Sentences with phrase «in a contrasting colour as»

Speaking of the roof, it's painted in a contrasting colour as standard; a new take on Sport Stripes is among the additions available as an option.

Not exact matches

The 24 - year - old White Hart Lane star has proven a very inconsistent performer whilst in club colours, contrasting to his superb displays when representing England, and has fallen down Mauricio Pochettino's pecking order as a result.
In a riot of print and colour, summer staples are equally as covetable as they are contrasting — think ditsy chiffon blouses and slinky floral slip dresses mixed with loosely tailored blazers, trench coats and oversized slacks.
The lighter colours, in contrast, work great as a base or brow bone highlight.
Annie was inspired by the colourful flowers, scripts and geometric patterns painted in vibrant and contrasting colours on trucks across Pakistan, often referred to as Pakistani Truck Art.
Whether wearing white from head to toe for a special outing like I did or as a contrast against other colours, every one needs white in their closet.
In past just red colour was used for bride and red makeup as well but now a days makeup of different colours and contrasts accordind to dress is popular.In Asian countries contrast makeup for bridal is very famous.These bridal eye makeup collections are one of them.
Rendered in a cosy wool - blend and lined (brilliant for the colder climes), this coat has a contrasting velvet colour to add a soft touch and a back slit to allow it to move as you do.
I realised a lighter coloured pair could work better with the more neutral colour palette in my wardrobe, and wouldn't contrast as much as the original black pair.
So, I tend to use color in «small doses» as accent color together with my favourite neutral colours (cold shades of grey or blue or warm shades of tan), thinking contrast, complementarity and of course mood.
At any rate, the colours and contrasts are superb — very, very sharp, as are the flesh tones and the blacks.There are a couple of speckles, and I was struck by slight grain in one scene.
Pictorially speaking, this is the most accurate small - screen rendering in recent memory — the film's colour and contrast look exactly as I remember from the cinema, while there's been no digital compensation for the soft - focus quality of DP Robert Elswit's images.
Skin tones lack contrast in the opening scene, as though we're seeing digital flesh, but it's an isolated incident; if the film continues to seem a tad bland thereafter, with soft focus and drab colours, such is the nature of Thom Best's cinematography.
But this contrast feels even more meaningful and cruel in The Florida Project because, as misguided as these characters are, it is hard not to feel like the beauty of their environment played a part in their complacency — the bright and optimistic colours a total deception, conning them into a false sense of security.
Sadly, as well as the plethora of features and lines, the separate arches (that can be painted to match the body or in a contrasting colour), stuck - on rear wing and fussy lower body trim mean that the Urus's design doesn't quite have the same homogeny and crafted detail as other Lamborghinis.
Exclusive components of the Design Pure Impulse equipment package are the black Alcantara / Nappa leather sports seats Circuit with yellow colour accents, a black Alcantara surface décor with a yellow contrast seam on the front seat passenger side as well as high - grade BMW Individual interior trim strips in a black piano lacquer finish.
The newly designed steering wheel as well as gear and parking brake lever are trimmed in leather; contrasting colour seams enhance the high - value interior ambience that, like the new instrument cluster, has a two - colour scheme with a «tubes» look and applications in matt chrome.
At 3,982 millimetres (MINI Cooper S 5 door and MINI Cooper SD 5 door are 4 005 millimetres), overall length extended by 161 millimetres compared with new MINI; equal vehicle width of 1,727 millimetres, height increased by 11 millimetres to 1,425 millimetres; characteristic brand styling with design features such as hexagonal radiator grille, headlamps and rear lights with wide chrome surround, side turn indicator element and black body bordering from the new MINI; additional exterior paint finishes: roof and exterior mirror caps in contrasting colour on request.
Available in three colours, Yulong White, Corris Grey and the unique vibrant Moraine Blue all featuring a Carpathian Grey contrast roof as standard.
But there will also be more customisation options available for the new car, with features such as the mirror caps and roof available in contrasting colours.
• Exterior design refined on an evolutionary basis with hallmark styling, proportions and body structure; characteristic design features such as hexagonal radiator grille, headlamps and rear light clusters with wide chrome surround, turn indicator element and peripheral body surround in black reinterpreted and given additional emphasis due to the surface design in each specific area; high - end details underscore the sophisticated nature of the new model; five exterior paint finishes, roof in contrasting colour available as an option at no extra charge.
This comes with a bodykit, 17 - inch alloy wheels as standard, a contrast - colour roof and plenty of ST - inspired trappings in the cabin, including a leather - trimmed steering wheel.
A host of exterior paint finishes are available for the Coupé, eight in all, these being Chilli Red, Pepper White, Spice Orange, Midnight Black, British Racing Green II, Eclipse Grey, Lightning Blue and White Silver, while the roof is painted as standard in a contrasting colour, with a choice of Jet Black or Pure Silver to pick from.
In terms of appearance, the 595 Pista stands out from the rest of the 595 range with colour contrasting parts such as the rear bumper insert, mirrors and brake calipers.
They feature 20 - inch 14 - spoke alloy diamond wheels polished with unique black center caps featuring Bentley «B» emblem (GTC) or 20 - inch wheels from Supersports finished in dark tint with red brake calipers (GTC Speed) as well as Union Jack brightware badges on the front fenders, exclusive Midnight body colour option, Dark Grey Metallic soft top and the Mulliner fuel - filler cap as standard, Beluga main leather hide with white (GTC) or Pillar Box Red (GTC Speed) contrast stitching and piping and Bentley emblems, Piano Black veneers, engine - turned aluminum with bright (GTC) or dark (GTC Speed) finish, drilled alloy sport foot pedals, treadplates and a badge on the console with the» 80 - 11 Edition» signature.
SPECIFICATION The already huge specification of the Lamborghini Aventador is enhanced by the following options: Nero Nemesis Paint Protection Film Alloy Wheels - Aventador Shiny Black Steering Wheel in Suede Leather Multi-Function Steering Wheel Lamborghini Sound System Roof in Body Colour Branding Package T - Engine Cover in Carbon Fibre Arancio Dryope (Orange) Seats Inverted Stitching Park Assist (Sensors with Rear View Camera) Carpets in Nero Ade Sportivo Interior Transparent Engine Bonnet Arancio Dryope Contrasting Colour Carbon Ceramic Brakes, Orange Calipers Heated and Electrically Adjustable Seats SERVICE HISTORY & MOT The Service History is as follows: 07/12/2012 - 4,153 Miles - Lamborghini Main Dealer (London) 10/06/2014 - 7,491 Miles - Lamborghini Main Dealer (London) 31/07/2015 - 8,538 Miles - Lamborghini Main Dealer (London) 01/08/2016 - 9,198 Miles - Lamborghini Main Dealer (London) 25/09/2017 - 9,931 Miles - Lamborghini Main Dealer (London) The MOT Expires on the 26th October 2018.
SPECIFICATION The already extensive specification of the Huracan is widely enhanced by the following options: Nero Noctis Carbon Ceramic Brakes with Yellow Calipers Navigation System Europe Bluetooth Preparation (Hands Free Profile) Branding Package Stitching - Optional Front and Rear Parking Sensors Contrast Colour in Nero Ade Roof in Body Colour Stitching in Giallo Taurus Steering Wheel in Nero Ade Pillars in Nero Ade Sill Cover Inner Part in Nero Ade Headliner in Nero Ade Carpeting and Floor Mats in Nero Ade Seatbelts in Nero Ade Sun Visors in Nero Ade Seats in Nero Ade Rear Centre Console in Nero Ade Anti-Theft System HISTORY The service history is as follows: 11/07/2016 - 1,871 Miles - Lamborghini Main Dealer (Leicester) 07/08/2017 - 7,328 Miles - Lamborghini Main Dealer (Birmingham) The first MOT is not yet due until April 2019.
As an option, the dashboard can be ordered with a two - tone design: while the upper section and the centre console are finished in a darker shade, the lighter contrasting colour used for the knee bolster, glove compartment lid and tunnel makes these areas really stand out.
To further enhance the interior specification, seat piping is now available as a cost option and can be ordered in a contrast or non-contrast condition from the full colour palette of interior hides.
SPECIFICATION The already huge specification of the Huracan has been enhanced by the following options: Giallo Midas Exterior Nero Ade Interior Bi-Colour Sportivo with Leather Package Lifting System and Magneto - Rheologic Suspension Digital Audio Broadcasting Radio (DAB) Rear View Camera and Parking Sensors Navigation System Europe Floor Mats with Leather Piping and Double Stitching Carpeting and Floor Mats: Nero Ade / Giallo Taurus Roof in Body Colour Carbon Ceramic Brakes with Yellow Calipers Ad Personam Lamborghini Dynamic Steering (LDS) Sportivo Interior (Bi-Colour in Leather) Branding Package Bluetooth Preparation (Hands Free Profile) Stitching Optional Roof Lining and A-Pillars in Leather Electric and Heated Seats Contrast Colour in Giallo Taurus Rear Centre Console Nero / Giallo Taurus Alloy Wheels Mimas Forged 20» Silver Basic Colour Nero Ade Seat Belts in Nero Ade HISTORY The Service History is as follows: 28/01/2016 - 6,678 Miles - Lamborghini Main Dealer (Manchester) 24/06/2017 - 25,449 Miles - Lamborghini Main Dealer (Manchester) WHEELS, TYRES & BRAKES The car sits on Mimas Forged 20» Alloy Wheels TYRES The tyres of this car are Pirelli P - Zero's all around.
Contrasting the Beluga leather and motorsport - inspired materials is a vivid accent green, used as a hide colour on the seats, instrument panel and door panels and in contrast stitching throughout the seats and diamond - quilted areas.
Matching or contrasting colours can be commissioned for practically any surface in the car, from the lining of stowage areas such as the glove compartment, to the seatbelts themselves and even the grilles of the speakers.
I must say you're sorely mistaken to consider both the 2011 and the 2012 versions different, i would ask then why are both being sold on the same page on Amazon, they are identical, just Amazon has dropped the price and added a black coloured Kindle 4, simple as that, when they say 15 % faster and crisper font, that was included in the last update for kindle 4 as mentioned in 4.1.0 update «Improved reading font that is higher contrast and crisper so that you can enjoy a paper - like reading experience.»
The graphics in the game are high contrast and alive with colour, with each slots game complimented by its own sound effects that you will find are equal parts hypnotizing and entertaining (as long as you tend to enjoy maniacal laughter, and the sound of bells and some sort of twinkling).
That's the same as the original iPad Air but the iPad Air 2 comes with an anti-reflective screen, as well as a bump in contrast and colour.
That's not to say that the Nexus 10's screen is lacking in either colour saturation or contrast — on the contrary, it delivers both in abundance, just not quite to the same degree as the iPad does.
Viewing angles are as close to flawless as LCD gets, with hardly any noticeable shifts in colours or contrast.
And the upshot of this is a still - awesome visual experience with excellent colour and contrast as well as brilliant battery life (QHD panels guzzle juice like a lush in a distillery).
This technology helps to boost video and pictures and generally we like the results, as it tends to boost the colours and add contrast that can sometimes be lacking in mobile shots.
The autumn colours in the forests provide an unbelievable backdrop to see the lights, as the contrast between the amber tones of the trees and green of the Aurora is simply mystical, all made more intense by the depth of the darkness that surrounds it.
Photo mode really is a great feature; allowing the camera to be positioned with freedom within the vicinity of Rad and Dusty whilst on their platforming action adventure including extensive customisation of images such as panning, camera height, zooming in or out, anywhere from a minor tilt to a full sideways, upward or downward facing tilt, field of view within the range of 50 to 120, depth of field focal region, focal bokeh size and focal distance, saturation, gamma, gain and contrast, alongside 9 variations of colour grading intensity including cross process, portaesque, proviaesque, velviaesque, fire, blue ravine, empty, snowy and rainy.
High Dynamic Range means better contrast in the brightest and darkest sections of the image, as well as a wider colour palette.
Especially as the genre itself doesn't seem to acknowledge this disability (or, indeed, do most people working in visual and graphic design, though that's a debate I won't delve into here...)-- out of all the racing games in my collection, the only studio to have also jumped onto the «how about we use two completely contrasting colours in our racing line assist?»
As I mentioned in my opening paragraph, the game bears a striking resemblance to games such as Thomas Was Alone with its silhouette styled gameplay with strong, bold colours being used to contrast the dark, black platformAs I mentioned in my opening paragraph, the game bears a striking resemblance to games such as Thomas Was Alone with its silhouette styled gameplay with strong, bold colours being used to contrast the dark, black platformas Thomas Was Alone with its silhouette styled gameplay with strong, bold colours being used to contrast the dark, black platforms.
Big, bright and capable of some stunning contrast and colours, it makes Breath of the Wild look every bit as good in the palms of your hands as it does on a telly.
The visuals of Drift Stage instantly grab your attention, with its bright, bold colours that come as a striking contrast to the photo - realistic graphics seen in most modern racers.
In contrast to his previous work, where contemporary elements act as incisions into conventional frameworks, here the planes of colour lie on the surface of the paintings as colder adaptations to the underlying image.
By contrast, and in spite of Goldberg's pedestrian choice of materials, the front space has a defiantly monumental feel: set on coffee - coloured carpeting, an army of ornamental glass bowls filled with water are caught, as if suffocating, under a thin sheet of sheer plastic weighed down with gold sequins.
As Yvonne Scott (again, no relation) explained in a catalogue essay for a 2002 exhibition at the Hugh Lane Gallery, Dublin, these pictures «provided a distinctive form and restrained colour range in contrast to the soft - focus, more colourful works which had preceded.
But though straight lines quickly gave away to rather slack rhythms and large, free forms, it was not till about August 1963 that he fully recovered his balance and felt able to achieve a «simple» painting again in which the colour was properly dictating the form, and the forms were not ranging themselves in depth because the colour was acting like tone (that is, as contrasts of dark and light).
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