Sentences with phrase «in a vertical line from»

Your wrists, elbows, and shoulders should be stacked in a vertical line from the ground.

Not exact matches

In the more recent GM meetings, he was one of the ~ 10 GMs pushing to get it changed from skate behind the line and on the ice to just behind the line, the vertical plane blue line, if you will.
The way the bar is supposed to travel when looking from the sides is in a straight vertical line.
If you spot a vertical line in any shade of brown extending from cuticle to the tip of your fingernail, make sure to check in with your dermatologist.
And since a proper bench press involves moving the bar diagonally from your mid-chest over your shoulders instead of moving it in a vertical line, the flared elbows become a recipe for a nasty shoulder injury.
But even this could be improved to provide more benefit - rather than just squatting from a stand to sit in a straight vertical line, we could experiment with twists and rotation as we lower.
Instead, focus on the center of your face, applying the product on in a T shape — a horizontal line stretching from one under eye area to the next, and a vertical line down the center of your face, from the bridge of your nose down to your chin.
In order to distract the eye from focussing on your torso, and to lengthen the vertical line from your face, neck to your torso, opt for V - neck tunics or v - neck tops that hit just on your hipbone.
Made from polyester with a viscose lining, this dress has a stunning array of beadwork laid out in diamond, medallion and vertical patterns.
In this activity, students propose and examine a variety of methods for identifying the best fit line such as eyeballing it, finding a balanced line, such that the same number of points are above and below it, minimizing the sum of the shortest distances from each point to the line, looking at the sum of the absolute vertical distances from the points to the line, and using the sum of the squared vertical distances.
Strong character lines help break up the vertical height of the door panels, while rounded rear fenders flare from the sheetmetal in dramatic fashion.
It had the flared out body and high, vertical fins rising from each corner of the rear deck like other factory K - body cars in «71, and lined up for the start with the 4.9 - litre 600bhp engine — as did all the factory cars at Le Mans that year.
Active front grille, with grille louvers that open when the fuel cell stack requires cooling Full underbody aerodynamic cover Left - and right - hand charging ports incorporated in stylish front fender vents Flush door handles that feature push - to - release operation Wind tunnel - shaped outside mirrors with integral turn signals Center high - mounted rear stop lamp incorporated into full - width, wraparound spoiler Signature vertical taillamps with subtle fin design Side glass mounted flush with pillars Wheels with clear - covered space between the spokes, creating a sleeker profile while maintaining Cadillac's signature bold wheel design Low - drag roof rack «From the strong, shield grille and vertical headlamps to the crisp body lines, the Provoq is instantly recognizable as a contemporary Cadillac,» said Hoon Kim, exterior lead designer.
On the sides we do find the special side sills from DMC, for their Stage 1 AFFARI setup these have a small vertical fin just behind the front wheels while towards the rear these sills rise again to follow the lines of the lower air intake in front of the rear wheels... style and function combined as these «winglets» help to keep the airflow around the Bull stabilized, even at high speed.
They are well laid back, so that from the side the tips of the shoulder blades are in a nearly vertical line above the elbow.
The dog is asked to sit and then the treat is brought from the dog's nose down in a vertical line towards the middle of his front legs.
Bonus points are awarded in a variety of instances such as Speed Streak for correctly placing multiple puzzle pieces in quick succession; Accuracy Streak for positioning multiple pieces consecutively without a mistake; Line Bonus for placing 3 or more pieces in a horizontal or vertical line; Isthmus Bonus for placing a piece in a manner that connects pieces together from two areas of the puzzle; and a Hidden Points bonus for placing puzzle pieces within areas that contain a hidden quantity of poiLine Bonus for placing 3 or more pieces in a horizontal or vertical line; Isthmus Bonus for placing a piece in a manner that connects pieces together from two areas of the puzzle; and a Hidden Points bonus for placing puzzle pieces within areas that contain a hidden quantity of poiline; Isthmus Bonus for placing a piece in a manner that connects pieces together from two areas of the puzzle; and a Hidden Points bonus for placing puzzle pieces within areas that contain a hidden quantity of points.
Captain Falcon's Twister Race is a time - trial racing game where you steer the world instead of your craft - viewing an F - Zero track from the top down on the GamePad, you twist it in your hands to line the track up with your speeding ship - while Donkey Kong's Crash Course has you tilting a vertical maze to guide a spring cart down through it, like a ball bearing game.
When one looks at Yellow Jacket, 1969, one notices yellow used in a variety of ways: On the right, narrow vertical lines of yellow are tightly interspersed with orange lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime green.
In the paintings and drawings he made while in residence at the American Academy in 1970 and 1971, one readily recognizes the spatial dynamics of Guston's entire oeuvre, the latent or overtly stated matrix of vertical and horizontal lines that derive from the structure of Renaissance perspective that was subsequently collapsed by Cubism and flattened by MondriaIn the paintings and drawings he made while in residence at the American Academy in 1970 and 1971, one readily recognizes the spatial dynamics of Guston's entire oeuvre, the latent or overtly stated matrix of vertical and horizontal lines that derive from the structure of Renaissance perspective that was subsequently collapsed by Cubism and flattened by Mondriain residence at the American Academy in 1970 and 1971, one readily recognizes the spatial dynamics of Guston's entire oeuvre, the latent or overtly stated matrix of vertical and horizontal lines that derive from the structure of Renaissance perspective that was subsequently collapsed by Cubism and flattened by Mondriain 1970 and 1971, one readily recognizes the spatial dynamics of Guston's entire oeuvre, the latent or overtly stated matrix of vertical and horizontal lines that derive from the structure of Renaissance perspective that was subsequently collapsed by Cubism and flattened by Mondrian.
Gradually, recognizable forms begin to emerge from the midst of this elemental drama: the unmistakable almond shape of an eye, repeated in skewed alignment and bisected by vertical cascading lines that suggest the bridge of a nose.
His best - known pieces are a series of canvases, usually vertical in orientation and rendered in lustrous passages of stenciled oil stick, which lift and repeat selected lines from the writings of James Baldwin.
(which also reads as a homage to Mr. Johns's work); the radiating diamond pattern of «Zambezi»; and the velvety cascade of «Point of Pines,» in which parallel diagonal stripes slant downward from the vertical center line of the canvas.
The results have more of the elegant austerity of Barnett Newman: one of the works dating to 1980 in his From Line series, comprises a single vertical stroke.
They include predetermined drawings in which a squiggly line is scrawled in ink from the top to the bottom of a page, or there are other versions in which the vertical squiggly line is intercepted by a horizontal squiggly line.
In his vertical poems, Andre experimented with form and the disruption of language by taking words from their common architectural orientation (horizontal lines that read left to right) and re-ordering them to create a new system of reading; the words are stacked on top of each other as individual particles, but still construct a readable sentence.
Swaggering, curved lines from beneath are held in check by streaming, blurred, white horizontals with blurred black verticals on top; and if that were not enough to disquiet the soul, Scully marches forth with another layer of ochre and pink striations at indeterminate intervals, seamlessly putting each of them in place.»
After Pittsburgh, Driggs» most acclaimed work was probably Queensborough Bridge (1927), now in the collection of the Montclair Art Museum, depicting shafts of light as rigid Futurist - style «lines of force» sweeping through the massive verticals of the East River bridge, a structure she had studied from her apartment window on Second Avenue.
Occupying both floors of the massive gallery, the exhibition features one of the first works that the artist made of his own body using a plaster mold and a lead skin, titled Bridge, from his 1985 series Bodycases, and a new work that takes the grid of horizontal and vertical lines in Bridge as the point of departure for a freestanding sculpture that maps the internal volumes of the body.
Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.
Unlike the typical three - part «U» lines in the Opens, August Sea No. 3 is marked by only two black lines, with a horizontal line jutting across the center of the painting to be met in askew perpendicular fashion by a vertical line extending from the top of the composition.
It's smart, too, if only for the surprising formal rhyme, to have Hank Willis Thomas's sardonic photograph, «Basketball and Chain» — a basketball hanging from a taut vertical string attached to the sneakered foot of a black basketball player — in the same eye - line as Richard Artschwager's «Exclamation Point.»
Secondary coats and vertical lines are prudently reserved to demarcate figures from the ground in his arrangements, or are only applied when necessary.
The exhibition features one of his first Cor - ten steel Stacks from 1989, composed of six identical units hung on a wall in a vertical line.
His vertical stripes in the 1960s varied, from wide bands of candy - colored hues to thin lines clustered on the left and right side of the canvas, flanking a blank center.
Comprising built up layers of torn white paper and PVA glue in loosely alternating rectangles of horizontal and vertical lines and resembling ploughed fields seen from the air, the structure is both accentuated and denied by the way the light and shadow is distributed over the uneven surface.
All this Global Warming if you plot it on a graph with the vertical y - axis incremented in whole degrees you could free hand a straight line starting from the end of the Little Ice Age all the way to the current day and see there has been no dramatic global average temperature change since the turn of the 19th century.
The fraction of fossil fuel without CCS is indicated by the horizontal lines to the right (diagonal) axis; the fraction of fossil fuel with CCS by diagonal lines from upper right to lower left on the vertical axis; the fraction of renewables and nuclear by the diagonal lines in the opposite direction to the left (diagonal) axis.
F. Onto the graphs downloaded on January 10 from the USHCN, I superimposed changes in instrumentation (designated by the vertical red lines) and changes in location (designated by the blue arrows).
However, for such an ambitious target as 1.5 C, 0.3 C can make a substantial difference when calculating how much remaining CO2 we can still emit without pushing us over 1.5 C of warming when the remaining budget is calculated by simply subtracting off estimates of cumulative emissions to date from the ESM - based budgets for 1.5 C relative to preindustrial (i.e. the horizontal difference between the cross and the vertical dashed black line in the figure above).
To arrange your notes in Cornell fashion, take your standard legal pad and draw a thick vertical line down the left - hand side of the paper, approximately 2 - 3 inches from the side of the page.
PROFESSIONAL SUMMARY * Senior Executive with broad - based success in operations, business development, product line management, customer service, marketing and P&L management * Assisted in leading a young company from $ 800,000 to over $ 30 million in annual sales * Aggressive profit growth and success in several vertical markets * Experienced in strategic planning, best practice development, acquisitions / divestitures, budgeti...
I have a slider that is the direct sight line from my entry door and I would love to remove the vertical blinds (yuck) but was at a loss until I saw the valance in your pictures, love it.
a b c d e f g h i j k l m n o p q r s t u v w x y z