Sentences with phrase «in a group show outside»

Sarah Cain will be included in the group show Outside The Lines at the Contemporary Arts Museum Houston.

I was invited to be in a group show outside of my home state.

Not exact matches

A spate of recent polling shows ex-coal CEO Don Blankenship fading into third place in the primary race, after an outside group with ties to the national GOP spent heavily to sink his candidacy.

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

The organizations that showed up Friday outside of a federal building in Albany to rally against the Senate's latest bill to repeal the Affordable Care Act included a variety of groups that have been either kind or skeptical of Gov. Andrew Cuomo.

In addition to staffers» financial holdings, the documents show any outside income, gifts received and official positions held with outside groups.

Five supporters, who identified themselves as members of Blacks for Trump, a group that often shows up at Trump rallies in support of the president, gathered outside the hearing room to show support for Stone.

The DCCC is touting a poll conducted by Abacus Associates for Rep. Maurice Hinchey's campaign that shows the veteran congressman with a comfortable 17 point lead over his GOP opponent, George Phillips, in spite of hundreds of thousands of dollars worth of ads being run to help Phillips by outside independent groups.

Participants who participated in the theatre program also showed more group play with children outside the treatment setting, as well as improvement in social communication at home and in the community that was maintained for at least two months.

Filming this way I think allowed Director Damon Ker to show an interesting perspective that until now has not been seen by anyone outside of the groups featured in the film.

Evidence shows that patterns of participation in the arts are determined in childhood, and that participation varies considerably between different socio - economic groups, with the most disadvantaged children the least likely to have access to the arts outside school.

Also, the 62 schools targeted by the state must show improvement in test scores and graduation rates, among other measures, within one or two years or they may be taken over by an outside group.

BMW Group experts will be available for interviews during the show at the BMW stand outside the South Hall (Booth 68000) in the Performance Pavilion area.

Bad Guy, in which names have been changed, is a «rollercoaster account of the frustrations created by mindless shackles on creativity» and «shows the bright lights of Hollywood on a dimmer setting», while with Richard II in New York, he «felt it was such an unusual topic to be directing one of Shakespeare's greatest classics in New York with a group of dynamic American actors», that he «wished to record it in a journal since I felt it would never be seen outside that particular theatre again».

In 1867, Claude Monet saw that the French fine art business was tilted against artists who were doing original, innovative work — so he got together with a group of then - unknown artists (like Degas and Manet) and they put on their own art show, outside the French mainstream.

2014 Featured in «Limited Editions for $ 2000 and Under» on Saatchi Art's Home Page, curated by Bridget Carron «Outside the Margins» Printmaking Portfolio Exhibit, Pyramid Atlantic Art Center 10 x 10 JuriedPrint Exhibition, Pyramid Atlantic Art Center Patricia Ladd Carega Gallery, Sandwich, NH, Summer Group Show Pyramid Atlantic Juried Members Exhibition, Second Place Prize Capitol Hill Arts Workshop, Group Show Washington Printmakers Gallery, Monthly Member Exhibit

Guy Yanai to be featured in group show, THE TIES THAT BIND, at David Achenbach Projects outside of Düsseldorf, Germany.

This weekend, her water - inspired paintings are included in the group show «Art in the Open» at Ashawagh Hall in Springs (outside of East Hampton Village).

Political pop artist Qi Zhilong «s work is showing in a group exhibition titled, CHINAMANIA, taking place until January 3rd at ARKEN Museum for Moderne Kunst, in Ishoj, Denmark, not far outside Copenhagen.

The video is set in Lina Bo Bardi's Casa de Vidro, which the Italian architect built for herself on the outskirts of São Paulo, and this is also where the work was first shown (in a group show, The Insides Are on the Outside, curated by Hans Ulrich Obrist in 2013).

Whitney's works featured in a major solo exhibition «Dance the Orange», at the Studio Museum in Harlem, New York, USA (2015), and he has been included in many prominent group shows such as Documenta 14 in Athens, Greece and Kassel, Germany (2017), «Nero su Bianco» at the American Academy in Rome, Italy (2015); «Outside the Lines: Black in the Abstract», Contemporary Art Museum of Houston, USA (2014); «Reinventing Abstraction: New York Painting in the 1980s», Cheim & Read, New York (2013) and «Utopia Station» at the 50th Venice Biennale (2003).

These works will be included in the Underdogs» group show «Timeline» (opening 29 November), which «aims to erase the boundaries between inside and outside art and contribute towards bringing a new way of experiencing the city's visual landscape to its inhabitants.»

The German pavilion has culturally adopted the artist, including his work in a group show, but outside the Arsenale, he'll debut a solo exhibition that's already started receiving buzz: six half - scale fiberglas dioramas recreating scenes from his 2011 house arrest.

Kahnweiler did not put on one - man shows and never allowed a picture to be seen in the Paris salons, preferring to send Léger's paintings for inclusion in group exhibitions outside of the country.

As well as exhibiting in previous group shows at metaphor, he has had solo and group exhibitions in other cities outside of NYC including; Scottsdale and Tucson AZ, the Parrish Art Museum, Southampton, NY, and Connecticut College, New London, CT..

A group show in Chelsea reunites four groundbreaking art collectives that took root outside New York between 1960 and 2000.

Around 800 guests gathered in a party tent outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend for, in Vergne's words, his pivotal role in the formation of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group shows, and 4,000 works of art — not to mention Baldessari's position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief Curator of LA MOCA).

It only complicates things more that few have seen much of his work outside art fairs and sporadic appearances in group shows.

Outside of the Reina Sofía she has curated a large number of exhibitions, including solo shows by Valie Export and Lotty Rosenfeld, and group exhibitions in institutions such as the former Whitney Museum (Connecticut), CIFO (Miami), ArtPace (San Antonio), Museo Vostell (Carceres), Argos (Brussels), Centro Atlántico de Arte Moderno (Canary Islands), Centro Andaluz de Arte Contemporaneo (Seville), Itau Cultural (São Paulo), and New York University 80WES, among many others.

, Light Museum, Eindhoven, The Netherlands Gadgetry and Rites, Yuz Museum, Jakarta, Indonesia 2009 Entrance — Li Hui Solo Exhibition, Beijing Art Now Gallery, Beijing, China Dialects of Void & Substance, Tang Contemporary Art Center, Hong Kong, China Between Dimensions, Kuandu Museum of Fine Arts, Taipei, Taiwan 2008 Shiny Li Hui, A Art Contemporary Space, Taipei, Taiwan Samsara, Bund18 Creative Center, Shanghai, China 2007 Spin, Tang Contemporary Art Center, Beijing, China GROUP EXHIBITIONS 2015 Myth / History II: Shanghai Galaxy, Yuz Museum, Shanghai, China Future, Now, SomoS, Berlin, Germany 2014 Outside the Lines, New Work From China, RH Contemporary Art, New York, NY Sharks & Humanity, Musee Oceanographique de Monaco, Monaco, Monaco Re-View — Opening Exhibition of Long Museum West Bund, Long Museum West Bund, Shanghai, China the 8 Paths, Ufferhallen Berlin, Berlin, Germany MYTH / HISTORY - YUZ COLLECTION OF CONTEMPORARY ART, YUZ Museum, Shanghai, China Welcome to Parkview Green - Parkview Contemporary Art Collection, Parkview Green Exhibition Hall, Beijing, China Sensorium 360, Singapore Art Museum, Singapore, Singapore By Destiny, Arario Museum Tapdong Cinema, Jeju, Korea 2013 @WHAT: Selected Works of Contemporary Chinese Art, Arko Art Center, Seoul, South Korea Artificial Natures, Maubeuge Espace Sculfort, Maubeuge, France Artificial Natures, Maison des Arts de Creteil, Paris, France Artificial Natures, Lille St Sauveur, Lille, France Uneasy Trip in Asia, Star Gallery, Beijing, China 2012 CHIMERA - THE COLLECTORS SHOW, Singapore Art Museum, Singapore Licht Linien Light Lines (un) wirklich (un) real, Centre for International Light Art, Unna, Germany Water Stains on the Wall - The Carrier of Formation, Zhejiang Art Museum, Hangzhou, China I Light Marina Bay 2012, Marina Bay, Singapore Lust and Love of the Young and Liberated, 798 Space, Beijing, China Modern @ Modeng - Gallery Hotel Art Project, Gallery Hotel, Beijing, China Future Pass, Today Art Museum, Beijing, China Future Pass, National Taiwan Museum of Fine Arts, Taichung, Taiwan Open Sky, Changjiang Art Centre, Chongqing, China 2011 Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Art Museum of China, Beijing, China Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Taiwan Museum of Fine Arts, Taichung, Taiwan Matière - Lumière Matter - Light, Béthune 2011 Capitale Régionale de la Culture, Béthune, France CAR CULTURE.

By then, Ms. Cao had already shown in dozens of biennials, succeeding as few female Chinese artists have, by working outside the social network in China, which Mr. Biesenbach described as a «very male - dominated group.»

Elin Karlsson visits the On Tap exhibition at the Brewery Tap Gallery in Folkestone to review the first group show by Making Art Work to be held outside its base in Maidstone, Kent.

Sherwood created an interactive installation for Hamptons wildlife in the outside enclosed garden of Kathryn Markel Fine Art for the group show «Everything Has Its Place».

Juan J. González (b. 1942, Camagüey - d. 1993, New York): The super-realist artist Juan González participated in group shows such as Painting and Sculpture Today ‑ 1974 at the Indianapolis Museum of Art; Looking Inside: Latin American Presence in New York; Ancient Roots / New Visions, which traveled to several cities in the United States; Hispanic ‑ American Artists of the United States, at the Museum of Modern Art of Latin America in Washington, D.C., The Figure in the Twentieth Century at the New York Academy of Design, Outside Cuba, The Miami Generation traveling exhibition and the Cuba - USA: The First Generation traveling exhibition.

Colsh's work has been shown nationally and internationally in solo exhibitions at Visions Art Museum (San Diego, CA), Galerie In Vorm (Stevoort, Belgium); Strassen Szenen (Freiburg, Germany); and Textilmuzeum (Budapest, Hungary) and in juried group exhibitions which include Fiber Philadelphia: «Outside / Inside the Box» (Philadelphia, PA); «Riga International Textile & Fibre Art Triennial» (Riga, Latvia); «Three Artists» Galerie Holtrop (Tilburg, Netherlands); «Art Quilt Elements» (Wayne, PA); «Quilt National» (Athens, OH); «Fantastic Fibers» (Paducah, KY); «The Art Quilt Experience» (Cazenovia, NY); «European Quilt Triennial» (Heidelberg, Germany); and «Fabric of Legacies Exhibition» (Fort Collins, COin solo exhibitions at Visions Art Museum (San Diego, CA), Galerie In Vorm (Stevoort, Belgium); Strassen Szenen (Freiburg, Germany); and Textilmuzeum (Budapest, Hungary) and in juried group exhibitions which include Fiber Philadelphia: «Outside / Inside the Box» (Philadelphia, PA); «Riga International Textile & Fibre Art Triennial» (Riga, Latvia); «Three Artists» Galerie Holtrop (Tilburg, Netherlands); «Art Quilt Elements» (Wayne, PA); «Quilt National» (Athens, OH); «Fantastic Fibers» (Paducah, KY); «The Art Quilt Experience» (Cazenovia, NY); «European Quilt Triennial» (Heidelberg, Germany); and «Fabric of Legacies Exhibition» (Fort Collins, COIn Vorm (Stevoort, Belgium); Strassen Szenen (Freiburg, Germany); and Textilmuzeum (Budapest, Hungary) and in juried group exhibitions which include Fiber Philadelphia: «Outside / Inside the Box» (Philadelphia, PA); «Riga International Textile & Fibre Art Triennial» (Riga, Latvia); «Three Artists» Galerie Holtrop (Tilburg, Netherlands); «Art Quilt Elements» (Wayne, PA); «Quilt National» (Athens, OH); «Fantastic Fibers» (Paducah, KY); «The Art Quilt Experience» (Cazenovia, NY); «European Quilt Triennial» (Heidelberg, Germany); and «Fabric of Legacies Exhibition» (Fort Collins, COin juried group exhibitions which include Fiber Philadelphia: «Outside / Inside the Box» (Philadelphia, PA); «Riga International Textile & Fibre Art Triennial» (Riga, Latvia); «Three Artists» Galerie Holtrop (Tilburg, Netherlands); «Art Quilt Elements» (Wayne, PA); «Quilt National» (Athens, OH); «Fantastic Fibers» (Paducah, KY); «The Art Quilt Experience» (Cazenovia, NY); «European Quilt Triennial» (Heidelberg, Germany); and «Fabric of Legacies Exhibition» (Fort Collins, CO).

Unlike Camden Arts, Hotel is situated in a working class neighborhood and is a more spirited space, thus ideal for any displaced spirits to be found lurking in the work of Philip Lai, Mike Nelson (who currently has a show at Matt's Gallery (http://www.mattsgallery.org) and will be in Richard Grayson's «intense» group show, A Secret Service: Art, Compulsion, Concealment, touring outside London this fall (http://www.hayward.org.uk), and finally Paul Thek (1933 — 88).

In the post war years Lichtenhan once again organized a number of solo shows of international modern art: Piet Mondrian, Henri de Toulouse - Lautrec, Oskar Kokoschka, and Vincent van Gogh in 1947; Juan Gris, Georges Braque, and Pablo Picasso shown in a group display in 1948; and a large - scale exhibition of French Impressionism in 1949, at which Claude Monet's Water - Lilies was seen for the first time outside FrancIn the post war years Lichtenhan once again organized a number of solo shows of international modern art: Piet Mondrian, Henri de Toulouse - Lautrec, Oskar Kokoschka, and Vincent van Gogh in 1947; Juan Gris, Georges Braque, and Pablo Picasso shown in a group display in 1948; and a large - scale exhibition of French Impressionism in 1949, at which Claude Monet's Water - Lilies was seen for the first time outside Francin 1947; Juan Gris, Georges Braque, and Pablo Picasso shown in a group display in 1948; and a large - scale exhibition of French Impressionism in 1949, at which Claude Monet's Water - Lilies was seen for the first time outside Francin a group display in 1948; and a large - scale exhibition of French Impressionism in 1949, at which Claude Monet's Water - Lilies was seen for the first time outside Francin 1948; and a large - scale exhibition of French Impressionism in 1949, at which Claude Monet's Water - Lilies was seen for the first time outside Francin 1949, at which Claude Monet's Water - Lilies was seen for the first time outside France.

OLIVIER ZAHM — I remember seeing one of your first installations in Castello di Rivara, in Turin in 1992, called Una Domenica a Rivara, which is a rope made of knotted sheets and a coat hanger, outside a window, as though you had just escaped the group show.

He participated in many solo and group shows in the United States, Latin America and Europe, including the Outside Cuba exhibition, and won the Iberia Airlines award for wood engraving and the I Bienal Hispanoamericana de Arte in Madrid.

His artistic work includes installation and performance, and he has participated in many solo and group shows, including Outside Cuba; Cuba - USA: The First Generation, The Miami Generation and Ancient Roots / New Visions, all of which traveled throughout the United States, and Breaking Barriers: Selections from the Museum of Art's Permanent Contemporary Cuban Collection at the Museum of Art in Fort Lauderdale.

Parked outside of the Pit gallery in Glendale will be this ambulatory gallery space featuring a group show that explores desire, love and affection — and the ways in which technology intersects with these needs.

In recent years, both within and outside Japan, interest in the post — World War II Gutai art movement has increased considerably, with major museum exhibitions appearing at such venues as the Museo Cantonale d'Arte in Lugano, Switzerland, the National Art Center in Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewherIn recent years, both within and outside Japan, interest in the post — World War II Gutai art movement has increased considerably, with major museum exhibitions appearing at such venues as the Museo Cantonale d'Arte in Lugano, Switzerland, the National Art Center in Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewherin the post — World War II Gutai art movement has increased considerably, with major museum exhibitions appearing at such venues as the Museo Cantonale d'Arte in Lugano, Switzerland, the National Art Center in Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewherin Lugano, Switzerland, the National Art Center in Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewherin Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewherin New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewherin New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewhere.

For Sightings, Mabry has created a new sculpture, Two Vessels (Unpacked), based on an ancient Jalisco figure in the Nasher Collection for the outdoor terrace, as well as install his group of six figures based on Rodin's Burghers of Calais, Process Art (B - E-A-G-G-R-E-S-S-I-V-E)-- never before shown in the United States — outside on the steps of the Terraced Garden.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyin the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, BrooklyIn Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

Jérôme Sans has curated over 300 solo and group shows worldwide, in art institutions and outside, among others:

Outside In, a group show about artwork reflecting a definitive outside influence will be turning the tables at the Second Thursday opening reception on May 10th, from 6 - 8 pm at the InLiquid GOutside In, a group show about artwork reflecting a definitive outside influence will be turning the tables at the Second Thursday opening reception on May 10th, from 6 - 8 pm at the InLiquid Goutside influence will be turning the tables at the Second Thursday opening reception on May 10th, from 6 - 8 pm at the InLiquid Gallery.

These exhibitions were organised by a group of young artists who, having just graduated from art school, sought venues that lay outside the traditional institutions of the art world in order to show their work.

This resourceful approach to assisting artists resonates today in like - minded organizations such as Artist Curated Projects, West of Rome Public Art, Summercamp, and basically all the groups that participated in last year's Los Angeles Collective Show, an event showcasing the efforts of artist - run venues who do fantastic things, both inside and outside «art spaces,» on shoestring budgets.

In 1993, Chang included Jianyi in the group show «China's New Art, Post-1989» (1993) at the Hong Kong Arts Center, one of the first surveys of the country's avant - garde to travel outside of ChinIn 1993, Chang included Jianyi in the group show «China's New Art, Post-1989» (1993) at the Hong Kong Arts Center, one of the first surveys of the country's avant - garde to travel outside of Chinin the group show «China's New Art, Post-1989» (1993) at the Hong Kong Arts Center, one of the first surveys of the country's avant - garde to travel outside of China.

2011 Contr - Addiction: The Silent Art of Observing Outside 11: Artist as an Outsider, Commissioned site - specific installation, Cuckoo Farm Studios, Essex, UK Finding Lost Time at Bank Street Arts, Group Show, Sheffield, UK Dialogue in Motion Video Art Installation at the First International Lomography Festival in Kiev, Ukraine 1956 and ever after Solo Show, Digby Gallery Mercury Theatre, Colchester, UK Finding Lost Time at Edge Hill University, Group Show, UK Finding Lost Time Multimedia Slide Slam at the Format International Photography Festival, Derby, UK Finding Lost Time at Botanic Gardens Museum, Group Show, Southport, UK Potential Group show, Colchester Slack Space, ColchesterShow, Sheffield, UK Dialogue in Motion Video Art Installation at the First International Lomography Festival in Kiev, Ukraine 1956 and ever after Solo Show, Digby Gallery Mercury Theatre, Colchester, UK Finding Lost Time at Edge Hill University, Group Show, UK Finding Lost Time Multimedia Slide Slam at the Format International Photography Festival, Derby, UK Finding Lost Time at Botanic Gardens Museum, Group Show, Southport, UK Potential Group show, Colchester Slack Space, ColchesterShow, Digby Gallery Mercury Theatre, Colchester, UK Finding Lost Time at Edge Hill University, Group Show, UK Finding Lost Time Multimedia Slide Slam at the Format International Photography Festival, Derby, UK Finding Lost Time at Botanic Gardens Museum, Group Show, Southport, UK Potential Group show, Colchester Slack Space, ColchesterShow, UK Finding Lost Time Multimedia Slide Slam at the Format International Photography Festival, Derby, UK Finding Lost Time at Botanic Gardens Museum, Group Show, Southport, UK Potential Group show, Colchester Slack Space, ColchesterShow, Southport, UK Potential Group show, Colchester Slack Space, Colchestershow, Colchester Slack Space, Colchester, UK