Sentences with phrase «in a creative activity during»

Are you looking to engage your toddler in a creative activity during the winter season?

Working Group members to consider options for registry to engage in creative activities during NRW with the local Aboriginal and Torres Strait Islander community.

Not exact matches

In their experiments, they asked participants to brainstorm creative ideas during two short intervals — between five and 10 minutes, depending on the activity.

The creative idea behind The Smugglers Series, meanwhile, was to honour the tradition of the illicit whisky trade that operated during the 18th and 19th centuries across Scotland in general, and specifically, from The Isle of Arran, up the River Clyde to Glasgow, a hub of market activity at the time.

Charting which activities or chores are time - fillers in precious daytime hours, may help you keep the important things in mind, and come up with creative ways to slot the time wasters in during non important hours on the outskirts of the day.

While it's hard to be stuck indoors during the colder weather, you can be creative and find fun ways to encourage your children to continue to engage in physical activity!

First of all there were a lot of individual effects on the children from introducing this type of playground: children were seen to be a lot more excited going out to play; they would enter their classrooms after lunchtime and would still be talking about what they did during that play; they were a lot more engaged, they were using the space a lot more readily, so, taking these materials out - and that could be one influence on how physical activity actually increased; they were solving problems and using their creativity skills - which I can also talk about how the children use all these objects to be creative in the school playground.

On this page, you will find a large list of writing ideas that will spark creative ideas in your students during journal and creative writing activities.

To ensure a well - rounded experience and support strong social - emotional development, students participate in creative fine arts activities during the afternoons.

Young potential students of SAISD's Advanced and Creative Learning Academy participate in an activity during an event previewing the learning process at the school.

During the months of December and January, include a fun creative writing activity in your language arts lesson plans by using these fun winter wreath projects.

One outstanding graduating senior in Pratt's fashion design program will be recognized with the inaugural «Liz Claiborne Award - Concept to Product,» which is a $ 25,000 award funded by the Liz Claiborne & Art Ortenberg Foundation that will support the student's creative entrepreneurial activities and will help cover the costs of developing a collection to show during New York Fashion Week.

One outstanding graduating senior in Pratt's fashion design program, Kelsey Carleen Parkhouse, was recognized with the inaugural «Liz Claiborne Award - Concept to Product,» which is a $ 25,000 award funded by the Liz Claiborne & Art Ortenberg Foundation that will support the student's creative entrepreneurial activities and will help cover the costs of developing a collection to show during New York Fashion Week.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timIn St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin many of the carvings of this time.

(Fort Lauderdale, FL)-- Cobra, the interdisciplinary and trans - national European avant - garde movement named after its home cities — Copenhagen, Brussels and Amsterdam — caused a revolution in modern art during just three years of creative activity (1948 - 1951) that continues to influence artists working today.

Don't be afraid to be creative — particularly in the way you question them about their activities during their stay - at - home years.