Sentences with phrase «in a contemporary context with»

So clearly I love when this capsule of time is being interpreted in a contemporary context with influences of the trends we have today.

Taking Michael H. Miller's post of images from the 1978 New Museum exhibition Bad Painting as a catalyst, Sharon Butler asks if the label should be revisited in a contemporary context with «some specific examples, because the changing nature of what we consider bad painting is a fascinating subject for a good discussion.

Not exact matches

If «believers» aligned their right beliefs with right practice, fewer church members would look elsewhere for critically important discussions about caring, inclusiveness, open dialogue, ethical decision - making, and shared doubts in the context of a disturbing contemporary polarized culture.

Then, in the context of varying Christological perspectives in contemporary Scripture scholarship, he considers, one by one, Jesus» encounters with women (although oddly Mary, the Mother of Jesus, is omitted from the list).

The argument is that the Chicago school arose in the context of the social gospel, a movement that had much in common with contemporary political theology and that, under the stimulus of political theology, this school can recover something of what it had lost as well as move forward in new ways.

Our goal was thus to continue to provide our visitors with all the same compelling content, but to put in place the necessary mechanisms for growth in a contemporary context — that is, to expand the functionality of the server, to increase the types of content we can provide, and to provide an experience that is consistent across all devices and platforms.

Can they accept coexisting with non-Muslims in a contemporary multireligious context?

Matthew regards the parable as an illustration of the «last, first: first, last» principle, but we must assume that it was originally spoken in a context in which Jesus was being attacked for his attitude to «tax collectors and sinners», with all that this implied to many of his contemporaries.

We do not need to construct a qeneral theory of civil society in the context of contemporary political philosophy: that could lead to an endless discussion of different positions and the myriad attempts in the with the practical question of the role of Christian communities in attempts to refurbish, or newly establish, participatory democratic societies across the globe.

In this context, it is difficult to make the familiar Euro - American argument that the Bible was clearly written for a totally alien society with which modems could scarcely identify, and so its detailed moral laws can not be applied in the contemporary worlIn this context, it is difficult to make the familiar Euro - American argument that the Bible was clearly written for a totally alien society with which modems could scarcely identify, and so its detailed moral laws can not be applied in the contemporary worlin the contemporary world.

The depiction of Jesus as a Cynic philosopher with no concern about Israel's destiny, no connection with the concerns and hopes that animated his Jewish contemporaries, no interest in the interpretation of Scripture, and no message of God's coming eschatological judgment is - quite simply - an ahistorical fiction, achieved by the surgical removal of Jesus from his Jewish context.

Therefore the contemporary Christian responsibility is to redefine the secular culture in the light of a more holistic anthropology built up through the dialogue of Christianity with secularist ideologies in the context of the religious pluralism of the present situation.

Furthermore, this week's New Yorker features a characteristically excellent piece by our best living literary critic, James Wood, much of which is taken up by an in - depth and very sympathetic engagement with the work of the aforementioned Professor Taylor, whose work is a sine qua non for anyone hoping to understand the place of religion in our contemporary context.

In contrast, the social - science approach seeks structural and cultural contexts for personages in the past by studying the actual behavior of contemporary people with similar social structures, values and human typeIn contrast, the social - science approach seeks structural and cultural contexts for personages in the past by studying the actual behavior of contemporary people with similar social structures, values and human typein the past by studying the actual behavior of contemporary people with similar social structures, values and human types.

But Christian discrimination ought to operate on another level here; it ought to applaud the metaphorical adroitness in giving a new context for the passion story, a context which provides for disbelieving contemporary human beings a genuinely «secular» experience of the narrative, and one which is in continuity with the parabolic way of hiddenness and mystery.

With the growing prison population in many western countries, fathering from prison is emerging as a further significant context in which to understand the contemporary experience of fathers in families.

In my most recently published paper «Post-war voters as fiscal liberals: local elections, spending, and war trauma in contemporary Croatia», co-authored with Professor Josip Glaurdić from the University of Luxemburg, we attempt to provide an answer to these questions in the context of a post-conflict society in which we examine how the impact of war affects citizens» preferences towards redistributioIn my most recently published paper «Post-war voters as fiscal liberals: local elections, spending, and war trauma in contemporary Croatia», co-authored with Professor Josip Glaurdić from the University of Luxemburg, we attempt to provide an answer to these questions in the context of a post-conflict society in which we examine how the impact of war affects citizens» preferences towards redistributioin contemporary Croatia», co-authored with Professor Josip Glaurdić from the University of Luxemburg, we attempt to provide an answer to these questions in the context of a post-conflict society in which we examine how the impact of war affects citizens» preferences towards redistributioin the context of a post-conflict society in which we examine how the impact of war affects citizens» preferences towards redistributioin which we examine how the impact of war affects citizens» preferences towards redistribution.

Denby's article called «Mourning the Movies,» epitomizes the contemporary refusal to deal coherently — that is, historically or politically — with the context that makes filmgoing in the 60s and 70s different from filmgoing today.

It covers the following National Curriculum learning objectives: - develop pleasure in reading, motivation to read, vocabulary and understanding by: listening to, discussing and expressing views about a wide range of contemporary and classic poetry, stories and non-fiction at a level beyond that at which they can read independently - becoming increasingly familiar with and retelling a wider range of stories, fairy stories and traditional tales - drawing on what they already know or on background information and vocabulary provided by the teacher - making inferences on the basis of what is being said and done - answering and asking questions - predicting what might happen on the basis of what has been read so far - using dictionaries to check the meaning of words that they have read - checking that the text makes sense to them, discussing their understanding, and explaining the meaning of words in context

The elements include the recognition and use of heritage languages; pedagogy that stresses traditional cultural characteristics and adult - child interactions; pedagogy in which teaching strategies are congruent with the traditional culture, as well as contemporary ways of knowing and learning; curriculum based on traditional culture that places the education of young children in a contemporary context; strong Native community participation in the planning and operation of school activities; and knowledge and use of the social and political mores of the community.

In a macabre play on «The 12 Days of Christmas,» she even depicts her mother's death rattles as «two woodpeckers out of synch; / Three geese choking on crabgrass,» and employs the formality of end - rhymed couplets in «Blessed Thistle» to play with Shakespearean language in a contemporary contexIn a macabre play on «The 12 Days of Christmas,» she even depicts her mother's death rattles as «two woodpeckers out of synch; / Three geese choking on crabgrass,» and employs the formality of end - rhymed couplets in «Blessed Thistle» to play with Shakespearean language in a contemporary contexin «Blessed Thistle» to play with Shakespearean language in a contemporary contexin a contemporary context.

Our goal is to familiarize students with the means, the context and the interpretation of art through intensive instruction in the manifold techniques that contemporary creators have at their disposal.

His body language and the mysterious eye contact he makes with viewers are provocative, offering his interpretation of sexuality and the fluid nature of identity in contemporary contexts.

Till Now: Contemporary Art in Context is a continuation of the series produced during the last two years in collaboration between the School of Art and the Blaffer Art Museum, with support from the Mitchell Center.

Vhils» practice has long been engaged with the urban context, and his works resonate with and reverberates the human experience of living in a contemporary megalopolis.

I see the remit of public art institutions, in general, particularly with respect to their engagement with the contemporary and recent art, to create a context that draws people in.

During her residency she was able to establish a dialogue with other artists on the ideas of cultural art - representation in the context of a contemporary society.

As part of the Clyfford Still Museum's community wide celebration, Still in Context compares & contrasts 3 of Still's contemporaries who taught with him at M.I.C.A., Helen Frankenthaler, David Hare & Grace Hartigan and 2 of his students, Ed Kerns & Sam Scott.

I thought it would be interesting to put them in a context with several other generations of contemporary figurative painters, who are continuing to do vital work and are changing with the times.

In the 1990s, along with the advancement of market - oriented reforms, instead of big art movements, Chinese contemporary art begins to develop diversely with more social context.

Through Mana Monumental Lemay, together with a talented troupe of peers, demonstrate the enduring relevance of Barnett Newman's belief that, in a contemporary context where traditional art subjects and styles are made invalid, it is the sublime that will save us.

Fo Wilson uses constructed space and furniture forms to create experiences that reposition historical objects and / or aesthetics in a contemporary context and offers audiences new ways of thinking about and interacting with history.

The best - selling textbook Drawing: A Contemporary Approach places Lee's work in the context of 20th Century trends in drawing along with other major contemporContemporary Approach places Lee's work in the context of 20th Century trends in drawing along with other major contemporarycontemporary artists.

The Contemporary Austin presents artist Jim Hodges and journalist Dan Rather in conversation on The Moody Rooftop, discussing Hodges's newly installed sculpture at the museum, With Liberty and Justice for All (A Work in Progress), the artist's body of work, and its broader context, meaning, and relevance.

Asawa's work comes out of a practice — fiber art — that was long lumped in with craft but is now understood, in the context of so much contemporary use of alternative materials, as a serious endeavor.

There are clear aesthetic influences from futurism and the Dutch «de Stijl» movement, bringing both in line with contemporary messages and contexts.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art AfricIn Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africin association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africin Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africa.

Since its establishment in 1985 by former Flash Art editor, Michael Kohn, Kohn Gallery has presented art historically significant exhibitions in Los Angeles along with contemporary exhibitions that create meaningful contexts, establishing links to the greater art historical continuum.

What's more, no museum in the vicinity of Boston has the depth to be able to put this work convincingly in a wider context - teasing out connections not just with earlier strains of modern art, both American and European, but with the full gamut of contemporary productions.

Aiming to widen the representation of the horse and its various contexts and cultures, the exhibition curator, Sophie Mörner, in collaboration with Fotografiska, has brought together some 100 works in order to highlight issues of the contemporary role of the horse, all in a multi-dimensional presentation in which photographers, queer theoreticians and horse nerds will all find something of interest.

In conjunction with these exhibitions, Dominique Lévy will publish a fully illustrated catalogue examining Gego's work in a contemporary global contexIn conjunction with these exhibitions, Dominique Lévy will publish a fully illustrated catalogue examining Gego's work in a contemporary global contexin a contemporary global context.

With the Casual Art Fair, The Hester Street Fair & LikeMindedObjects aim to play with the context of the contemporary art fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projeWith the Casual Art Fair, The Hester Street Fair & LikeMindedObjects aim to play with the context of the contemporary art fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projewith the context of the contemporary art fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projects.

The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.

Filled with handwritten lyrics, stage costumes and childhood artifacts, and with hardly any attempts at placing Bowie's career within a visual art context or linking him to contemporary practices visual or otherwise, it is very difficult to see this one - dimensional exhibition as more than a tactic to get the non-art audience in the doors.

The work of Polish - born artist based in London Goshka Macuga reflects her interest in confronting historical references with the contemporary context in a installation reminiscent of the Conceptual art.

To give another example, when Subodh Gupta shows with Hauser & Wirth and Anish Kapoor creates a public sculpture for London costing over 30 million US dollars, why does nearly every presentation of an Indian artist in the United States appear in the context of a «contemporary art from India» exhibition?

João Maria Gusmão (b. 1979, Portugal) & Pedro Paiva (b. 1977, Portugal) live and work in Lisboa; In the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallerin Lisboa; In the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon GallerIn the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallerin international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallery.

It also allows us to view his art in a broader context, including in collaboration with Juan de Flandes and other contemporary Netherlandish artists.

Utilizing silkscreen prints and sculptural installation Miner invites members of the community to engage with his familial history and, in light of the recent Supreme Court ruling on the status of Metis and non-status Indians, also consider Indigenous sovereignty within an historical and contemporary context.