Sentences with phrase «in a thriller movie»

Despite being trapped with potential killers due to their own decision - making, they make intelligent decisions, making them more than the stupid victims in a thriller movie.

The 33 - year - old actress will star opposite Aaron Paul and Danny Murphy in the thriller movie which will be directed by Christopher Cantwell from a script by Darren Lemke.

The 33 - year - old actress will star opposite Aaron Paul and Danny Murphy in the thriller movie...

Not exact matches

Even if you like «There Will Be Blood» slightly more, this is still a masterful thriller, and it was the best movie to take home the big prize in ages.

In 2013, she abandoned the corporate life to make a movie, a still - unreleased indie thriller, called «Veracruz.»

Star Wars offers tasty morsels of the western, monster movie, swashbuckler, historical epic and sci - fi thriller all in one package.

A film maker who used Western New York to shoot a holiday - themed movie, and then later a mystery - thriller, is once again in the Buffalo area to shoot some holiday spirit.

Memory loss has been a stock movie plot device since the release of 1940s melodramas like Random Harvest, but lately it seems to be everywhere: in mysteries (Memento), in thrillers (Paycheck), and even in comedies (50 First Dates).

Any number of thrillers or action movies should convince us that the first and most important stratagem in defeating an enemy is getting inside his fortress or camp.

Forget the headphones you saw in the Warner Brothers thriller Contact, as well as the guttural throbs emanating from loudspeakers at the Very Large Array in that 1997 movie.

The recently - released movie «Catfish» is a documentary - thriller about New York - based photographer Nev Shulman who engaged in a long - distance romantic relationship with a woman he met on the Internet.

I also like to just stay in and watch movie, I like all kinds of movies (thriller, adventure, action, comedy) and music (rnb, Zou..

The Interpreter tries to cast itself in the Hitchcockian tradition of Secret Agent and The Man Who Knew Too Much, but apart from the film's climactic bus sequence and another nicely crafted sequence toward the movie's end, this thriller never visually builds much tension or suspense.

James McTeigue's Breaking In is the sort of incompetently constructed thriller that gives B movies a bad name.

Where was the drama, thriller / suspense in this movie?

But even other «minor» flaws in the editing, lighting and shaky camera - work are not in any way less responsible for this movie turning out to be the most campy thriller with a decent cast I've seen in quite some time.

Argo trots out every thriller / horror movie convention one can cite in its pursuit of a «nick of time» escape story.

By 1965, she was working in Black Spurs, one of producer A.C. Lyles» B - Westerns, renowned for their use of aging genre stars, and Owens retired from movies after portraying Richard Egan's love interest in the low - budget espionage thriller The Destructors (1968).

Although the problems appear to have had an impact on the final product, especially in the uneven tone of the comparatively smaller - scale finale and the unsatisfying epilogue, it's a bit of a pleasant surprise that the movie manages to hold together even through some turbulent patches to be worthwhile viewing for anyone not expecting much more than a grandiose, set - piece dominated horror - thriller.

Yet another in the seemingly endless line of stupid, generic thrillers that Hollywood foists upon the movie - going public.

A gripping thriller — calling it a «zombie» movie in a way belittles it by placing it in a «cheap movie» category of the past, which is inaccurate.

The premise is right up there with any Charlie Kaufman film (Being John Malkovich, Eternal Sunshine of the Spotless Mind, Scynecdoche New York), containing so much juicy potential for interpersonal revelations, but the entire set up is thrown away in the third act for a «thriller» movie that came out of nowhere and does nothing but add a period in the middle of the sentence.

The Movie: The idea of George Clooney playing a (mostly) silent assassin holed up in the Italian countryside with gorgeous European women sounds like recipe for a solid dramatic experience, so why Focus Features is marketing «The American» as some sort of action thriller when in fact it's an arty European film, will throw some moviegoers off and just outright anger others.

It's almost a guarantee that January, typically a barren month for movie releases, will be littered with sub-par action thrillers starring angry men; take a chance on In the Fade instead.

Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house.

Her first big movie break was as a lead in Paul Verhoeven's thriller Basic Instinct Jeanne has also starred along side Tom Cruise's as his wife in the box - office hit The Firm.

If that's the random pastime they're playing at, here's our stab: the movie's repeat references to «Fight Club» bring David Fincher to mind, and in turn, Fincher's amusement - gone - awry thriller «The Game.»

Essentially In the Fade is a revenge thriller without many thrills, and poses as a heavy - duty message movie that is really only a pulp thriller.

Steven Soderbergh's last theatrically released movie prior to his self - imposed retirement (he also has an HBO drama about the life of Liberace arriving this summer) is a thriller set in the world of the pharmaceutical industry.

In contrast to the tonally exploitative, post-9 / 11 catastrophe smut of the Avengers tentpoles, the former plays as a clever espionage thriller built on political intrigue, disguised as a comic book movie.

A backwoods teenager (Jamie Bell) and his little brother who suffers from an eating disorder must go on the run from their crazed, vengeful uncle (Josh Lucas) in this crime thriller that harkens back to the rural - set B - movies from the»70s.

Though it has all the crackling energy and wit of many a»70s political thriller (with an unusually mobile, roving camera for a Spielberg drama), the movie boils down to a single stately moment, one in which a woman asserts her authority in a way that even her male subordinates, who technically report to her, are unprepared for.

Even if it isn't 10 % of the capacity to be an intelligent sci - fi thriller, it's an above - par action and special effects movie, so if you go into it expecting no more than that, it will deliver the goods in no short supply.

In all fairness this isn't a Twilight movie, in fact its a pretty dark menacing werewolf thriller which actually manages to provide us with a half decent Jason Momoa performance, he actually fits herIn all fairness this isn't a Twilight movie, in fact its a pretty dark menacing werewolf thriller which actually manages to provide us with a half decent Jason Momoa performance, he actually fits herin fact its a pretty dark menacing werewolf thriller which actually manages to provide us with a half decent Jason Momoa performance, he actually fits here.

Unlike series co-star Biel, Mitchell remained with the program throughout its run, and through many character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn in the fantasy - action thriller The Crow: City of Angels, and continued intermittent film appearances (such as a supporting role in 2005's slasher movie Saw II), she made no secret of her real passion: performing country music as a guitarist and vocalist.

Like all good message movies, ’71 encapsulates its message in an absorbing thriller that can be enjoyed in its own right.

«Breaking In» was clearly designed as much a marketing proposition as a movie, a thriller whose twist on the formula is predicated in part on casting an African - American woman in the kind of role generally inhabited by guys like Liam Neeson — and as an added bonus, just in time for Mother's DaIn» was clearly designed as much a marketing proposition as a movie, a thriller whose twist on the formula is predicated in part on casting an African - American woman in the kind of role generally inhabited by guys like Liam Neeson — and as an added bonus, just in time for Mother's Dain part on casting an African - American woman in the kind of role generally inhabited by guys like Liam Neeson — and as an added bonus, just in time for Mother's Dain the kind of role generally inhabited by guys like Liam Neeson — and as an added bonus, just in time for Mother's Dain time for Mother's Day.

The movie just takes you in a cruise full of action and mind bending thriller which no one has seen yet.

It's a terrific movie — intelligent, magnificently acted, highly compelling as a thriller, and downright scary in its implications for the corporate - run world of the new millennium.

There were some thrillers in this movie but i

In his director's statement, Damien Power, who also wrote the script, cites»70s «survival thrillers» as his inspiration, and like «The Texas Chainsaw Massacre,» this movie has the hallmarks of torture porn: gratuitous slaughter, remorseless murderers and gruesome acts.

My friend always said a thriller should have a psychological facet in a movie.

Written by Coogler and Joe Robert Cole (a veteran of Marvel Studios» bygone in - house writers program), Black Panther combines many of the best elements of MCU films past, including: the Shakespearean royal family drama of the Thor movies, the political thriller elements of Civil War and Captain America: The Winter Soldier, and even the sci - fi tech aspects of the Iron Man films.

This is an unmistakably Asian variant on the action movie, a sleek, slick, entertaining espionage thriller in the John Woo mold.

The bus scene (stupidly spoiled in the movie's trailer) and the climax are intense enough, but the rest is all slow and quiet — which is OK, but for a thriller?

Best political action - thriller and best Jackie movie in many years.

The Departed comes by its puzzle pieces honestly — the movie, with an outstanding script by Kingdom of Heaven screenwriter William Monahan, is a relatively direct adaptation of Infernal Affairs, a great 2002 Hong Kong crime thriller steeped in Chinese conundrum and Hong Kong aesthetics.

The best horror / thriller movie I have seen in a long long while.

Michael Mann's Collateral might be more of a thriller than an action movie, but it had some of the same regular - guy - in - impossible - situation thrills as Die Hard.

Argo is a valentine to the cinema in the very convincing drag of a political thriller; a closing title reveals that Chambers was literally declared a national hero for his work with Mendez, and it's the movie's sly mission to get us thinking of him as a figurative one as well, for all those great ape makeups.