Sentences with phrase «in a work of art requires»

Finally, I disagree completely with the idea that «human content» in a work of art requires complexity.

Not exact matches

We aren't told what Thompson believes now» and his art does not require us to place him in any doctrinal camp» but by the end of Habibi he seems to have least worked his way to a beautiful observation: «God's followers worship not out of the hope for reward nor fear of punishment but out of love.»

Talking is an art, but not an art of the individual creator; it is a social art, requiring the ability to work with others in a cooperative creative venture.

It's fitting that «s checking out art at a Violet Grey event in L.A., because the amount of architecture required to keep her interestingly structured romper in place is a work of art in itself.

Beyond that, though, Wheatley's delivers yet another head - trip of ideas, an extremely abstract work of art that requires the film to sink in and rattle around before the true genius at work is allowed to come to the forefront of your mind.

According to him, while Shakespeare (played by Rafe Spall) was gracing the stage in playwright Ben Johnson's (Sebastian Armesto) works, the latter was approached by Edward de Vere (Rhys Ifans), The Earl of Oxford, who desperately searched for someone to publish his works under, as his status as royalty and the perception that the art scene was a breeding ground for evil required strict anonymity.

In the Humanities a work of art is infinite, and your research can take as many years as you require.

Add to this nebulous college entrance environment the challenge presented by the proliferation of four - year high schools, whose numbers skyrocketed from 2,526 in 1890 to 10,213 in 1910, and it is easy to see why the trustees of the Carnegie Foundation felt the need to define college: «An institution to be ranked a college must have at least six (6) professors giving their entire time to college and university work, a course of four full years in liberal arts and sciences, and should require for admission not less than the usual four years of academic or high school preparation, or its equivalent, in addition to the preacademic or grammar school studies.»

«Any pursuit of excellence, be it in sports, the arts, or academics, requires hard work.

Strong technical skills, particularly in integrating technology in the classroom to drive academic achievement Demonstrated volunteer or community service At least one (or more) of the following: o National Board Certificationo TAP Experience (sign on bonus for TAP certification) o Core Knowledge Experienceo Experience with Blended Learningo At least two years of successful teaching in an urban environment ESSENTIAL POSITION FUNCTIONS: An Elementary School teacher is required to perform the following duties: Plan and implement a blended learning environment, providing direct and indirect instruction in the areas of Social Studies, Science, Language Arts, Health, and Mathematics based on state standards Participation in all TAP requirements, focusing on data - driven instruction Create inviting, innovative and engaging learning environment that develops student critical thinking and problem solving skills Prepare students for strong academic achievement and passing of all required assessments Communicate regularly with parents Continually assess student progress toward mastery of standards and keep students and parents well informed of student progress by collecting and tracking data, providing daily feedback, weekly assessments, and occasional parent / teacher conferences Work with the Special Education teachers and administration to serve special needs students in the classroom Attend all grade level and staff meetings and attend designated school functions outside of school hours Establish and enforce rules for behavior and procedures for maintaining order among the students for whom you are responsible Accept and incorporate feedback and coaching from administrative staff Perform necessary duties including but not limited to morning, lunch, dismissal, and after - school duties Preforms other duties, as deemed appropriate, by the principal Dress professionally and uphold all school policies

A primary goal of the work has been to understand educator engagement with RW training resources and its influence on making instructional shifts in English language arts and literacy that are required by the Common Core State Standards.

The Master of Arts in Teaching — TESOL program requires a minimum of 24 units and is tailored to work with working professionals» schedules.

Working in state - of - the - art surgical facilities, we address most conditions requiring surgical care, including:

Whether your pet needs to be spayed or requires another type of surgery, we will work to help your pet in our state - of - the - art surgical facility.

Now I read that even if a piece is sold, the artist: 1) Isn't informed about shipping addresses; 2) Isn't assured that they have or will be paid; 3) Is responsible for paying the buyer's sales tax bill; 4) Presumably is required to forward sales tax funds to the buyer's state department of revenue; 5) Has money / time invested in shipping a parcel to a potential buyer who may or may not return the art a week later (like a toaster oven); 6) Has language like the following within their user agreement: royalty - free, sub-licensable through multiple tiers, perpetual, irrevocable, worldwide right and license to use, reproduce, distribute, modify, translate, create derivative works from, publish, publicly perform and publicly display such User Content and any names, likenesses or trademarks depicted in such User Content, in any media now known or later developed, only for the purposes of developing, promoting and providing the Site.»

Monday June 8th Life Painting @ Hillyer Art Space «An independent figure drawing class that allows students to work from a nude model in your choice of mediums.While easels, chairs and artistic ambiance are provided by Hillyer, artists are required to bring their own drawing materials.

It's a relatively traditional program, requiring students to pass a comprehensive exam (that means learning the details and significance of 300 + works of art from around the world, still weighted towards major Western works of art from antiquity through the contemporary period) and passing a reading exam in a second language (German, Italian, Spanish, or French).

The work, which has since been re-imagined and restaged in various venues, is now regarded as one of the first instances of relational aesthetics — works that require their audience to become social participants in art.

Known for their pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes: some impressive examples of these artistic exploits will be on display at Almine Rech Gallery.

He placed his work in the realm of the sacred, and his later works continued to reflect his pursuit of creating art that requires internal discovery both on the part of the artist and the viewer.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

The works in this exhibition span a wide range of techniques, styles, and intentions, involving a self - analysis that requires a balance between the rational and the intuited, connecting the artists in this frequently shifting art domain.

1 - 4 p.m. Ages 8 - 17, art activities take place in Studio 1 Ages 3 - 7, art activities take place in Studio 2 Recommended for families with children ages 3 — 17 Free, no registration required Make our Open Studio Program part of your Sunday family fun by enjoying «make - it, take - it» art projects inspired by a select work of art from our world - renowned collection.

There is a playfulness embedded in the dinosaurs that at first feels distinct from the gravity of the figures, as the toy - size scale and papier - mâché are reminiscent of children's arts and crafts classes and the balata requires the artist to work quickly and intuitively to create the forms, which results in a raw, handmade quality.

The Community Arts Engagement Minor is for students who wish to work in art / design education and socially engaged art / design practices in venues that do not require a teaching credential, such as K - 12 private schools, museum education departments, community arts centers, correctional facilities, therapeutic arts programs, design companies that focus on educational materials, and the use of art and design as an agent for positive social chaArts Engagement Minor is for students who wish to work in art / design education and socially engaged art / design practices in venues that do not require a teaching credential, such as K - 12 private schools, museum education departments, community arts centers, correctional facilities, therapeutic arts programs, design companies that focus on educational materials, and the use of art and design as an agent for positive social chaarts centers, correctional facilities, therapeutic arts programs, design companies that focus on educational materials, and the use of art and design as an agent for positive social chaarts programs, design companies that focus on educational materials, and the use of art and design as an agent for positive social change.

The House Management department at the Wexner Center for the Arts is currently in need of an outstanding Artist Services Assistant (Federal Work - Study Job ID: 4896) who is willing to be as flexible with their time as our world - class performing arts programming requires, which often includes evening and weekend hoArts is currently in need of an outstanding Artist Services Assistant (Federal Work - Study Job ID: 4896) who is willing to be as flexible with their time as our world - class performing arts programming requires, which often includes evening and weekend hoarts programming requires, which often includes evening and weekend hours.

An important collection required having only the best works of a certain period, and Ebsworth felt that modern American art was more accessible in terms of scholarship, more affordable than older masterpieces, and connected to the life of our times.

Monday March 30th Life Drawing @Hillyer Art Space «An independent figure drawing class that allows students to work from a nude model in your choice of mediums.While easels, chairs and artistic ambiance are provided by Hillyer, artists are required to bring their own drawing materials.

Monday March 23rd Life Drawing @Hillyer Art Space «An independent figure drawing class that allows students to work from a nude model in your choice of mediums.While easels, chairs and artistic ambiance are provided by Hillyer, artists are required to bring their own drawing materials.

Monday May 18th Life Painting @ Hillyer Art Space «An independent figure drawing class that allows students to work from a nude model in your choice of mediums.While easels, chairs and artistic ambiance are provided by Hillyer, artists are required to bring their own drawing materials.

2003 Fresh: Works on Paper, a Fifth Anniversary Exhibition - James Kelly Contemporary, Santa Fe, NM Collection D'Estampes Contemporaines - Galerie Akié Arichi, Paris Entre el clavel y la espada: Rafael Alberti en su siglo - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla Classic Works From the 1960s - Loretta Howard Gallery, New York City, NY Black White - Danese, New York City, NY The Eunice and Hal David Collection of 19th and 20th Century Works on Paper - Hammer Museum, Los Angeles, CA The Eighties - Part II: USA - Galerie Klüser, Munich Grafik - Art Forum Ute Barth, Zurich El Expresionismo Abstracto Americano en las Colecciones Españolas - Museo de Arte Contemporáneo Esteban Vicente, Segovia The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp - MFAH — Museum of Fine Arts Houston, Houston, TX Some Assembly Required - Collage Culture in Post-War America - Polk Museum of Art, Lakeland, FL Roads Taken: 20th Century Prints and Drawings from the Collection - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA American Art - The Wilfred Davis Fletcher Collection - Boise Art Museum BAM, Boise, ID Pairings — Hackett Freedman Gallery, San Francisco, CA (closed, 2009) Some Assembly Required: Collage Culture in Post-War America - MMoCA - The Madison Museum of Contemporary Art, Madison, WI Motherwell, Hartung, Fruhtrunk, Sonderborg, Vedova, Trökes - Galerie Dube - Heynig, Munich A Century of Painting - From Renior to Rothko — Guggenheim Hermitage Museum, Las Vegas, NV Trace Evidence - Frederick R. Weisman Art Museum, Minneapolis, MN Leckerbissen - Fischerplatz Galerie, Ulm Graphic Works from the Lopez Collection - Cirrus Gallery, Los Angeles, CA Painting Explosion - 1958 1963, Part I - Blanton Museum of Art, Austin, TX Abstract Expressionism - Art Movement in the 20th Century - Tehran Museum of Contemporary Art, Tehran

Many of the works in the show (by artists like Vito Acconci, Daniel Buren, Art & Language, Jan Dibbets, Ed Ruscha, Robert Smithson, Jeff Wall, and Dennis Oppenheim) required audience participation or activation, the most notorious example being Hans Haacke's MoMA Poll, wherein museum visitors were surveyed about then - governor Nelson Rockefeller's attitude towards President Nixon's policies in Indochina.

Minimalism Appearing in the 1960s, Materialism's abstract aesthetic required the audience to no longer attempt to imagine what a work of art represented, but rather to react to what they see.

In his introduction to 50 West Coast Artists, published three decades later (1981) by the San Francisco Museum of Modern Art, its director framed «the question of local designation» as an abiding problem for art history as well as for artists and the art world: «It seems to emerge from the unspoken and challenged tendency on the part of New York writers to assume that artists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» designatiArt, its director framed «the question of local designation» as an abiding problem for art history as well as for artists and the art world: «It seems to emerge from the unspoken and challenged tendency on the part of New York writers to assume that artists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» designatiart history as well as for artists and the art world: «It seems to emerge from the unspoken and challenged tendency on the part of New York writers to assume that artists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» designatiart world: «It seems to emerge from the unspoken and challenged tendency on the part of New York writers to assume that artists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» designatiart and therefore don't require a «New York» designation.

He pointed out that exhibitions are not collected nor have they been documented with the consistency and depth that historical research requires, leaving in obscurity the work and imagination of curators who absorbed the lore of their elders and informally passed on their accumulated expertise to the succeeding generation: Only by comprehending those genealogies can we understand how some objects rather than others entered into conventional art history.

VSR Art historians sometimes make the conscious decision not to write about living artists because it requires a whole different set of negotiations than looking at a completed body of work and trying to contextualize and interpret it in the light of whatever documentation is left.

2002 Creative Expressions: Prints and Works on Paper, Tobey C. Moss Gallery, Los Angeles, CA Free Expressions: Community Voices and Contemporary African American Art from the Collection, Newark Museum, Newark, NJ African - American Art: 20th Century Masterworks, IX, Michael Rosenfeld Gallery, New York, NY; Tubman African American Museum, Macon, GA Consequences of Empire, Public Resource Center for Activism and Arts, Washington, DC Successions: Prints by African - American Artists from the Jean & Robert Steele Collection, Art Gallery, University of Maryland, College Park, MD; Carleton College, Northfield, MN; University Art Gallery, University of Scranton, Scranton, PA; Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA; The James E. Lewis Museum of Art, Morgan State University, Baltimore, MD; Art Museum, North Carolina Central University, Durham, NC; Tubman African American Museum, Macon, GA The Belles of Amherst: Contemporary Women Artists, Mead Art Museum, Amherst College, Amherst, MA In Memory: The Art of Afterward, Sidney Mishkin Gallery, Baruch College, New York, NY Personal & Political: The Women's Art Movement, 1969 - 1975, Guild Hall Museum, East Hampton, NY Some Assemblage Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, In Memory: The Art of Afterward, Sidney Mishkin Gallery, Baruch College, New York, NY Personal & Political: The Women's Art Movement, 1969 - 1975, Guild Hall Museum, East Hampton, NY Some Assemblage Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, in Post-War America, Everson Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, FL

For this reason, the work of the artist Fabricio Lopez is unexpectedly refreshing as he uses wood as the matrix of new ideas in arts... His printing procedure requires a gentle yet vigorous process.

Assist in maintaining ongoing exhibitions with works of art that may require daily examination, repair and maintenance.

Situated somewhere between a hobby and work, making art in the studio requires a particular type of semi-private labour.

The Program in Visual Arts presents «You Are Not Required to Fight Fires,» an exhibition of new work by Princeton senior Kathleen Ma, whose mixed media works (audio - video installations, diagrams, and poetry) explore themes of authority, instructions, agency, and individual / collective responsibility.

FREE, no RSVP required 323 W. 39th Street (btwn 8th & 9th Ave.) As part of Armory Arts Week, we invite you to view over 60 artists working in open studios, visit the EFA Project Space, and take a tour of EFA's Robert Blackburn Printmaking Workshop on Tuesday, February 28th from 5:00 - 9:00 pm.

He is known for the broad range of approaches in his art, including works that require multi-disciplinary, collaborative teamwork and works that conjoin cross-cultural aesthetics with complex ideas.

* FREE to the public, no RSVP required * As part of Armory Arts Week, we invite you to view artists working in open studios, visit the EFA Project Space, and take a tour of EFA's Robert Blackburn Printmaking Workshop on Tuesday, March 6th, 2018 from 5:00 - 9:00 pm.

Kindred Spirits is a series of 29 identical portraits of the artist, which she commissioned to be made in China after sending her picture and wrestling with the ideas of production, authorship and how many people are required to make a work of art.

The best artists are so avant - garde that their work baffles their contemporaries and requires a new set of interpretational and art historical tools in order to make sense of their advancements.

The Charity Commission discovered that the Tate spent more than # 700,000 on seven works of art by trustees in the past nine years, but did not seek independent valuations or even require the artist - trustees to leave the room while the purchases were approved.

In their visual resonance, the drawings are outstanding as works of art themselves and provide an intimate view into the playful musings that eventually resulted in huge projects requiring vast amounts of labor and materialIn their visual resonance, the drawings are outstanding as works of art themselves and provide an intimate view into the playful musings that eventually resulted in huge projects requiring vast amounts of labor and materialin huge projects requiring vast amounts of labor and materials.

A major figure in American contemporary art - he was honoured with a full retrospective at the Guggenheim Museum New York in 1970, at the age of 35 - his principal contribution was to disengage the art of sculpture from the process of carving or modelling, and to make works that simply required arranging or placing.

Organised at Almine Rech Gallery by the artist DeWain Valentine, «Plastic Show» is presenting a series of works by five Californian artists (Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-RRB- who have been investigating the potential of plastic (synthetically produced resins) in art:» Known for their pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes.»