Sentences with phrase «in a public gallery since»

Elizabeth Price's new large - scale video installation, SUNLIGHT launched last Saturday and is the artist's first solo exhibition in a public gallery since winning the Turner Prize in 2012.

SUNLIGHT was Price's first solo exhibition in a public gallery since winning the Turner Prize in 2012 and was developed as part of her Invisible Dust residency with the Rutherford Appleton Laboratory (RAL).

Elizabeth Price's new large - scale video installation, SUNLIGHT launched last Saturday and is the artist's first solo exhibition in a public gallery since...

Not exact matches

Robynne explained that since it was a public building, with three restaurants and numerous galleries, she was not allowed to charge admission to the show in the lobby.

Amid emotional scenes at the makeshift courtroom in Warrington, northern England, when the conclusion of unlawful killing was revealed — almost 27 years to the day since the disaster struck — families who always suspected wrongdoing by the authorities hugged each other in the public gallery while outside a spontaneous chorus of «You'll Never Walk Alone», the Liverpool anthem, was sung.

His work has since been exhibited throughout Australia and is represented in numerous significant public and private collections, including the Art Gallery of New South Wales, National Gallery of Victoria and the National Gallery of Australia.

He has exhibited internationally and in group shows since 1958, and his work is represented in public collections here and abroad including the Tate Gallery, London and MOMA, New York.

Since then, he has been the subject of exhibitions in both commercial galleries and leading public institutions around the world.

Mitchell has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New York.

Since his representation at Pace, numerous public collections have acquired works by the artist including the American Embassy in Abuja, Nigeria; the High Museum of Art, Atlanta; the Birmingham Museum of Art; the Museum of Fine Arts, Boston; The Brooklyn Museum; the Cleveland Museum of Art; the Hood Museum of Art at Dartmouth College; the Des Moines Art Center; the Detroit Institute of Arts; the Nasher Museum of Art at Duke University; Fogg Museum at Harvard University, Cambridge; The Museum of Fine Arts, Houston; the Tate, London; the Memphis Brooks Museum of Art; the Pérez Art Museum Miami; the Montclair Art Museum; the Museum of Modern Art, New York; The Nelson - Atkins Museum of Art, Kansas City; the San Francisco Museum of Modern Art; The Toledo Museum of Art, and the National Gallery of Art, Washington.

Since the mid-1970s he has shown widely in museums and commercial galleries and has completed a number of permanent public art projects.

Since 2006, thanks to the efforts of three galleries — ARS LONGA, ART - RA, and EXPO - 88 — Dynnikov's works were presented in 25 exhibitions, including 12 solo shows, and the artist's name became familiar to a wide circle of professionals and public.

In it's 4th year since being resurrected, EXPO Chicago has been gaining steam attracting major sponsors including returning presenting sponsor Northern Trust Bank, Tiffany & Co., Rolls - Royce, and to kick it off on the evening of Thursday, September 17, the Women's Board of Museum of Contemporary Art (MCA) Chicago hosted the preview night that drew over 7,000 people which included VIPs and the see and be scene crowd checking out the available art pieces from the showing galleries before the general public.

Since 2012, Scott has sonically - documented selected exhibitions in public galleries and artist - run spaces around the UK.

Since 1996 he has been the co-owner of Esso Gallery in New York, and has organized more than three hundred exhibitions in private and public spaces worldwide, working with artists of great renown.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

Avant - gardes in Contemporary Art, Museum of Modern and Contemporary Art and Aubette 1928, Strasbourg, France Looks Good on Paper, Singapore Tyler Print Institute, Singapore The Grand Balcony, La Biennale de Montreal, Montreal, Canada Ad Intérieurs, à l'Univers des collectionneurs, La Monnaie de Paris, Paris, France Das Loch, Künstlerhaus Bremen, Bremen, Germany Exquisite Corpse, Galerie Chantal Crousel at The Mistake Room, Los Angeles, USA Public to Private: Photography in Korean Art since 1989, National Museum of Modern and Contemporary Art, Seoul, South Korea Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, The Cáceres Visual Arts Centre, Helga de Alvear Foundation, Cáceres, Spain Presently, neugerriemschneider, Berlin, Germany Daily Formalism, Mabsociety, Shanghai, China Yoko Ono: LUMIÈRE DE L'AUBE, The Museum of Contemporary Art Lyon, Lyon, France gerlach en koop, Bonnefantenmuseum Maastricht, Maastricht, Netherlands MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver, BC Canada kurimanzutto travels to Jessica Silverman Gallery: from here to there, Jessica Silverman Gallery, San Francisco, USA

Since his death, Schueler's work continues to be exhibited in public and private galleries in Scotland, Australia, and America.

Cassette occupies the central room in «Transience» at the Serpentine Gallery, the Dublin - born London - based artist's first solo show in a public institution in his hometown since 1989.

Parallel to his career as an industrial designer, he has exhibited limited edition works and projects in galleries and public institutions since 1986, including Fondation Cartier pour l'art contemporain, Paris (1995, 2004), Powerhouse Museum, Sydney (2001); the Groninger Museum, Netherlands (2004); and London Design Museum (2004 - 2005).

The work was on public view at The Art Show for the first time since the 1937 exhibition Calder: Stabiles & Mobiles at Pierre Matisse Gallery in New York.

The piece had the dramatic public unveiling in 2011 in the exhibition Leonardo da Vinci: Painter at the Court of Milan at The National Gallery in London, being the first discovery of a painting by da Vinci since 1909.

On Saturday the Pace Gallery opened a new exhibition of works by the Brooklyn - based artist Fred Wilson — his first solo show in the city since his controversial proposal for a public sculpture in Indianapolis was abandoned — at its 510 West 25th Street location.

This 15,000 square foot, five - floor visual arts centre in Shoreditch is the first new - build public gallery in London since the Hayward Gallery opened igallery in London since the Hayward Gallery opened iGallery opened in 1968.

Whiting has had a number of awe - inspiring solo exhibitions with Plus Gallery since the early start of his career back in 2004, and has gone on to become one of the more significant, focused and successful artists functioning both in the public and collector realms of contemporary art.

Since we have opened our doors to the public, the gallery's exhibitions and artists have been featured in Artforum, Frieze magazine, Flash Art, Modern Painters, Canvas, Harper's Bazaar Art, Metropolis M, art - agenda, Art Daily, Ibraaz, Mada Masr, Al - Ahram Online, Cairo Art Blog and Cairobserver, among others.

Since its inception, the gallery has placed works in public and private collections of the Whitney Museum, the Metropolitan Museum, Bonnefantenmuseum, Barjeel Foundation and Sharjah Art Foundation.

Since 2011, the nomadic collective has been traveling across America, setting up green screens in museums and galleries, recording visitors as they walk onto these makeshift sets, and then broadcasting their image, as put through psychedelic video - editing effects, on public - access television.

Since becoming a charitable Trust and reopening to the public in 2000, Somerset House has become home to over 100 cultural and artistic organisations including The Courtauld Gallery and Institute and The Cultural Quarter at King's College London.

First shows in a public gallery — in Bath Art Society's group show at the Victoria Art Gallery, Bath — probably Portrait, which has since beegallery — in Bath Art Society's group show at the Victoria Art Gallery, Bath — probably Portrait, which has since beeGallery, Bath — probably Portrait, which has since been lost.

Dine has been represented by the Pace Gallery since 1976 and has had hundreds of solo exhibitions around the world including major solo shows in museums in Europe and the United States including the Whitney Museum of American Art, New York, the Museum of Modern Art, New York, the Walker Art Center in Minneapolis, the Guggenheim Museum, New York, and the National Gallery of Art in Washington, D.C.. His work can be found in numerous other public collections throughout the world in the United States, Europe, Japan, and Israel.

The Arvada Center prides itself on keeping its gallery and museum exhibitions FREE and open to the public seven days a week, something that it has done since inception in 1976.

Since 2007 in England, she has continuously explored her carrier with working at various institutions such as art university, museum, gallery and consultancy for collectors, which eventually deepened her knowledge to overlook art scenes from different perspectives both from public and private sectors.

Since July 2010, she has been an independent curator and worked with public art initiative Smart Spaces and produced exhibitions at Wesleyan University, Gasser / Grunert Gallery and organized video art festivals and events in the greater New York area.

He has since exhibited in public and commercial galleries in Canada and abroad, including the Queens Museum of Art, in New York City, and Carrie Secrist Gallery, in Chicago, Il.

He began collecting more than two decades ago and has since held a number of exhibitions in public locations and in his private gallery.

Since 1999, 2bears has exhibited his work extensively across Canada in public galleries, museums and artist - run centres, as well as internationally, in festivals and in group exhibitions.

Since the mid-1990s he has also been creating site - specific installations for art galleries and public spaces in Europe, America, and Asia.

Since completing his MA at the Royal College of Art in 2012 under the tutelage of Richard Wentworth CBE, he has shown in group exhibitions including «Sculpture in Public», William Benington Gallery London Projects, London (2017); «Fabricators», Hannah Barry Gallery, London (2012); «Disappearance», NAM Project, Milan (2013); «Sound Track Festival», Geffrye Museum, London (2013).

David Nash: Born in 1945 in Esher, Surrey • Lives and works in Blaenau Ffestiniog, North Wales since 1967 • Awarded OBE for services to the arts in 2004 • International solo exhibitions throughout his career including the Yorkshire Sculpture Park, Wakefield; Royal Botanical Gardens, Kew; Kunsthalle Mannheim, Germany and the Fukuoka Art Museum, Japan • Works are held in many international public collections including the Royal Academy of Arts, London; Tate Gallery, London; Solomon R. Guggenheim Museum, New York and the Centre Pompidou, Paris

Since there has been a remarkable development of this medium towards a greater audience, the gallery would like to provide an opportunity for its public to view these works in one place.

Since 1910 we have donated over 8,000 works to museums and public galleries — from Bacon, Freud, Hepworth and Moore in their day through to the influential artists of our own times — championing new talent, supporting curators, and encouraging philanthropy and collecting in the UK.www.contemporaryartsociety.org/support/annual - fundraiser

Since 2008 Orlow's work has been shown in public galleries and museums including Whitechapel Gallery and Gasworks London, Palais de Tokyo and Bétonsalon Paris, Les Complices Zurich, Württembergischer Kunstverein Stuttgart, Extra-City Antwerp, CIC Cairo, Kunsthalle Budapest, Jewish Museum New York, Museum of Contemporary Photography Chicago amongst others.

In 1993, an artwork by Rachel Whiteread was the subject of the biggest scandal in British art since the notorious Tate bricks affair of 1976, when the gallery was publicly pilloried for having squandered public funds on a sculpture by Carl Andre consisting of 120 firebrickIn 1993, an artwork by Rachel Whiteread was the subject of the biggest scandal in British art since the notorious Tate bricks affair of 1976, when the gallery was publicly pilloried for having squandered public funds on a sculpture by Carl Andre consisting of 120 firebrickin British art since the notorious Tate bricks affair of 1976, when the gallery was publicly pilloried for having squandered public funds on a sculpture by Carl Andre consisting of 120 firebricks.

Godwin's work has since been featured in numerous group shows and solo exhibitions, and is represented in many private and public collections, including those of the VMFA and the Anderson Gallery.

Woodward Gallery has been working to share art in the community through public exhibitions since 1994.

The idea originated after curators visited the studio of one of the artists, Gillian Carnegie and were «taken aback to discover she had not exhibited in a UK public gallery since she was nominated for the Turner prize, in 2005» (prior to which she had been included in the Tate Triennial in 2003).

CHRISTO & JEANNE - CLAUDE Serpentine Gallery 19 June — 9 September 2018 In June 2018, the Serpentine Galleries will present the first exhibition of Christo and Jeanne - Claude in a London public institution since 197In June 2018, the Serpentine Galleries will present the first exhibition of Christo and Jeanne - Claude in a London public institution since 197in a London public institution since 1979.

This will be the artist's first major public solo presentation in the UK since his 1999 show at London's Serpentine gallery.

The icons are dispersed throughout various public and private collections, including the Dia Art Foundation, the Judd Foundation (Donald Judd was one of the artist's closest friends), and the National Gallery of Canada, but since April five of the eight have been on view at the Dan Flavin Art Institute in Bridgehampton, a former firehouse and Baptist church renovated under Flavin's direction in the early 1980s and housing a permanent installation of his fluorescent light - tube sculptures.