In the publishing house where I worked, the Head Librarian has been pushing for the digitising of hundreds of precious manuscripts.
It's like being
in a publishing house where I get say over all aspects of my career, but with help from others with the same individual interest, willing to share their knowledge.»
Not exact matches
The Guardian: Vatican leaks: No respite for Pope Benedict as more documents
published Pope Benedict XVI may have been hoping for some respite from the scandal which has engulfed his papacy, with a visit this weekend to Milan,
where he celebrated an outdoor mass for a million faithful and took
in a performance of Beethoven's ninth at La Scala opera
house.
It would be seated
in Nashville,
where the church's missionary center and
publishing house were located.
Unlike a traditional
publishing scenario
where there is an existant
in -
house staff to work for the author, this is a whole new ballgame.
Once they're back
in Seattle, Christian occupies himself with his business — whatever that business is — and Ana returns to the little indie
publishing house where she has been promoted to Fiction Editor.
It's also very much worth noting that
in the last movie Christian purchased the
publishing house where Ana works, becoming, as they joke repeatedly, her «boss's boss's boss.»
The Spanish - language
publishing industry has developed with a great concentration of rights - holding — and therefore commercial control —
in one country, Spain,
where the «big three» (Planeta, Santillana, Random
House Mondadori) have their headquarters, despite the fact that the Latin American countries
in the aggregate are a much bigger potential market with hundreds of millions of readers.
Self -
publishing is truly great but I have a feeling it's going to be another one of those things
in modern life
where just because you can do it yourself doesn't mean you will be happy with the result or that the end product will be on the same level of craftsmanship than a traditional
publishing house.
You won't hear it said
in many
publishing houses these days,
where those editors and managements who have survived the 10 % cull
in their numbers following the credit crunch now appear frozen
in the headlights of the onrushing digital revolution.
In the past, she worked at a
publishing house and apprenticed at a literary agency,
where she evaluated agent queries.
Unlike the Penguin / Random
House deal
where the two sides actually merged together to now
publish 1/4 of all books
in the world.
In an article for Publisher's Weekly on where the newly formed publishing house stands, Jim Milliot outlined exactly how distinct the company still remains, due largely in part to the need to focus on selling the fall list and moving forward through the busy back to school and holiday book buying season
In an article for Publisher's Weekly on
where the newly formed
publishing house stands, Jim Milliot outlined exactly how distinct the company still remains, due largely
in part to the need to focus on selling the fall list and moving forward through the busy back to school and holiday book buying season
in part to the need to focus on selling the fall list and moving forward through the busy back to school and holiday book buying seasons.
I was at a writer's conference
in 2011
where one of the speakers, a
publishing house editor, stated
in no uncertain terms that self -
published authors were the dregs at the bottom of the writing pool with no talent.
Interestingly enough, I was at a writers conference
in Australia (
where I live) and an editor for a
publishing house who also free lances told us that if
publishing houses knocked back our books, to consider having them self - pubbed.
Snarkiness aside, I've written before about the importance of publishers (or broadcasters, or record labels) as filters: how
in a world
where anyone can
publish a book, we're more likely than ever to be drawn to titles put out by recognised
publishing houses.
I have never seen the
publishing house where editors were more expert
in digital marketing than marketers are.
You have to approach them with an intelligent panel that knows the issues and this is
where one should consider bringing
in the traditional
publishing houses because it is
in their best interest as well as the online retailers because it means their authors will sell more books too.
After being promised a $ 250,000 advance, a number so high compared to some advances now that it's almost laughable, his novel never went
where he thought it would because of cost - cutting
in the traditional
publishing industry, especially within the major
publishing houses.
In internet - savvy circles [Amanda Hocking] has been embraced as a figurehead of the digital
publishing revolution that is seen as blowing up the traditional book world — or «legacy
publishing» as its detractors call it — and replacing it with the ebook,
where direct contact between author and reader, free of the mediation of agent and
publishing house, is but a few clicks away.
In the end, the reason the literary community is still stuck in the Stone Age of publishing, where writers are at the mercy of some agents and publishing houses, doesn't matte
In the end, the reason the literary community is still stuck
in the Stone Age of publishing, where writers are at the mercy of some agents and publishing houses, doesn't matte
in the Stone Age of
publishing,
where writers are at the mercy of some agents and
publishing houses, doesn't matter.
I am going to start a series of blog posts
where I'm going to talk about my experiences
in negotiating a traditional
publishing contract with an Indian
publishing house.
In the increasingly rare cases
where acquiring editors for a traditional
publishing house also do their own developmental editing, there's no cost to the author whatsoever, since the editor is salaried.
As a self -
published author (or even an author working with a hybrid
publishing house where a fee is paid upfront for the
house's services), the process of a book's publication works «backwards»
in a sense: you spend money
in the beginning for editing, cover design, formatting and marketing, while retaining the rights to your book indefinitely and thus receiving full royalties for as long as the book is being sold.
Midnight
Publishing is an editing, ghostwriting, and marketing company that can help you to write, organize, edit, and prepare your book for publication in any method you desire; whether it's traditionally by querying agents and publishing houses, a hybrid model where we'd help you to get in touch with an independent and / or small press for possible representation and publication, or with self - publishing through Kindle Direct Publishing, CreateSpace, Lightning Source,
Publishing is an editing, ghostwriting, and marketing company that can help you to write, organize, edit, and prepare your book for publication
in any method you desire; whether it's traditionally by querying agents and
publishing houses, a hybrid model where we'd help you to get in touch with an independent and / or small press for possible representation and publication, or with self - publishing through Kindle Direct Publishing, CreateSpace, Lightning Source,
publishing houses, a hybrid model
where we'd help you to get
in touch with an independent and / or small press for possible representation and publication, or with self -
publishing through Kindle Direct Publishing, CreateSpace, Lightning Source,
publishing through Kindle Direct
Publishing, CreateSpace, Lightning Source,
Publishing, CreateSpace, Lightning Source, and more.
This can either be through a print on demand
publishing company
where they have
in house publishers, editors, proof readers and graphic designers on staff to help you or if you choose a DIY platform such as CreateSpace.
She began her career
in publishing at Tyndale
House Publishers
where she worked for eight years, first as a product manager, then as an administrator, and finally as an acquisitions editor for nonfiction.
I reported on the US
Publishing Trends session
in writing here — this is the video I did overlooking the Sydney Opera
House where I discuss the event.
In my welcome letter, I was told I needed to join the loop for the
publishing house's authors and also a loop
where those authors share promotional ideas.
Most self -
published authors will have either used a self -
publishing house where they have «bought» a large number of books and therefore need to sell them
in order to make any profit, or they have used a print on demand service
in which they need to promote
in order to sell any books at all.
Tweet I've just returned from a too - brief trip to Sydney
where,
in addition to catching up with family, a couple of old friends and a few clients, I enjoyed a number of meetings with publishers from the major trade
publishing houses based there.
I worked At a Michigan Borders store
in college,
published my first book with Random
House New Zealand (
where I live now), and am now working on self
publishing.
Lifted the historical justification for
publishing houses existence (fronting the massive costs of print, promotion, distribution), the transition from «writers as providers of goods for publishers» to «
publishing as a service for (or partnership with) authors» seems natural, at least
where digital books are concerned, as the interests of writers, editors and readership can be more closely aligned
in the latter model (depending on terms).
«We're at the point now
where the
publishing houses are being undercut by the river of indie
publishing, and at some point
in time the front porch is going to drop
in the river.
Then I became my own publisher, started working with several of the largest
publishing houses in the world, dozens overseas, and went on a hectic travel circuit to six continents
where I spent more time talking about the book trade and business of being an author than I did hawking my own books.
«What we're building is more like an
in -
house laboratory
where authors and editors and marketers can test new ideas,» Jeff Belle, vice president of Amazon
Publishing, said
in a recent Businessweek article.
It's hard for me to totally trust on reviews especially
in my home country Turkey
where literary magazines are so bound with
publishing houses who pay for the advertisements they gave them.
Scaleability — and
where it lies amid the panoply of services
in a major, traditional
publishing house — becomes, today, a critical concern, as Shatzkin demonstrates.
Perhaps not to North America,
where the rhetoric
in the wake of the «war over ebooks» is at its loudest and
where the global nature of the English speaking market affords the largest
publishing houses to take a position of splendid isolation.
As for
where booksellers place your print book
in the physical bookstore — even traditional
publishing houses struggle with this.
Building B,
where «all experimentally inoculated [i.e., infected] cats are
housed,» reported Dubey
in a 1995 article
published in the Journal of Parasitology, «also
housed several hundred other T. gondii - infected cats over the six - year period.»
Weeping Doll, developed by TianShe Media and
published by Oasis Games, is a psychological mystery
where you are
in a
house following clues left behind by dolls that come to life.
A natural collaborator, she has founded both a poetry
publishing house, Friary Road House, in London, and an artist - run space, Fokidos, in Athens, where she curates and hosts exhibitions and residencies encouraging other art
house, Friary Road
House, in London, and an artist - run space, Fokidos, in Athens, where she curates and hosts exhibitions and residencies encouraging other art
House,
in London, and an artist - run space, Fokidos,
in Athens,
where she curates and hosts exhibitions and residencies encouraging other artists.
Given that sabbatical (during which the Hong Kong - born, New York - based artist set up his Badlands Unlimited
publishing house), perhaps it's fitting too that the first section of the book brings together a series of texts — «What Art Is and
Where It Belongs» and «On Art and the 99 Percent» among them — that, at their heart, consider questions concerning the definition of art and its role
in society, with a particular focus on its relation to ideas of home and community, much of it
in the context of America's wars
in Iraq and Afghanistan, and the subsequent global economic recession.
Moholy was born
in Praga
in 1894,
where she studied Philosofy and Art History, and began her profesional career
in Germany, working for different
publishing houses as a writer and editor.
He served
in the U.S. Army
in North Carolina (1955 - 56), before settling
in New York City (1957),
where he worked as an editorial assistant for a
publishing house.
For its Art Issue,
published in the final weeks of the Obama Administration, Architectural Digest offers a White
House tour via gorgeous photographs of the stylish private quarters of President Obama and his family,
where their living spaces are filled with art.
A longstanding interest of Cherix has been artists» books, and at one point
in his career he cofounded a
publishing house where this medium was a focal point.
Participation as Artistic Principle, Museum Morsbroich, Leverkusen Group Exhibition Curated by Asha Bukojemsky, Samuel Freeman gallery, Los Angeles You can tell I'm alive and well because I weep continuously, Knockdown Center, New York While I was also listening to David, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima, Simon, Zin and Virginie, Criée centre of contemporary art, Curate by Felicia Atkinson, Julien Bismuth, Sophie Kaplan and Yann Sérandour, Rennes, France Commercial Break, Public Art Fund 40th Anniversary, Public Art Fund, New York 2016 Sequences Art Festival, 10th Anniversary at Marshall
House, Reykjavik Breathing Space, Museum Arnhem, Netherlands 8688, curated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment
In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New Yo
In Time, BolteLang, Zürich The Sun Placed
in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New Yo
in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New
in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New Yo
in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go
where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks,
in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New Yo
in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris
Publish or Perish, Transmitter Gallery, Brooklyn, New York
Rights Granted by You: By entering this content (e.g., photo, video, text, etc.), You do not relinquish your intellectual property rights, but You understand and agree that Tiny
House Design & Living LLC, anyone acting on behalf of Tiny
House Design & Living LLC, and Tiny
House Design & Living LLC's licensees, successors, and assigns, shall have the right,
where permitted by law, to print,
publish, broadcast, distribute, and use
in any media now known or hereafter developed,
in perpetuity and throughout the World, without limitation, your entry, name, portrait, picture, voice, likeness, image, statements about the Campaign, and biographical information for news, publicity, information, trade, advertising, public relations, and promotional purposes, without any further compensation, notice, review, or consent.