An opinion I
respect in my critique group said I wrote some of the best dialogue ever because he could take out the tags and still know which character was speaking.
Although you must be willing to read and comment on the writings of other members in the group, it is well worth your time to
participate in a critique group.
Once upon a time, I was
in a critique group session when the topic turned to the advisability of using four - letter words in your writing.
I've been
in critique groups where one member would go into a rage when it became obvious the writer being critiqued wasn't going to make the changes the diva thought were required.
I do still encourage the use of critique groups and beta readers as a first step in learning the ins and outs of the craft and business of writing, but keep in mind that most of what you hear
in a critique group needs to be taken with a grain of salt.
If my characters are engaging enough for my fantasy novel to appeal to the dyed - in - the - wool contemporary fiction
readers in my critique group, I know I'm doing something right:).
And all the above is not meant to guilt you into more active
membership in your critique group, or sign up for Colorado Gold tomorrow, but to encourage you to think about your writing career beyond the page.
To me, it's no different than when I
sit in critique group and hear what didn't work for my crit partners.
Shortly after that, God brought us together,
first in a critique group through the ACFW, then through the local ACFW group in St. Louis.
My problem now comes in that one
man in my critique group mentioned I should change the POV to 3rd person limited because Editors will not purchase anything from a first - time author not written in that POV; and that once I have my first publication I can choose which ever POV I want.
Whenever its name is mentioned, it is usually in hushed tones during a first - page
takedown in a critique group, or on a panel of editors warning anxious wannabes about the sins of the plodders.
I know the first time I was asked to beta read something, I thought it was like what we
did in the critique group at the time: correct spelling and punctuation, formatting, wording things the way I would word them.
Thanks for sharing it with the blog — I passed on the link to
everyone in my critique group because we're all toying with ideas for new projects and the main character's journey with quirky side characters is often a big temptation in any genre.
Participation in a critique group will not only meet a writer's need for social interaction, but together the members will also polish their novels more quickly, and speed each other in the journey toward publication.
For the story I'm writing, well - known published
writers in our critique group, who were getting their stuff published in paper by CBA publishers commented, among other things: - «The scene where Tammy throws her bikini up into the tree would never get published by a CBA publisher.»
There are two major rules to being a better writer: 1) read abundantly (especially in the genre that you are writing), and 2)
participate in critique groups.