In this new exhibition called «How is the Empire?»
Not exact matches
The
exhibition, titled «a small fort, which our people
call Fort Orange,» examines the momentous archaeological discovery of the fort
in 1970, as well as the lasting impact of Dutch settlement of
New York 400 years ago.
It is part of a
new exhibition called Genome: Unlocking Life's Code, dedicated to efforts to understand the code
in those frail strings.
•
In March 1987 we did a show explaining how the MPAA rating system was de facto censorship; we
called for a
new «R» rating for worthy films intended for adults, since the X rating dooms a film to automatic exclusion from mainstream distribution and
exhibition channels.
In Gillespie and I, a painting of Ned's called By the Pond hangs in the Exhibition; Harris might have based it on James Guthrie's To Pastures New (image below, left
In Gillespie and I, a painting of Ned's
called By the Pond hangs
in the Exhibition; Harris might have based it on James Guthrie's To Pastures New (image below, left
in the
Exhibition; Harris might have based it on James Guthrie's To Pastures
New (image below, left).
One of these newcomers to the game is a
new map
called «Octagon» which is playable both online and
in exhibition.
After a four - year travel ban, and with four gallery
exhibitions opening
in Manhattan later this week, Ai Weiwei has returned to
New York, the city he
called home
in the 1980s.
I have been filling sketchbooks with designs
in thatch for some time, but
in creating this
new piece of work, I was able to spend time with a thatcher (
called Stewart Alexander) and design and make a unique piece of work for my
exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.
Bill Powers: Tell me about your
new exhibition at Secession
in Vienna.Dike Blair: The show is
called «Floors / Doors / Windows / Walls.»
According to the
exhibition's brochure, the California desert «
calls to Neville Wakefield like golf courses to retirees,» which is particularly comical since this
exhibition and the
New York - based European curator's previous site - specific project,
in Gstaad, Switzerland, have occurred
in and around resort towns.
In 1977, Douglas Crimp, then a grad student at the City University of
New York, organized a group
exhibition called «Pictures» at the small downtown
New York alternative gallery Artists Space.
Highlights of the
exhibition include a rare Julia Margaret Cameron photograph made
in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn
in Paris
in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs
called the Sausage Series; a
new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.
The show marks twenty years since the gallery, then
called Wooster Gardens, first presented Tony Feher's work
in his premier solo
exhibition in New York.
China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A
New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure
in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure
in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A
Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art
Exhibition, Miro Museum, Barcelona, Spain (2008).
The RE: ARTISTE International Art Organization announces a
call to artists for a juried art
exhibition, October 2018 at Gallery MC
in New York.
Piri Halasz, From the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes
Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Prince
Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities:
New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The
Call of Canastota» Central
New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue
in Polymers, catalogue to the
exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Prince
exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton Univ..
This
new gallery,
called Capitain Petzel, is housed
in a glass - encased gallery located
in Mitte section of Berlin and presents
exhibitions of established international artists.
Art Night 2018 consists of twelve
new commissions, one - off
exhibitions and premieres curated by the Hayward Gallery * alongside special artist projects and events presented by local organisations, independent creatives and collectives
in response to Art Night's Open
Call *.
He became part of the group that came to be
called the «Pictures Generation,» after an influential
exhibition in New York organized by critic Douglas Crimp.
This catalogue, published on the occasion of the
exhibition at David Zwirner,
New York,
in the fall of 2016, takes its lead from a 1987 mid-career presentation of Sandback's work at Westfälischer Kunstverein
in Münster, also
called Vertical Constructions.
Selected Group
Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries,
New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum,
New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures:
New Perimetries
in Abstract Painting, Nohra Haime Gallery,
New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract
New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace,
New York, NY 1984 Artists
Call, Judson Memorial Church,
New York, NY 1984 Process Black, LIU South Hampton,
New York, NY 1984 A Decade of Art, Artists Space 105 Hudson,
New York, NY 1984 Offset: A Survey of Artists Books,
New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary
Exhibition, Harm Bouckaert Gallery,
New York, NY 1983 Hundreds of Drawings, Artists Space,
New York, NY 1983 A More Store, Jack Tilton Gallery,
New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery,
New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy,
New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center,
New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery,
New York, NY 1982 Group
Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran,
New York, NY 1982 Faculty
Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting:
New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy,
New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981
New Directions, Commodities Corp..
At Paul Kasmin Gallery at
New York City, The Noguchi Museum creates a special installation
in the rear gallery of an
exhibition devoted to the Parisian alley
called l'impasse Ronsin, where numerous twentieth - century artists had their studios.
2013 Radical Presence Part II, Studio Museum
in Harlem,
New York, NY Radical Presence Part I, Grey Art Gallery, NYU,
New York, NY Nu Age Hustle, Momenta Art, Brooklyn, NY Inaugural Group
Exhibition, Monya Rowe Gallery, New York, NY Toonskin, Curated by Kenya Robinson, ArtSpace Connecticut, New Haven, CT Aboveground Animation, MOCATV screening and online exhibition, Museum of Contemporary Art, Los Angeles, CA Approximately Infinite Universe, Museum of Contemporary Art San Diego, San Diego, CA Bronx Calling, 2nd AIM Biennial, Bronx Museum, New York, NY Trans Technology, Rutgers University,
Exhibition, Monya Rowe Gallery,
New York, NY Toonskin, Curated by Kenya Robinson, ArtSpace Connecticut,
New Haven, CT Aboveground Animation, MOCATV screening and online
exhibition, Museum of Contemporary Art, Los Angeles, CA Approximately Infinite Universe, Museum of Contemporary Art San Diego, San Diego, CA Bronx Calling, 2nd AIM Biennial, Bronx Museum, New York, NY Trans Technology, Rutgers University,
exhibition, Museum of Contemporary Art, Los Angeles, CA Approximately Infinite Universe, Museum of Contemporary Art San Diego, San Diego, CA Bronx
Calling, 2nd AIM Biennial, Bronx Museum,
New York, NY Trans Technology, Rutgers University, Newark, NJ
International Deadline: May 28, 2018 — 4heads announces a worldwide
call for artists of exceptional talent to participate
in New York's largest independent
exhibition.
The Sidney Janis Gallery held an early Pop Art exhibit
called the
New Realist
Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.
GB:
In 1958, when I was a student at the Art Academy in West Berlin, Alfred Barr mounted a huge exhibition of Abstract Expressionist work called «New American Painting.&raqu
In 1958, when I was a student at the Art Academy
in West Berlin, Alfred Barr mounted a huge exhibition of Abstract Expressionist work called «New American Painting.&raqu
in West Berlin, Alfred Barr mounted a huge
exhibition of Abstract Expressionist work
called «
New American Painting.»
A group of artists and activists known as the Chinatown Art Brigade — established
in 2015 by Tomie Arai, ManSee Kong, and Betty Yu — have
called out what they perceive to be racism
in the current
exhibition at James Cohan Gallery's Chinatown location
in New York.
In 2012, her art was featured in a major retrospective exhibition called Rosemarie Trockel: A Cosmos, which was held at the New Museum in New Yor
In 2012, her art was featured
in a major retrospective exhibition called Rosemarie Trockel: A Cosmos, which was held at the New Museum in New Yor
in a major retrospective
exhibition called Rosemarie Trockel: A Cosmos, which was held at the
New Museum
in New Yor
in New York.
In 1984, I organized a big
exhibition at P.S. 1
called «The
New Portrait» that took up the entire second floor.
Let's fix the date at around 1965 when the Museum of Modern Art
in New York held an
exhibition called The Responsive Eye.
Rockport and the surrounding area were a continuing source of inspiration for Chaet's paintings of He first gained recognition for what he
calls his «dumb» paintings, when Marcia Tucker, founding director of the
New Museum of Contemporary Art, included his work
in her groundbreaking
exhibition, «Bad Painting» (1978) abstract interiors, still lifes and seascapes.
Tillman Kaiser's work was included
in this gallery's group
exhibition The Description of a
New World,
Called the Blazing - World last fall.
Jimmie Durham was active
in the 1980s
New York City downtown art scene during a period of politically urgent
exhibitions and
calls for increased visibility for artists of color.
Call me only if you are
in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn,
in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery,
New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street
New York, NY Gallery Artist Group Show, Rachel Uffner Gallery,
New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy
in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn,
in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery,
New York, NY Let's Be Real, Projekt 722,
New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery,
New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter
in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn,
in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA
In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn,
In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash,
New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the
New Image, Friedrich Petzel Gallery,
New York, NY
Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters,
New York, NY Paper A-Z, Sue Scott Gallery,
New York, NY Invitational
Exhibition of Visual Arts, American Academy of Arts and Letters,
New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park,
New York, NY 2010 The Pencil Show, Foxy Production,
New York, NY ITEM, Mitchell - Innes & Nash,
New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public,
New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost,
New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery,
New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras,
New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery,
New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery,
New York, NY Escape from
New York,
New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery,
New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery,
New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
In November 1967, Elayne Varian, the Director of the Finch College Museum of Art in New York, called upon a young artist — Mel Bochner — to help organize an exhibition on Serial Ar
In November 1967, Elayne Varian, the Director of the Finch College Museum of Art
in New York, called upon a young artist — Mel Bochner — to help organize an exhibition on Serial Ar
in New York,
called upon a young artist — Mel Bochner — to help organize an
exhibition on Serial Art.
CUE's Open
Calls provide artists and emerging curators the opportunity and necessary resources to realize an
exhibition at CUE's storefront gallery
in East Chelsea,
New York.
Timeline: 6:30 pm - Reception and performance of «They
Call Us a Storm» 7:30 pm - Conversation between Tania Bruguera, Kate Gilmore, and Risë Wilson begins 8:30 pm - Conversation concludes and the program ends This program is inspired by our
exhibitions Art
in the Open: Fifty Years of Public Art
in New York and Beyond Suffrage: A Century of
New York Women
in Politics.
Programming at IMMA encompasses Production Residencies for artists Sam Keogh and John Rainey to work on
new commissions by EVA International supported through the Arts Council Ireland's Open
Call programme and an EVA
exhibition in the Project Spaces at IMMA featuring works by Locky Morris, Roy Dib and Marlon T. Riggs.
He exhibited regularly at the prestigious Willard Gallery
in New York from 1949 to 1965, and he was included
in numerous museum
exhibitions during his lifetime, among them the «Pittsburgh International
Exhibition of Contemporary Painting» (now
called the «Carnegie «International»)
in 1955, and received the Popularity Prize for a 1953 painting
called «Migrating Birds.»
His recent
exhibitions include «Camouflage» at the Hap Gallery
in Portland Oregon, «Bronx
Calling» at the Bronx Museum
in New York, «The Heart is a lonely hunter» at Fraenkel Gallery
in San Francisco, and «Enlarged Fern,» at Moskowitz Bayse Gallery
in San Francisco.
New sculptural work was recently featured
in an
exhibition called «Against the Grain» at the Museum of Arts and Design
in New York.
Prominent museums began acquiring her work, and Hartigan's work was shown across Europe
in a traveling
exhibition called «The
New American Painting.»
The award came
in the midst of what what friends had been
calling Glovinski's «miracle year» — she is one of just 16
New England artists whose work is being featured
in the deCordova Biennial at the deCordova Museum and Sculpture Park
in Lincoln, MA (now through March of 2017); she is being featured
in the Center for Maine Contemporary Art's biennial
exhibition in Rockland, Maine starting
in November; and has a solo show
in January at the prestigious Carroll and Sons gallery
in Boston.
Meyer's recent
exhibitions include Bronx
Calling, The Fourth AIM Biennial, The Bronx Museum of the Arts,
New York (2017); Uncommon Likeness: Identity
in Flux, Sheldon Museum of Art, Nebraska; In an Echo, Shelia C. Johnson Design Center Gallery, New York and Embroidered Truths & Woven Tales, Nave Gallery, Boston (2016
in Flux, Sheldon Museum of Art, Nebraska;
In an Echo, Shelia C. Johnson Design Center Gallery, New York and Embroidered Truths & Woven Tales, Nave Gallery, Boston (2016
In an Echo, Shelia C. Johnson Design Center Gallery,
New York and Embroidered Truths & Woven Tales, Nave Gallery, Boston (2016).
17th Annual No Dead Artists Open
call for all living US - based emerging artists to participate
in the 17th Annual No Dead Artists
exhibition at Jonathan Ferrara Gallery
in New Orleans, Louisiana.
So the Whitney
calls the inaugural
exhibition in its 2015
new home in New York's Meatpacking District, but take heart: it gets easier and more rewarding once you come closer and start looki
new home
in New York's Meatpacking District, but take heart: it gets easier and more rewarding once you come closer and start looki
New York's Meatpacking District, but take heart: it gets easier and more rewarding once you come closer and start looking.
is how Adam Weinberg, Director of
New York's Whitney Museum of American Art, wrapped up the over-excited press
call for the Jeff Koons retrospective, the museum's swansong
exhibition in its Upper East Side building before moving downtown to the Meatpacking district, into a Renzo Piano steel and glass building to open next spring.
This
new exhibition forms a sequel to the famous project
called Womanhouse, developed
in 1972 by Judy Chicago and Miriam Schapiro.
The Moldovan - born and NYC - based artist runs a curated art space
in Pilsen
called Kunsthalle
New, and has been exhibiting
in solo and group
exhibitions for more than half a decade.
Fabricated curtain formations appear throughout Its Last Move, framing the
exhibition as an imminent curtain
call on adolescence (his, before moving to
New York
in the 1980's), autonomy (his mother's, before moving to a senior residence), as well as the fixed boundary between memorialization and celebration, nostalgia and immediacy, comedy and tragedy.