Sentences with phrase «in a few scenes where»

The picture shows vital signs only in a few scenes where Cedric takes on the additional role of his own lecherous uncle, but it's too little too late.

Davis is quite powerful in those few scenes where Rose is allowed to break free from the character's wary vigilance — where she pours out her hurt — but the scenes often play out as arias in an opera that never quite rises to full cry.

Not exact matches

When robo - advisors first burst on the scene a few years ago, they threatened to replace human advisors in situations where not much human help was needed.

Films and TV no doubt contribute to this mistake: how often have you watched a scene where two people meet, say, in the street and after a few pleasantries and greetings, the next scene is of them thrashing about in bed?

«9 In 1876 Melville, in describing the happy domestic scene of a mother and child, remarked, «Under such scenes abysses be — / Dark quarries where few care to pry.10 Perhaps he remembered that day not ten years before when his own eldest son, 18 years old, shot himself to death in his room at homIn 1876 Melville, in describing the happy domestic scene of a mother and child, remarked, «Under such scenes abysses be — / Dark quarries where few care to pry.10 Perhaps he remembered that day not ten years before when his own eldest son, 18 years old, shot himself to death in his room at homin describing the happy domestic scene of a mother and child, remarked, «Under such scenes abysses be — / Dark quarries where few care to pry.10 Perhaps he remembered that day not ten years before when his own eldest son, 18 years old, shot himself to death in his room at homin his room at home.

Those who were lucky enough to be pulled or pushed, a year or so ago, to the Beatles» first movie, A Hard Day's Night, will recall the enchanting scene in which the four of them escape from the prison - like television studio, where worldly men are trying to get them to perform properly, and flee to an open field for a few surrealistic moments of jumping, dancing, abandon.

Chef Aatul relocated to Nashville from New York City where he earned a name for himself in the Indian food scene working with Michelin - starred restaurants Tulsi and Devi, and with chefs like Hemant Mathur, Vikas Khanna, Sanjeev Kapoor, to name a few.

Though just a few exits on the Cross-Bronx Expressway away, the scene seemed far from Soundview, the hardscrabble neighborhood where Mr. Díaz grew up, where he bounced on mattresses piled in empty lots and played with wheatpaste he used to help plaster the neighborhood over in posters for his father's many political campaigns.

A few quick scenes establish the situation back home in Los Angeles, where her father is never present; her occasionally borderline inappropriate, endlessly talkative but also somewhat frosty step - mom, Susan (Carrie Preston), tries to overcompensate; and Ellen's half - sister, Kelly (Liana Liberato), is kinder but has secretly been suffering, too, from having to deal with having a «freak sister» with a disorder.

Hec's tow pet dogs, Zag ad Tupac (the latter named by Rocky) also steal quite a few scenes, although bits where the pups are in danger elicited more than a few gasps at the public screening and should keep kids on the edge of their seats.

Honestly, with everything coming out about Weinstein and Kevin Spacey and Corey Feldman, I was really unnerved by all the scenes in the last few episodes where Will is in just a hospital gown and they keep tying him to gurneys and chairs and beds.

After a hostage negotiation goes terribly wrong in the opening moments of the first episode (one of the few scenes where violence comes into play), Ford, a green agent obsessed with the connection between psychology and the increasing occurrences of violence in the country, pushes the FBI toward softening its typical understanding of serial killers.

If there is a disconcerting aspect for some audiences, it's in Condon's decision to include a few scenes where the dialogue is sung instead of spoken.

This emotion is contrasted sharply in the next few scenes where her vivacious warmth turns to dour repression as she returns home to London after receiving word of her father's death.

A few scenes — which are more comical than passionate — take place in a motel room where a man and woman are having an affair: in two scenes they kiss passionately (in one scene she's wearing a leotard and he's shirtless), in another a man puts his head on a woman's lap (it's not implied that oral sex happens) and in another we see a woman wearing a leotard and holding a board game between her knees while a man unzips his pants (we briefly see the front of his underwear) and spins a game piece with his tongue.

There are a few scenes in the film where Josh Gad just must sing.

This is - he - or - isn't - he - totally - bonkers mystery is brought to a head in an incredibly tense scene where the three characters are playing a guessing game that threatens to expose a few secrets.

A few sequences of distinction: the climax with severe knee injury and flying crane kick never fails to raise goose bumps; the scene where Daniel - san discovers that his days of sanding decks and painting houses for Miyagi have taught him the fundamentals of karate; and a drunken anniversary where Daniel discovers that Miyagi's wife and child died in childbirth while both were interred in a relocation camp.

Yet, Spielberg also captures some gorgeous vistas, and there are a few scenes that are genuinely moving, especially in the No Man's Land scene where Joey is stuck.

There are a few action sequences of shocking coherence in «Transformers: The Last Knight,» the fifth of Michael Bay's clang - clang - clang - went - the - robot adventures, but fear not, fans of the franchise: if you're here for the director's trademark chaos editing (where fights go from points A to D to Q), toxic masculinity (and female objectification), comedy scenes rendered tragic (and vice versa), and general full - volume confusion, you'll get all those things in abundance.

The few instances where I did laugh in the film, such as the aforementioned «period party» scene, I owe to Gerwig or Kaling.

Sexual content is also limited to a few brief comments and a scene where a woman in a bikini has a non-explicit conversation about who changed her wardrobe while she was sleeping.

First, there are a few scenes of sexual innuendo, including the infamous washing machine scene, where it the nosy neighbor, Marcie, thinks that he is having sex in the washroom, when all the while he is just trying to open it («I'm going to shove my load into you whether you like it or not!»).

While it may have looked hilarious on paper, the delivery is often bland throughout, finally imploding in the last few scenes where the entire cast is forced into slapstick shenanigans and obtusely - conceived farce.

There are a few scenes where she discovers her true affection for Peeta but the duo only appear in one scene together, proving that distance can, in fact, make the heart grow fonder (both for Katniss and for the audience itself).

In Region 2, where Valiant came to DVD a few weeks earlier, the film was treated to some behind - the - scenes bonus features, including a 14 - minute making - of featurette, a scene progression, recording sessions footage, a television special set at the film's world premiere in London, and the theatrical trailer (something that Disney never includes on the DVD of the film itself, merely as a promotional tool on other DVDsIn Region 2, where Valiant came to DVD a few weeks earlier, the film was treated to some behind - the - scenes bonus features, including a 14 - minute making - of featurette, a scene progression, recording sessions footage, a television special set at the film's world premiere in London, and the theatrical trailer (something that Disney never includes on the DVD of the film itself, merely as a promotional tool on other DVDsin London, and the theatrical trailer (something that Disney never includes on the DVD of the film itself, merely as a promotional tool on other DVDs).

There are two more scenes with Brad Garrett's wrestling coach (though one is basically an alternate of what's in the movie), a few seconds of a scene where Shane plays kickball with the students, a short piece that would extend a climactic chase, and a heart - to - heart between Shane and Gary the duck.

The scene when Oscar meets and glues together China Girl's broken legs (a reference to his inability to heal a wheelchair - bound girl at one of his shows, played by the actress who voices this animated counterpart) is one of the best in the film, precisely because it is one of few where Raimi takes his time to let a scene unfold naturally, rather than try to outdo what came before both visually and energetically.

Restoring a few of these cut - scenes would put much - needed flesh back on this skeletal film, though it's worth noting that many of them still suffer from Haythe's insecure shoehorning of subtext into the dialogue, as in a moment where Frank tells a story to guests Shep and Millie they've obviously heard before, only to have April come right out and confirm it.

The action scenes are not particularly exciting, it's the quitter moments in the darkness, where anything can happen, that delivers the few thrills.

Even though the characters face the threat of death for man and monster alike, there is still enough time for an unmarried couple to exchange a few kisses and sneak off together in a scene where sexual activity is implied.

Annie, meanwhile, can't quite get over a guy (an uncredited Jon Hamm, making the most of his few scenes with a goofy aura of entitlement) who only spends time with her for sex, is still traumatized by the commercial letdown of a bakery she opened (She makes a single cupcake in secret and closes off whenever anyone asks why she doesn't bake anymore), and works a dead - end job at a jewelry store where she can not help but inject a skeptical perception into the happiness of her potential customers.

I also thought the scene where the most sceptical of the hostages was describing in detail what the science fiction Hollywood movie was about was very good, as were the few snippets of some great music (Dire Straits, Led Zeppelin etc).

The best scenes are between various character pairings, especially one in particular between Willoughby and Hayes, where a small action makes her turn from angry to compassionate in the space of a few seconds.

The camera is also used in a few Arkham - style investigative sequences where the plot is furthered as Frank snaps photos of crime scenes and evidence.

The orange - eyed beast is voiced by Benedict Cumberbatch, who, through a sludge of voice - altering electronics, seethes and preens between fiery exhalations; this scene is one of the few occasions in the film where anyone actually takes time to talk.

There are a few other scenes where this happens in the darkness but it isn't distracting.

That story has a lot of differing source material to draw from but since we expect it to feature a five - character roster with at least a few characters from X: DOFP, that story could take place in the two - year gap before The Wolverine mid-credits scene, where Logan - and this is just our speculation - may recruit his own squad of mutants in the two - year gap before encountering Professor X and Magneto.

The director himself sits in to provide an interview, explaining various facets of the movie's production including its relationship to his 1983 work The Fourth Man (which he sees as a quasi-prequel), the influence of Vertigo on the film, where inspiration for the infamous leg cross / flash scene came from, and his deciding with Michael Douglas to cast Sharon Stone, who at the time was not yet a star performer but one of the few actresses who would agree to Verhoeven's conditions regarding sexual content and nudity.

Andy Serkis returns as Caesar in a war torn earth where the last few humans are trying to take out the apes in hopes of returning to the top of the food chain, but hope for peace seems to be dimming with each passing scene.

His satirical - absurdist sensibilities are abundantly visible on You Don't Mess With The Zohan, where he's one of three credited screenwriters, and gloriously glimpsed in the «Dunkaccino» scene of Jack And Jill, a bad movie for which he is not a credited screenwriter, but does receive a songwriting credit on the fake Al Pacino - starring Dunkin' Donuts ad that is one of the movie's few flashes of demented inspiration.

Ferrara gets a few memorable scenes as Mrs. Chavez, both when she is taken to prison and in a few other moments where she becomes the more hostile parenting figure.

There are also a few new extras as well, like the «Worthy Adversaries» trivia game, where you complete lines from the movie while it's playing; a picture - in - picture video commentary with cast and crew interviews and behind - the - scenes footage; and a feature called «Mark It, Dude» that tracks all the profanities and Dude - isms that appear throughout the film.

I saw the Twin Peaks movie on TV a few years later, and it seemed alright, but there was a scene early in the film where some FBI agents explain some complicated symbolic sign - language to Chris Isaak that bugged the hell out of me: my teenage sophistication chalked it up to pretension, weirdness for the sake not just of weirdness but with the sole goal of making me feel stupid.

There are very few moments where scenes feel like they're dragging or unnecessary, creating a pretty concise plot that keeps pulling the viewer in.

In fact, while most of the supporting actors are consigned to only a few scenes each, it's in these moments where the film shines the brightest; and that's quite a feat considering just how dark this movie is, both visually (the colors are so washed out that it's like watching with sunglasses on at times) and thematicallIn fact, while most of the supporting actors are consigned to only a few scenes each, it's in these moments where the film shines the brightest; and that's quite a feat considering just how dark this movie is, both visually (the colors are so washed out that it's like watching with sunglasses on at times) and thematicallin these moments where the film shines the brightest; and that's quite a feat considering just how dark this movie is, both visually (the colors are so washed out that it's like watching with sunglasses on at times) and thematically.

It also went a long way in my benefit when I had to answer for two tickets at the scene — Not guilty on both, only because I could tell the courts everything about the experience, where I was, how many cars were on the road, how I had passed two police cars a few miles up the road, etc, etc..

I noticed that there are very few scenes in fiction where people are watching TV, there's the moment late in the book where Bonnie and her kids are watching themselves on TV, and I thought this was something I definitely wanted to do.

Here are a few screencaps taken on my iPad of the final scene in issue # 1, where Catwoman meets up with Batman for a passionate sexual encounter.

When robo - advisors first burst on the scene a few years ago, they threatened to replace human advisors in situations where not much human help was needed.