Spread the mixture
in a thin layer onto the lined baking sheet.
While still under high temperatures, the vapor is then deposited
in a thin layer onto the substrate.
Not exact matches
You just stew the rhubarb with maple syrup until jammy, spread it out
onto some parchment paper
in a
thin layer, and let it freeze before blending it with the frozen coconut milk.
Scrape all of the chocolate
onto one sheet, and use an offset metal spatula (a rubber spatula will do
in a pinch) to spread the chocolate
in an even
layer, a bit
thinner than the cover of a file folder.
Pour the caramel immediately
onto the parchment paper
in a
thin, even
layer.
Let cakes cool
in the pans for fifteen minutes before running a small,
thin knife around the edge of the pans and inverting the
layers onto a rack.
Stir the batter again and pour 1/3 cup
onto the skillet
in a very
thin layer.
Spread
onto your parchment paper
in a
thin, even
layer and bake for 30 minutes.
Using an offset spatula, spread a
thin layer of chocolate
onto the parchment
in an (approx.)
First, I spread the almond meal
onto a cookie sheet
in a
thin layer and dry it
in the oven at 200 degrees for about an hour.
Most of them are produced
in vacuum chambers that use tons of energy to deposit
thin layers of semiconductor materials
onto a flawless wafer.
«Our group discovered a way to use sphere packing to get all sorts of materials to behave themselves
in a water solution before they are sprayed
onto surfaces
in thin layers and assembled into a module.
First, I spread the almond meal
onto a cookie sheet
in a
thin layer and dry it
in the oven at 200 degrees for about an hour.
Warm a small amount
in hands and apply a
thin layer onto skin.
Tap it
onto sun spots, red blotches, and blemishes that are showing through your foundation or tinted moisturizer using a damp sponge and
onto blemishes with a
thin concealer brush — again, you want to apply it
in thin layers, says Mercier.
This is when you take a transparent colour and apply it undiluted straight
onto the image
in a
thin layer.
Unlike the surfaces of earlier paintings,
in which
thin layers of rolled acrylic paint constituted the backgrounds
onto which black pixelated images were silkscreened, the backgrounds of the Shadows canvases were painted with a sponge mop, whose streaks and trails add «gesture» to the picture plane.
In his early career, Olitski depicted abstract shapes with thick, heavily impastoed surfaces, but later took to
layering thin films of spraypaint
onto his canvases, creating a trademark atmospheric effect.
The
layers can be developed
in much the same way a laser printer works
in that a
thin layer of powder gets distributed
onto the base
in accordance with the blueprint specifications, the powder is bound together by heat or by way of a binding agent and a new
layer is added until the desired object is complete.