Paramount's prized cash cow is
in a state of flux right now, after the disappointing critical and commercial (for this franchise's standards) showings of this summer's Transformers: The Last Knight.
It is a given
in contemporary visual culture that photography and our relationship to it exist
in a constant
state of flux, and so I was drawn to work that,
in one way or another, addresses how the medium does and does not function,
right now.