Sentences with phrase «in a modern context makes»

Not exact matches

But these same physical properties can also make it unwieldy to manage in the context of the modern world.

Context: new contextual scenarios are emerging in the modern business era that affects decision - making in general business — including purchase decisions.

It is within the context of an evolutionary view of time that I shall attempt to get a proper understanding of God's time, first because our general purpose is to make God's eternity relevant to our modern evolutionary world, and second because this seems to be the context in which the Scriptures thought of God's time.

I like the idea of showing this kind of humility and compassion, but I think it would be better done using acts that make sense in the modern context.

Modern fundamentalists have already made up their minds about the entire Bible, and when you try to explain that some of their favorite Bible - thumping passages have been ripped out of the cultural and Scriptural context in which they were written, the Fundamentalist acts as if you are the stupidest person on the earth for trying to understand a text this way.

In a still later round, McHenry tries to show that the concept of prehension makes sense only in the context of panpsychism and that, consequently, the latter doctrine must be present already in Science and the Modern World (WPSP 1 - 11In a still later round, McHenry tries to show that the concept of prehension makes sense only in the context of panpsychism and that, consequently, the latter doctrine must be present already in Science and the Modern World (WPSP 1 - 11in the context of panpsychism and that, consequently, the latter doctrine must be present already in Science and the Modern World (WPSP 1 - 11in Science and the Modern World (WPSP 1 - 11).

Not only does Robert Chisholm explain the biblical text in a way that makes sense and reveals the cultural, historical, and grammatical contexts of Judges and Ruth, he also deals with modern questions that the text address, such as the issues of female leadership, the consequences of spiritual compromise, and the often bewildering actions of God in relation to His people on earth.

The form of argument in this presentation has emphasized several specific points: first, that the Asian values argument, as a challenge to the implementation of constitutional democracy, is exaggerated and fails to account for the richness of values discourse in the East Asian region - local values do not provide a justification for harsh authoritarian practices; second, that the cultural prerequisites arguments fail because they ignore the discursive processes for value development and they are tautological, excessively deterministic and ignore the importance of human agency it, therefore, makes little sense to take an entry test for constitutional democracy; third, the difficulties of importing Western communitarian ideas into an East Asian authoritarian environment without adequate liberal constitutional safeguards; fourth, the positive role of constitutionalism in constructing empowering conversations in modern democratic development and as a venue for values discourse; fifth, the importance, especially in a cross-cultural context, of indigenization of constitutionalism through local institutional embodiment; and sixth, the value of extending research focused on the positive engendering or enabling function of constitutionalism to the developmental context in general and East Asia in particular.

As the world is becoming more international in its relations, that is an increasingly less realistic goal, even though it can not be denied that the idea carries a lot of appeal to modern humans as their behavior and decision - making has evolved in tribal contexts over most of their biological existence.

Our bloody nature, it can now be argued in the context of modern biology, is ingrained because group - versus - group competition was a principal driving force that made us what we are.

So if you want to understand the discovery of modern science — which is the subtitle of my book — that discovery was made in the context of physics, especially as applied to astronomy.

With all the advances in technology and online social expansion, internet dating, when done in the right context with the right approach, has become the ultimate modern way to meet a match made in online heaven.

Even if you're an individual with strong faith, great friendships and a healthy appreciation of yourself already, living in this fast - paced modern context can make it hard to find and devote time to socializing.

Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.

Though it treads familiar Shakespearean territory with an array of secret affairs, false deaths, crossdressing women and betrayals galore, the story doesn't make much sense in the context of its modern setting, especially with the preservation of the original dialogue.

With that context in mind, it makes you wonder: What do modern principals think about some of the most vexing tech issues?

Expecting students to take a plethora of exams at 16 makes little sense in a modern context.

I believe in the critical finding of Modern Portfolio Theory; namely, risk must be measured in terms of all of one's investments, not a single investment made out of context.

Brian O'Doherty coined his now famous description of the white cube in a series of essays in 1976, highlighting the often unarticulated context that he argued was a determining factor in the way that many modern artists made their work.

For if artists in the West were making work that would look best in the clean spaces of the modern art museum, over the last 20 years Asian artists have largely been responding to a different context, that of biennials.

«I want to keep all that is good about the museum, which I admire deeply, while developing ways in which it can make more of its context and position, especially in relation to the neighbouring Modern Art Centre, and more widely.»

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

The show pushes our conceptions of the boundaries of Indian abstraction by including works like 17th century Islamic tiles from the CSMVS permanent collection along with the selection of modern abstract works from the Foundation's collection.The layered interpretation of Indian abstraction as well as the inclusion older works, usually unmentioned in this modern context, make this a show a must see.

Simultaneously, the artist tries to make use of the ceramic's fragile and challenging characteristics in order to combine ancient artistic techniques in a modern conceptual context.

But in the modern era, which freed art from its ritual context and made it into a circulating commodity, wall painting became an ephemeral medium, as the title of these joint exhibitions suggests.

Within this anodyne context, the show's organizers — Stuart Comer, chief curator of media and performance art at the Museum of Modern Art; Anthony Elms, an artist and associate curator at the Institute of Contemporary Art in Philadelphia; and Michelle Grabner, also an artist and professor of painting and drawing at the School of the Art Institute of Chicago — have made some interesting choices, pulled in some new faces and shaped three quite different shows.

Twenty - five years is a mere eyeblink in the story of Egyptian, Mayan or even medieval English art, but it is a long time in the modern or (weasel word) post-modern context, and if one is given a single programme - a mere 55 minutes - to bring the story up to date from where The Shock of the New left off when we finished making the series, one is bound to fail.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

In doing so, Thompson made traditional themes relevant to a modern audience, reinterpreting motifs such as the Madonna and child to make them signify in a new contexIn doing so, Thompson made traditional themes relevant to a modern audience, reinterpreting motifs such as the Madonna and child to make them signify in a new contexin a new context.

«In the online social networking context, its meaning is understood, so its adoption as a modern verb form makes this an interesting choice for Word of the Year».»

The antique wall panel was found in the Marché aux Puces de Saint - Ouen in Paris, but this context makes it feel more modern and interesting.