Sentences with phrase «in a strange land when»

«We've all been strangers in a strange land when we've arrived at a new school or a...

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«When a stranger sojourns with you in your land, you shall not do him wrong.

When I was young, Heinlein's «Stranger in a Strange Land» resonated deeply with me.

Leviticus 24:16 And he that blasphemeth the name of the LORD, he shall surely be put to death, [and] all the congregation shall certainly stone him: as well the stranger, as he that is born in the land, when he blasphemeth the name [of the LORD], shall be put to death.

In his article» «How Can I Play, When I'm in a Strange Land?»&raquIn his article» «How Can I Play, When I'm in a Strange Land?»&raquin a Strange Land?»»

Jürgen Moltmann,» «How Can I Play, When I'm in a Strange Land?»»

(Jeremiah 15:20) It is not strange, therefore, that when temple and altar were destroyed by Nebuchadnezzar, and the exiles in Babylon, bereft of their sacrificial system, were in confusion, Jeremiah's faith was expressed in a message to them concerning personal prayer — anywhere, in any land, sacrifices or no sacrifices, the God of Israel was saying to his people, «Ye shall call upon me, and ye shall go and pray unto me, and I will hearken unto you.

When Abram next impatiently demands proof that he will indeed inherit the promised land, God enacts the awe - inspiring covenant - between - the - sacrificial - pieces and, in the eerie darkness, gives Abram some bad news: not he but only his seed will inherit the land, and then only after they have suffered four hundred years of slavery as strangers in a strange land.

It was easy for me, then, to become cynical about the faith that I was raised in, to punch the holes into the theology of the people I grew up with and spot the gaps in the preaching and methods, and point a finger of blame when «they» got it wrong, to separate myself from the culture and, like most kids raised by immigrant parents (because, in a way, my parents were like immigrants to this strange new land of Christianity), I took for granted my life in the new Kingdom, completely unable to imagine a life without freedom, without joy, without Jesus.

But in the strange land, the fact that he is a son is a judgment against him, and when he realizes his position, a grief.

Who knows when that new number will land in strange hands?

When everyone was so certain La La Land was the winner last year, to have that certainty upended in such a strange way - almost like a dream - we are now all second guessing ourselves...

And in terms of grappling with the exploitation that women can face when arriving in unknown lands and opting to consort with strange men, this is vastly inferior to Lars Von Trier's Dogville.

But Cheshire himself admitted, «When the millennial clock ticks over, we will all be strangers in a strange land.»

SYNOPSIS: Dr. Louise Banks, a celebrated linguist reeling from personal tragedy, is called in by the military to decode the language of an alien civilisation when a strange spacecraft lands in Montana... There's a human -LSB-...]

What do you get when you take what is probably the greatest baseball film ever made («Eight Men Out»), a magical Irish fairytale («The Secret of Roan Inish»), a strange science fiction film about a mute, black alien who lands in Harlem («The Brother from Another Planet») and one of the best mystery / suspense films in recent years («Lone Star»)?

When Fred and Elly Bulkington arrive in a small town on the southern coast of Ireland from Vermont, having won a pub in a contest, they encounter a wild, strange land and the native resistance to outsiders.

When we listened to Iron Maiden's «Stranger in a Strange Land,» Adrian Smith's driving guitar and Bruce Dickinson's swelling vocals easily filled our apartment.

But when their careful strategy begins to crack, Niema and John take flight in a strange land — and find their partnership sparking with an erotically charged, unquenchable electricity.

Some of these planets look strange from space, like a metallic ball but when you land on them they sport dense environments that look like nothing else in the game full of new floating machines, hovering crystals and much more.

I bought Hyrule Castle (and Dream Land in the past) and I wasn't so satisfied... I'm sorry, I guess the N64 stages are too outdated, and when you pause it, it looks so strange when you spin the camera.

When I did the former, the fisherman carried me to dry land — just some random stranger in murky water that needed a lift, to his eyes.

When we stand in front of Andrews» view of the estuary, that point where water abuts land, we experience a strange feeling of vertigo.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timIn St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin many of the carvings of this time.

To point out just a couple of things: — oceans warming slower (or cooling slower) than lands on long - time trends is absolutely normal, because water is more difficult both to warm or to cool (I mean, we require both a bigger heat flow and more time); at the contrary, I see as a non-sense theory (made by some serrist, but don't know who) that oceans are storing up heat, and that suddenly they will release such heat as a positive feedback: or the water warms than no heat can be considered ad «stored» (we have no phase change inside oceans, so no latent heat) or oceans begin to release heat but in the same time they have to cool (because they are losing heat); so, I don't feel strange that in last years land temperatures for some series (NCDC and GISS) can be heating up while oceans are slightly cooling, but I feel strange that they are heating up so much to reverse global trend from slightly negative / stable to slightly positive; but, in the end, all this is not an evidence that lands» warming is led by UHI (but, this effect, I would not exclude it from having a small part in temperature trends for some regional area, but just small); both because, as writtend, it is normal to have waters warming slower than lands, and because lands» temperatures are often measured in a not so precise way (despite they continue to give us a global uncertainity in TT values which is barely the instrumental's one)-- but, to point out, HadCRU and MSU of last years (I mean always 2002 - 2006) follow much better waters» temperatures trend; — metropolis and larger cities temperature trends actually show an increase in UHI effect, but I think the sites are few, and the covered area is very small worldwide, so the global effect is very poor (but it still can be sensible for regional effects); but I would not run out a small warming trend for airport measurements due mainly to three things: increasing jet planes traffic, enlarging airports (then more buildings and more asphalt — if you follow motor sports, or simply live in a town / city, you will know how easy they get very warmer than air during day, and how much it can slow night - time cooling) and overall having airports nearer to cities (if not becoming an area inside the city after some decade of hurban growth, e.g. Milan - Linate); — I found no point about UHI in towns and villages; you will tell me they are not large cities; but, in comparison with 20-40-60 years ago when they were «countryside», many small towns and villages have become part of larger hurban areas (at least in Europe and Asia) so examining just larger cities would not be enough in my opinion to get a full view of UHI effect (still remembering that it has a small global effect: we can say many matters are due to UHI instead of GW, maybe even that a small part of measured GW is due to UHI, and that GW measurements are not so precise to make us able to make good analisyses and predictions, but not that GW is due to UHI).

Some strange cases make us chuckle when they force the highest court in the land to seriously consider the

Accidents can occur anytime, and travelers will be exposed to a greater risk of accidents when they are in a strange land.