have already done more museum shows than
commercial gallery shows,
with this tendency continuing
in New York as well as
with a show
in LA at the Hammer Museum early next year.
This annual award, now
in its eighteenth year, is presented to an emerging Atlanta artist — one who has had no major solo show and is not connected
with a
commercial gallery.
The annual award, now
in its 20th year, is presented to an emerging Atlanta artist who has had no major solo show and is not connected
with a
commercial gallery.
CB1
Gallery was the first commercial gallery in Los Angeles to show Alexander Kroll starting in 2010, with solo exhibitions in 2011 an
Gallery was the first
commercial gallery in Los Angeles to show Alexander Kroll starting in 2010, with solo exhibitions in 2011 an
gallery in Los Angeles to show Alexander Kroll starting
in 2010,
with solo exhibitions
in 2011 and 2012.
Created
in 1997, Wedge evolved from a
commercial gallery into a nonprofit organization, exhibiting photo - based work
with a strong focus on exploring black identity and the African diaspora.
The drama culminated last month
with the news that Mr. Schimmel will become a partner
in Hauser Wirth & Schimmel, the planned L.A. branch of Swiss
gallery Hauser & Wirth, which also operates a space
in London and last year opened the largest
commercial gallery in New York.
Hauser Wirth & Schimmel's seven - building complex
in Los Angeles» downtown arts district is a
commercial gallery with institutional ambitions, promising thematic exhibitions, high - profile loans, publishing, and scholarship.
«Made of glazed and fired clay, Rosen's primary medium, and not more than a few feet high... the sculptures seem to have neither fixed contours nor stable shape; even their scale appears to shift as you look... not so much covered
with as compounded of hundreds of writhing, snakelike elements, they are variously volcanic, beastly, catastrophic and unnervingly funny, suggesting things going terribly wrong, but not yet irreversibly...» Nancy Princenthal Rosen's work has been
in many solo shows
in museums,
commercial galleries and non-profit spaces.
Conceived by Sylvia Kouvali, art historian living and practicing
in Istanbul for the last years, Rodeo will merge the
commercial character of a standard
gallery with strong curatorial practice.
Entries for the 2016 Print Awards will be judged by a distinguished and experienced panel: renowned German artist Christiane Baumgartner; David Cleaton - Roberts, co-Director of Alan Cristea
Gallery, London, one of Europe's leading contemporary
commercial galleries with an impressive publishing programme; Swedish - born Sune Nordgren, Founding Director of BALTIC, the Centre for Contemporary Art
in Gateshead, England.
Gallery of Everything opens
with Jarvis Cocker show
in London The
Gallery of Everything, a
commercial space devoted to the work of self - taught artists, has opened
in London
with a show curated by former Pulp singer Jarvis Cocker.
proyectosLA is part of the
Commercial Gallery Program of The Getty's Pacific Standard Time: LA / LA, Latin American and Latino Art
in Los Angeles a far - reaching and ambitious exploration of art
in the region
in dialogue
with Los Angeles.